Posts Tagged ‘Christmas’

The Ice Harvest

Wednesday, April 5th, 2006

I was excited about this at one point, but I missed it when it was in theaters. I thought it was a diamond heist movie starring Billy Bob Thornton, but it turns out Billy Bob is the co-star and there are no diamonds. The ice in the title is literal, because it’s winter. Christmas Eve, to be exact. There’s not snow though, just frozen rain, which is not something you see in Christmas movies very often, and rings true to me since here we’re lucky to even see that. (I don’t know about Kansas.)

It’s not exactly a heist movie because like RESERVOIR DOGS or something you never see the theft itself. John Cusack (the rich man’s Scott Baio) is a Kansas mob lawyer and Billy Bob Thornton (ON DEADLY GROUND) is his partner in skimming. They have just stolen upwards of $2 million from their boss, but can’t leave town yet due to the ice. The movie is about them trying to hang out and play it cool for a few hours before they can leave. They figure the boss won’t know about the missing money until they’re gone, but this seems to be incorrect since Cusack keeps seeing an enforcer played by Mike Starr (ON DEADLY GROUND) going around town looking for them.

I like the sort of rambling feel of the story, since it’s about killing time. Before the guns come out and it turns into more of what you expect from a crime movie, the plot seems kind of random. Alot of the movie is spent with him having to look after his drunk friend (Oliver Platt, EXECUTIVE DECISION), who is also married to his ex-wife. We find out that he has two kids – a daughter who misses him and a son who hates him. He only sees hiw own children on Christmas Eve by coincidence. He happened to be in the same restaraunt as drunk Oliver Platt and roped by the management into driving him home. This sad family life to me was the most interesting part of the movie because at first he seems like a reasonably cool guy, but then when you find out about the kids he neglects you wonder what the fuck his problem is. Later on, in the middle of the night, he buys his kids cheap ass Christmas presents at a convenience store. True, he doesn’t have the stolen money at this point, but you still gotta figure he’s being an asshole. Even a legitimate lawyer oughta be able to afford something decent a week before the big robbery is planned. He tells his daughter he’ll see her on Christmas and his son says he’s lying. I figured because this is a movie he really would make an effort to show up, but it’s more true to life than that. He is lying. He’s leaving town. (more…)

Bad Santa

Saturday, January 1st, 2005

Well I seen this picture a while back when it was in a theater. I remembered it was pretty good so I wanted to watch it again for Christmas. Because it’s about Christmas. It’s called Bad Santa. (I mentioned that above so you probaly know that already)

Well I watched it about a week too late so this review is not very timely. But since this review will still be here to read next christmas I feel this bad timing should not count against my 2005 New year’s Resolution, A Commitment To Excellence. If you disagree take it up with the magic new year baby.

Anyway what this BAD SANTA one is about is Billy Bob Thornton is a character called Willie, a self loathing alcoholic safecracker who every year gets a job as a department store Santa. His partner Marcus (Tony Cox from FRIDAY) is a dwarf who is his elf. Then after closing time on christmas eve Marcus will be disguised as a snowman decoration or something, he runs and turns the alarm off and they rob the place.

The robberies seem to go pretty easy but the tough part is in the lead up to the robbery, the actual Santa part. Having to get his picture taken with a bunch of kids on his lap. This is hard because he hates everybody (especially kids, himself, and his boss, John Ritter), he is always drunk, he has no social skills, he says fuck more than I do, he often pisses himself, etc.

Now I could imagine a movie with this premise but it pulls its punches, it tries to make the bad santa charmingly mischeivous, and then he learns his lesson at the end. This is not that movie. This is a movie with a heart, but it’s a dark, cruel, dried out heart with thorns on it. This is a character who swears at kids, goes to bars in his Santa costume, takes his beard off in front of kids, passes out while kids are waiting, etc. In one scene a kid sneezes chocolate ice cream cone onto his face and he spends the rest of the day looking like he was dragged face first through mud and doesn’t give a fuck. (more…)

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Goodbye, 20th Century

Saturday, January 1st, 2005

Well what do you know there are alot of individuals out there who think Vern is an ignorant fuck. He doesn’t know the films of World Cinema, only the latest hollywood crap or at best, the art house darlings. And I mean yeah, most of those individuals are right.

