Posts Tagged ‘Shane Black’

The Long Kiss Goodnight

Friday, February 26th, 2010

tn_longkissgoodnightI was looking through my notebook tonight and I found a review of THE LONG KISS GOOD NIGHT that I apparently never posted. It’s kind of like finding a dime under the couch.

It was actually Christmas time when I watched it. I had forgotten that’s when it took place, although I should’ve guessed, because it’s written by Shane Black. You write what you know, and the only thing Shane Black knows is what wiseass cops say together during the yuletide season. So I meant to post it to celebrate Christmas, but I guess instead we’ll post it to celebrate the recent news that Black is supposed to direct another movie (DOC SAVAGE). (more…)

4 people like this post.

Monster Squad

Wednesday, November 4th, 2009

tn_monstersquadAfter catching up with NIGHT OF THE CREEPS I knew I had to see director Fred Dekker’s second movie that I’d always avoided. You know, he’s one of those directors who wears his horror nerd-dom on his sleeve, and some members of the internet community have too much loyalty to guys like that. There’s this whole “he’s one of us!” idea where if they swear they love some comic book or something that proves they’ll do a good job of making a movie. But of course, we all know ten guys who love that comic book who we wouldn’t trust to return a movie to the video store on time, let alone direct one.

So I was always skeptical about that claim with Fred Dekker. ROBOCOP 3 did not seem like the work of a born director. But it turns out it was – his first two movies are real gems. Two against one. (more…)

2 people like this post.

Kiss Kiss Bang Bang

Sunday, July 13th, 2008

A couple years ago Shane Black, the hot shot wunderkind enfant terrible wave of the future 22 year old millionaire kid who wrote LETHAL WEAPON and a couple other movies, then got burnt out and disappeared for years, suddenly resurfaced as the writer-director of this well-received if not smash hit smart-alecky mystery comedy. I heard alot of good things about it so one Wednesday afternoon I checked the movie times and went downtown to see it. Unfortunately this was the day that movie about 50 Cent came out and all the showings of KISS KISS BANG BANG had been dropped without the movie times being updated online. I was so hurt that I didn’t watch the movie until just the other day.

Fortunately this one lives up to the word-of-the-mouth. This summer everybody’s excited about Robert Downey Jr.’s funny turn and ad-libs in IRON MAN, but it must’ve been less surprising to people who saw this one. Not only is Downey the star, he is the narrator who possesses the powers of someone recording a DVD commentary. He can skip around, make jokes, apologize for bad narration, complain about movie conventions (specifically comparing one scene to a shot in THE HUNT FOR RED OCTOBER).

Yes, the movie is covered in meta. You got that all powerful narration, you also got a character obsessed with an old pulp detective series called Johnnie Gossamer, so the mystery elements of the story of course mirrors the types of things that would have happened in those books if they were real books. But also a movie adaptation of the books figures heavily into the plot. All of this could easily be annoying, but I guess Downey and Black are just good enough at it for it to come across more as genuine wit than as smarmy hipsters trying to show off. (more…)

2 people like this post.

Lethal Weapon

Thursday, December 14th, 2006

I meant to see APOCALYPTO this week but I was too god damn sick to haul my ass to the theater. So I figured what the hell, it’s December, I’m Vern – might as well revisit LETHAL WEAPON. Haven’t seen that one since the ’80s. One of my buddies swears by it.

Well, it was interesting to watch this movie again, and I had fun, but I can’t say it has aged too well. I know it’s not fair to compare everything to DIE HARD, but LETHAL WEAPON is no DIE HARD. Bruce knew to keep the hair conservative, it will be timeless, no problem. His hair in that movie is so not dated that today, when the LIVE FREE OR DIE HARD teaser debuted online, everybody was pissed that he didn’t have the old hair do.

Not so Mel Gibson’s do in LETHAL WEAPON. That fuckin thing better be in a vault somewhere covered in ten feet of lead. What is it about the fuckin ’80s man, where even a ridiculous hair do can be so toxic as to not be cool years later? I mean, you find some silly flip hair do girls wore in the ’60s, or an afro from the ’70s, hell, the fancy high top fades from the ’90s even fair better than pretty much anything these people were trying to do in the ’80s. You cannot look at Mel Gibson’s lion mane of a mullet and take him seriously. Everything else is fine. He’s still lean like MAD MAX, he looks young but he seems grizzled, like life has tossed him through a few windows. He walks with a swagger, he dangles a cigarette from his mouth, he is completely nuts. But still, the fuckin mullet.

(not that the blonde girl who kills herself at the beginning is any better. What the hell was wrong with us, is what I’m asking.) (more…)

The Last Boy Scout

Saturday, January 1st, 2005

The Last Boy Scoutstarring Bruce Willis

So let’s say instead of being John McClane or somebody, Bruce was Joe Hallenbeck, a washed up, slightly overweight, cigarette loving, booze-sucking, wife-and-daughter-arguing, disgraced secret service agent turned low-life asshole private detective. Also, for the sake of argument, let’s say that Damon Wayans is Hallenbeck’s one-time favorite football player but his career was ruined in a gambling scandal and now he’s a drug addict dating a stripper (Academy Award winner Halle Berry, in a step up from her role as a crack ho in JUNGLE FEVER) who Hallenbeck was hired to protect by his former friend who he just found out was screwing his wife then saw get blown up by a car bomb and now Halle Berry has been murdered because she knew too much about a football team owner trying to blackmail a senator that Hallenbeck used to protect but punched out because he was torturing women and now they’re trying to legalize gambling. Also I forgot to mention that Hallenbeck once saved the president’s life, and some dudes are gonna set off a bomb at the football game, and there was this fucked up part at the beginning where an NFL player pulled out a gun on the field and started shooting everybody then said “Ain’t life a bitch?” (to be or not to be, that is the question) and blew his brains out.

Well shit, I really don’t know WHAT the fuck is up with this movie, but let’s just go with it. The director is Tony Scott, who you can always count on to make a movie that’s either not that bad or, more often, actually that bad. But the real auteur in this case is Shane Black, the disgraced former hotshot screenwriter who was the first to make $4 million just for writing a Renny Harlin movie. I feel like an asshole even bringing this up, but it’s probaly relevant to mention that this guy was between 26 and 29 when the movie came out (depending on which articles you trust) and he got paid $1.75 million for the screenplay. In other words, more money than you and I together earn in 15 years. In his twenties. For this. (more…)