I was aware of this 2009 movie REYKJAVIK WHALE WATCHING MASSACRE (retitled HARPOON: WHALE WATCHING MASSACRE for us ignorant Americans) because it’s an Icelandic movie that has that title and then Leatherface himself, Gunnar Hansen is in it. Sounded like a spoof, I thought, but it’s not. It certainly has humor in it, but so does that other movie Hansen is most famous for. This is a solid, legit horror movie, with an extra layer of meaning if you’re a TEXAS CHAIN SAW MASSACRE obsessive like me.
I finally watched it for a different reason: the screenplay is by the Icelandic writer Sjón, a.k.a. Sjón Sigurdsson. He grew up with Björk and wrote some songs with her (including the Oscar-nominated “I’ve Seen it All” from DANCER IN THE DARK), and sometimes performed with the Sugarcubes under the name Johnny Triumph. But also he’s a poet, novelist and screenwriter, and after decades of all that he finally caught my attention this year by co-writing THE NORTHMAN with Robert Eggers. That’s still my #2 movie of 2022 so I figured shit, I oughta watch his horror movie. (read the rest of this shit…)
CAMPFIRE TALES is a very low budget horror anthology released in 1991. After directors William Cooke and Paul Talbot graduated from college in 1987 they decided to build a film around “The Hook,” a short they’d made in their senior year 16mm class. The stories are very simplistic – unusually light on gimmicks and ironic twists for this type of material – and the filmmaking is not what would traditionally be considered “good.” But being made by beginners with no money gives it that scrappy underdog charm where you’re excited for anything they kind of pull off, and since it was made by young people in the late ‘80s and early ‘90s there’s some relatability and nostalgia for somebody like me who may or may not have come of age around that time.
“The Hook” is set on Halloween, but there’s another story that’s about Christmas, which is what brought me to it. (read the rest of this shit…)
I think this was the cover art when I first fell in love with THE TEXAS CHAIN SAW MASSACRE
Happy Halloween, everybody! As is sometimes my tradition, I have managed to do a write-up of one of my all time favorite movies that I haven’t done an official piece on. In 2016 I finally got the balls to do THE THING, and in 2017 I did INFERNO. I guess when I did DAWN OF THE DEAD it was a month after Halloween, but that’s the type of review I’m going for here.
These reviews of the classics are intimidating because there’s such a risk of saying the same shit that’s already been said, but I’m tired of linking to my Ain’t It Cool News review of a DVD release every time I mention it, which is inconvenient when I seem to compare half the movies I watch to THE TEXAS CHAIN SAW MASSACRE. I remember I even compared the Kathryn Bigelow racism drama DETROIT to it. Incidentally, even though I’ve been thinking about HALLOWEEN movies all month the world is feeling more TEXAS CHAIN SAW to me these days.
In other words, be warned: this is one of the ones where I relate the movie to the politics of today, so if you hate that, please don’t read, and go have a happy Halloween. If not, please do read, then have a happy Halloween.
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THE TEXAS CHAIN SAW MASSACRE. One of the greatest horror movies since they started makin’ ’em. Not sure if I’ve mentioned that before, but it’s true.
It’s a movie that has grown on me and with me. When I first saw it I was probly 13 and I thought it was dumb. Just some crappy footage of a dude chasing people around in the dark. I was a Freddy guy. Saw it again in my twenties and it became pretty much my favorite movie. Back then it was VHS (not sure if it was even letterboxed) and I really believed that the raw quality of the footage was part of its magic. That it felt like a documentary, one made by crazy people.
After believing that for years I got that remastered edition that Dark Sky Films released, the one in the steel case (which I took these screengrabs from). It looked so much cleaner I wasn’t sure if I should accept it at first. Now I watch the way-more-pristine-than-that Blu-Ray and I love the movie even more as the controlled, artful craftsmanship it had always secretly been. For the moment, forget “drive-in” or “grindhouse” and think “great American film of the ’70s,” even if it’s all of those things. (read the rest of this shit…)
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Recent commentary and jibber-jabber
PetrosMT on One Last Shot: “Our favorite Martial Artist / Thespian has been let down for years now by the dwindling of his movies’ budgets.…” Sep 25, 17:53
Alex R on Resident Evil (2026): “Nice shout out to Inside, maybe my favorite video game. I didn’t make the connection but I can see it.…” Sep 25, 16:09
MaggieMayPie on Resident Evil (2026): “****SPOILERS SPOILERS ENDING SPOILERS**** I would normally have hated that ending. It would have really pissed me off. And, like…” Sep 25, 14:26
Bill Reed on The Weight: “Dying to see this, but like CAMP MIASMA before it, it’s the type of movie that only plays at one…” Sep 25, 13:37
RRA on Resident Evil (2026): “This was really good but it says something about 2026 horror that it’s so stacked in quality that this wouldn’t…” Sep 25, 13:01
VERN on Resident Evil (2026): “Well – SPOILER SPOILER SPOILER – I was really rooting for the guy to undo this bizarre transformation. And when…” Sep 25, 12:20
Franchise Fred on One Last Shot: “I saw them far enough apart I didn’t realize they were supposed to be cumulative so maybe I need to…” Sep 25, 11:33
Bill Reed on One Last Shot: “Did not know this existed until this review dropped, so good lookin’ out! The second one improved on the first…” Sep 25, 08:49
Acid Burn on Resident Evil (2026): “Ea-Nasir catching strays in the comments on a horror movie review in 2026; poor guy’s gotta be the most dunked-on…” Sep 25, 08:45
CJ Holden on The Weight: “I don’t know. Recently I am in such a “Just start walking and walking and see where you end up”…” Sep 25, 00:13
pegsman on One Last Shot: “Saw this one last night, and while I agree with Charles in that ONE MORE SHOT is slightly better, I…” Sep 24, 22:48
VERN on The Weight: “I almost included the badge but RESIDENT EVIL and HOPE were so good too!” Sep 24, 22:23
Franchise fred on The Weight: “Where’s the Best Thing I’ve Seen badge? I loved this at Sundance. The Wages/Sorcerer is sort of with the explosiveness…” Sep 24, 20:20
KayKay on One Last Shot: “Nice. Will need to rewatch the 1st 2 to get refreshed. If this lands, then Mr. Adkins can proudly lay…” Sep 24, 17:36
jojo on The Weight: “The Good Lord Bird was one of the rare instances I gave a TV show (limited series or whatever) a…” Sep 24, 15:01