HOWEVER, I must point out that this is my second review IN A ROW of a movie that’s not in English. And this time, most of you motherfuckers probaly haven’t even HEARD of this movie. I mean how many of you could even NAME a movie from Macedonia, let alone review one?

Ha! I scoff at you, because RIGHT THIS SECOND I am in the process of reviewing the Macedonian film GOODBYE, 20TH CENTURY. For your information Macedonia is a country in the Balkans, which, I mean I couldn’ tell you exactly where that is. But there’s war and shit. It’s not pretty.

Here are the words that people would use to describe the style of this picture:

  1. dark
  2. arty
  3. apocalyptic
  4. surreal

I see a little bit of Jodorowsky in this picture, and a little bit of City of Lost Children. What it is about is an Antonia Banderas lookin fella in the year 2019, which is sort of your typical Mad Max style post-apocalyptic wasteland type place. You know – desert, weirdly dressed punk savages, people crying because there are no trees. (more…)

Friday After Next

Saturday, January 1st, 2005

I really don’t have much to say about this movie, so instead I will rail against our modern consumerist society. thanks for your understanding.

I really feel old when I show up to a movie 10 or 15 minutes early. Sure I like to think I’m young in the heart and all that shit, but I still remember when moviegoing was a pleasant experience. Sure I am thankful for the innovations of digital sound and automatic ticket machines. But it’s time to dump the rest of the cineplex baggage. These chains are all going chapter 11 anyway, why not jettison the extra weight?

So I walk in there, the old man, and I let this CD pretending to be a radio station introduce me to the latest contemporary R&B products. I’m pretty sure they have a camp somewhere where they raise these kids to groom them into soul-less, personality-less test tube warblers with prefabricated sexuality. They keep them naked in cages until the cameras are ready, then they throw each of them a plastic bag containing 1 (one) wireless microphone headset (does not work), 1 (one) pair white leather pants (low riding), one (1) $200 boutique t-shirt (one sleeve only), and 1 (one) rhinestone cowboy hat.

Then they throw them in the studio with whichever mainstream hip hop producer has had the most #1 hits in this particular business quarter, spend 2 months of postproduction overdubbing and electronically altering their vocal tracks, and voila! Suddenly the little curly haired kid from In Sink has a song that exactly mimicks Michael Jackson. As soon as advertising, promotions, assistant promotions, corporate advertising, press relations and the payola department go over it, the single is ready. Quick, get this to the Cinematron Radio Network Popcorn Jam! We want Vern to have to listen to this garbage while he waits to see FRIDAY AFTER NEXT! (more…)

‘R Xmas

Saturday, January 1st, 2005

The two strongest feelings I have about Abel Ferrara’s latest are “that was pretty good” and “what the hell?” I will cover these two feelings in order.

This is the story of Christmas for a rich couple in New York in 1993. We see them videotaping their young daughter’s private school Christmas play, trying to get her the most in demand Christmas toy, and that kind of business. Then they put her to bed, some fellas come over and they start filling up baggies of cocaine.

So the idea I guess is that drug kingpins aren’t that much different from any of the other rich fucks in new york. I mean you pretty much like these people. They really do care about their daughter and want to make her happy, even if they think they have to do it by buying shit. They have lots of old ladies sitting around the house and they hug and kiss them alot. When it comes down to it, their family life really is more important to them than their drug empire, although they don’t know how to live like a regular working class individual. And one thing that’s refreshing is that other than the fact that he sells drugs, the husband never shows a dark side. You never see him being ruthless. He doesn’t only SEEM charming and innocent, but have a furious anger hidden beneath. As far as we see, he’s just a sweet, romantic guy. Come to think of it, this guy is BETTER than the other rich fucks in new york, if a little superficial.

The plot turns out to be about the husband getting kidnapped and held for ransom, and how the wife tries to find enough money even though most of their organization went to Puerto Rico for Christmas. The wife turns out to be the strongest character in the movie and it’s interesting to watch her try to handle the crisis, and how the family members try to support her the same way a normal family would handle a normal crisis. (more…)

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Silent Night, Deadly Night III: Better Watch Out!

Saturday, January 1st, 2005

Well I made a promise long ago and now I’m gonna prove what exactly ol’ Vern is made of. Ol’ Vern is made of honor. And he is made of his word. In other words he (i.e. yours truly) is a man of his word, and a man of honor. So I watched the Silent Night Deadly Night sequel directed by Monte Hellman.

