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Posts Tagged ‘Mark Holton’

Teen Wolf

Wednesday, August 26th, 2020

August 23, 1985

TEEN WOLF is another Summer of 1985 movie that I already reviewed but wanted to revisit. Now I feel like an asshole that I didn’t find time to do the same for the much better movie LIFEFORCE, but life isn’t fair, is it? I thought it might be interesting to look at TEEN WOLF in the context of the other teen-oriented movies of the time, including the other one with Michael J. Fox. I saw both BACK TO THE FUTURE and this one at the time (one drive-in, one indoors, I believe) but I did not remember that they came out only a few months apart.

It was, in fact, a time of total and complete Foxamania sweeping the nation. He wasn’t a movie star yet, having only done MIDNIGHT MADNESS and CLASS OF 1984, but was in his third season playing young Republican Alex P. Keaton on Family Ties. He was on a break from filming the show so Meredith Baxter Birney could give birth, and got the job to replace Eric Stoltz on BACK TO THE FUTURE during TEEN WOLF. So he was filming this during the day and BACK TO THE FUTURE at night. Meanwhile, The Cosby Show had started and brought way more viewers to the show playing after it. So basically this is Fox at the precise moment he was exploding from child actor to superstar, and at the exact same age as when we saw him as Marty McFly. On the same day, basically. (read the rest of this shit…)

Pee-wee’s Big Adventure

Wednesday, August 12th, 2020

August 9, 1985

In an attempt to put a finger on the ineffable singularity of PEE-WEE’S BIG ADVENTURE, let us consider the Rube Goldberg machines of Summer of 1985 so far:

THE GOONIES. First scene after the prologue. Mikey pulls a string that drops a bowling ball into a bucket and sets off a chain reaction that involves a balloon, a hen, a football and a sprinkler, just to pull open the gate for Chunk. Why? I don’t know. Because it’s cute. Its cool. Kids like it. No reason needed.

BACK TO THE FUTURE. Opening titles. A series of timers act as Doc Brown’s breakfast machine. The coffeemaker turns on, an alarm swings an arm that flips a switch that turns on the morning news, the toaster is toasting, a can of dog food slides down to a robot arm that swings around to a can opener that opens it and it dumps into a dog bowl. It’s not as elaborate or chain reaction based as the GOONIES machine, but it’s more organic to the story because it’s the work of an inventor who’s a genius and a nut and interested in time. And also maybe Steven Spielberg is just into these things, since he produced both movies.

And now, PEE-WEE’S BIG ADVENTURE. Again, the first scene after the prologue. Another breakfast machine. After getting out of bed in the morning, Pee-wee Herman (Paul Reubens in his followup to MEAT BALLS PART II) tells his dog Speck, “Come on, let’s get some breakfast!” He turns on a fan and lights a candle under a string. The reaction involves a row of interlocked pinwheels, a dropping anvil, a toy ferris wheel… this one could be an homage to the one in CHITTY CHITTY BANG BANG, but with the addition of kitsch: an egg rolls through a tube and is cracked open by a Drinking Bird, wooden models of dinosaur skeletons carry bread slices and squeeze oranges, an Abraham Lincoln statue flips pancakes. As the meal is made (and the dog food is served) the orchestral score builds from dreamy, tinkly chimes to a booming, stomping anthem. And in the end the food is somehow plated with eggs for eyes, a strawberry for a nose and bacon strips for lips. Pee-wee calls him “Mr. Breakfast,” and they seem to already be acquainted. For his own breakfast, Mr. Breakfast requests Mr. T Cereal. (read the rest of this shit…)