As you know if you read alot of the crap I Write here on this sight, I do believe the french theory of the auteur, that they made up. What it is is that if you like movies like COCKFIGHTER and TWO LANE BLACKTOP by Monte Hellman then that means you gotta watch his other movies, even if they’re – no, especially if they’re – Silent Night Deadly Night sequels.

Now no offense to the french, but I don’t believe this one was worth it. It was really pretty boring, and not in the Monte Hellman way. Movies like TWO LANE BLACKTOP are very slow and quiet, and that’s part of why they work, for those that they work on anyway. This is more of a standard, unimaginative slasher movie, and that’s why it’s boring.

And now you’re asking Vern, that surprises you? What did you expect from Silent Night Deadly Night 3? Well I see what you’re sayin there bud but my point is this. I am an idealist. I am a daydreamer. I believe that it is possible for somebody like Monte Hellman, or somebody better, to decide one day to make a sequel in the middle of a series of bad movies, and blow everybody out of the fuckin water.

Let’s say for some reason between FULL METAL JACKET and EYES WIDE SHUT, Stanley Kubrick had decided to lobby to do PIRANHA 3. Most people would assume that Stanley had lost it. But what if he knew what he was doing? What if he wanted to make a Piranha movie, the Stanley Kubrick way?

What if Martin Scorsese did BONES 2? (more…)

The Polar Express

Wednesday, November 10th, 2004

THE POLAR EXPRESS 3-D IMAX SPOOKARAMA

A few years back I wrote a piece called FINAL FANTASY: THE SPIRITS WITHIN (working title: BORING: THE MOVIE). It is available on this web sight as well as in my collection 5 On the Outside. In the piece I talked about the wrongness of computer animators trying to create photorealistic human characters. I argued that no matter how real they looked they would never look completely real, because they wouldn’t be able to walk quite right, or have a human soul, etc. I guess I didn’t mention it in that piece but there was a scene in the movie where two realistic human characters kissed, and it was like watching mannequins go at it.

(For your information, there’s a porno called REAL DOLL: THE MOVIE where pornographic professionals like Ron Jeremy stick their penises inside ten thousand dollar silicone sex dummies. That movie is disturbing in a different way from FINAL FANTASY because the dolls are not moving and their faces don’t look alive. So it looks like these guys are having their way with dead bodies. But picture two of the dolls going at it with no animate objects involved. Then picture a rated PG version of that. That’s the scene in FINAL FANTASY, I guess. It’s not natural.)

Well nobody seemed to care back then but now many of the ideas I presented in that piece have worked their way into the mainstream, as reviewers of the new computerfied Robert Zemeckis Christmas fantasy THE POLAR EXPRESS have criticized the creepy, dead eyed look of its overly realistic computerized cartoon characters. Japanese roboticists have even expanded on my theories, calling it “the uncanny valley” where your ability to relate to a robot or cartoon character suddenly plunges as it gets closer to humanity. So Mickey Mouse is our buddy but final fantasies give us the willies. (more…)

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Die Hard 2

Tuesday, December 21st, 1999

MCCLANE. JOHN MCCLANE. THE WORKING MAN’S JAMES BOND

BRUCE WILLIS’S DIE HARD 2

Well hell man I guess for those of you who read the title there’s no point in explaining my premise here. You see I just watched Die Hard part 2 for the first time since you know what and I realized that John McClane is a James bond for OUR people. The people who AREN’T rich and who don’t always get the breaks this motherfucker james gets.

Bond is the ultimate secret agent, who the government agencies go to for help. McClane is just a badass that happens to be there when the shit goes down, and the government agencies try to STOP him from helping but they can’t do it cause like the title says this mother fucker is HARD.

Bond has connections everywhere and can go anywhere and do just about anything he wants, but McClane has to save the whole fucking airport just to get these motherfuckers to let him out of a parking ticket. Bond drives snowmobiles and sports cars provided by the government and jumps off of them and blows them up. McClane steals the snowmobiles he uses but also jumps off of them and blows them up. Even when he drives a car at the beginning, its a piece of shit borrowed from his mother in law, and that one gets impounded.

Bond wears expensive suits and dapper uniforms. McClane wears a dirty maintenance man snow jacket he BORROWS from somebody else. If McClane was EVER in a casino, he’d be wearing a sleeveless undershirt, it would be on the Indian reservation, and he’d be losing. My man john doesn’t know the MEANING of the word dapper. He’s a rough and tumble type dude, and if I didn’t know he was a cop i’d swear he done time, cause this is the type of motherfucker that knows how to bite a guys hand during a fight. thumbs up for that one mcclane. (more…)

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Die Hard

Thursday, December 2nd, 1999

MERRY CHRISTMAS, MOTHERFUCKER: MY REUNION WITH BRUCE WILLIS’S DIE HARD

All across the world, in many different nations and cultures, families and individuals have many cherished traditions that they follow every winter holiday season. For some its the eggnog or candy canes, a special angel ornament they pass on through the family to put on top of the christmas tree, or everyone opens one present on christmas eve or who knows, ANYTHING.

Well in my opinion if I had been able to celebrate the holiday outside of the limits of the correctional facilities in recent years i’m PRETTY fucking sure my first tradition would be to read “junkies christmas” from william s. burroughs Interzone. This is the story of a fucking low life like many I know however he is able to learn the spirit of christmas and help others who need his knowledge and posession of certain illegal medicines. if its not already this should be on tv every year like the charlie brown cartoons.

Of course my second and more important tradition would be to watch my all time favorite christmas movie – the one starring Bruce Willis as Mr. John McClane. Bruce singlehandedly takes down a moneygrubbing so called terrorist operation that takes over his estranged wife’s office building on Christmas eve. Although with a strong action movie feel and taking place indoors instead of the snowy wilderness, this picture is fucking PENETRATED with the sounds of christmas, from the run dmc rap tune to i believe handels messiah.

That movie is the one and only Bruce Willis’s Die hard (1988).

So this year as the holiday season approaches I was able to rewatch Die fucking Hard as some of my buds in the guestbook call it for the first full viewing since the late 80s. (more…)

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Bruce Willis in Die Hard: an action breakthrough

Wednesday, December 1st, 1999

[Below is one of the first pieces I Wrote for this web sight, when I was first discovering the world of the Cinema, etc. I am leaving it here for historical puproses however don't read the fuckin thing though. Thanks.]

film essay by Vernon H.

This page is to promote one of the most under recognized movies in my opinion, Bruce Willis’s DIE HARD (1988). In this movie, Bruce willis plays a cop who finds out that TERRORISTS have taken over the building of his wife’s work at christmas time. What bruce does is basically pick off the terrorists one by one, killing them, etc. These are germans with a leader named Hans Grueber. It shows that one man can take on the system BY HIMSELF. This is a big inspiration to convicts, underdogs and anyone who ever had to take on incredible odds. Also it is interesting to note that Bruce is wearing NO SHOES OR SOCKS while he takes on these Terrorists, including when he must walk over broken glass. That’s right – BARE FEET.

Now I know what your saying, Bruce willis in an action movie? But hold on just a second there bud.

Although bruce is known mainly for being a comedian on the tv show Moonlighting, I think there is a little more to bruce that a lot of people haven’t been willing to acknowledge. First of all, moonlighting although there is romance in comedy can also be an action show. For example in the pilot (term for first episode) I believe there was a scene of bruce running all over the city chasing a dude (although with shoes on).

Now i know there is a prejudice against tv actors trying to make it on the big screen, just as there is a prejudice against ex-cons trying to go clean in the real world. HOWEVER, i don’t think it’s fair to consider Bruce to be ONLY a tv actor, although yes he has done Moonlighting.

And in fact his background in comedy helps out for the “one liners,” where bruce says a funny or clever thing as the Terrorist dies. “Yippy kie yah motherfucker!” Although i like van damme quite a bit I believe bruce is actually better at this sort of technique.

Although Die Hard has had little hype or press, i believe that it’s time will come soon when it will be acknowledged as a breakthrough in the world of action movies. They don’t really make movies like that anymore in my opinion. Although its influence is yet to be shown, I think within ten years all action movies will owe a great debt to Die Hard, just as horror movies owe a debt to the Chucky movies.

In the movie, Bruce Willis is named “John Mcclane”

Just my two cents

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