THE LAST KUMITE is a movie designed for a very specific demographic some of you may be familiar with. It’s a throwback to ‘90s tournament fighting movies, its cast is heavily populated with venerated icons of the genre, and they even managed to get a score by Paul Hertzog (BLOODSPORT, KICKBOXER), his first since 1991’s BREATHING FIRE. Best of all it features two new songs by the king of montage rock, Stan Bush (if you’re not familiar he did multiple songs on KICKBOXER and BLOODSPORT and “The Touch” from TRANSFORMERS: THE MOVIE).
Knowing all that, and that it was partly funded with Kickstarter and Indiegogo campaigns, you could reasonably expect it to be directed by some young fanboy, but in fact it’s from someone who’s been in the trenches of legit DTV martial arts movies since the ‘90s. Ross W. Clarkson got his start doing cinematography for Ringo Lam (he’s worked with him on five movies) and he did Dolph Lundgren’s THE MECHANIK, Isaac Florentine’s UNDISPUTED II and III and NINJA I and II, and Michael Jai White’s NEVER BACK DOWN: NO SURRENDER. So he knows what he’s doing. (read the rest of this shit…)
I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
(Bruce)
This Joel Silver production is a collaboration/clash between director Tony Scott (coming off of DAYS OF THUNDER) and screenwriter Shane Black (after being replaced on LETHAL WEAPON 2). Those guys making a Bruce Willis movie is about as all-star action as it got in 1991, and had Bruce and Silver known how the release of HUDSON HAWK was gonna go earlier in that year they would’ve been even more eager to sow they could still blow people through the back walls of theaters. (read the rest of this shit…)
“Man in other country, it’s a long story” —translation of lyric from beach montage song
THE MASTER – not the Philip Seymour Hoffman one, the original – is a Tsui Hark movie made in 1989. Its claim to fame is that it was released in 1992 after ONCE UPON A TIME IN CHINA made Jet Li a superstar, but what makes it interesting is that it’s an ‘80s Hong Kong movie filmed in L.A. It has a theme of Chinese immigration, the idea that the people of China travel all over the world and bring their culture with them.
In BALANCE OF POWER, Billy Blanks plays Niko, one of those martial arts instructors who teaches disadvantaged kids, in one of those neighborhoods where gangs go door-to-door demanding protection money. He makes the kids pick up litter in the neighborhood and lectures them if they think “the most important thing about karate” is “kicking some butt, man.” Niko is sensitive and truly cares about the kids, but he maintains a tough love exterior, hoping it will keep them in line. He’s especially worried about Billy (Adam Bonneau) because he told him not to ever go to the playground (inhabited by scary gang members) and then the dumbass went there for a girl.
Meanwhile Niko’s in trouble because the mob guys just noticed that they have mistakenly forgotten to ever shake him down for money. Embarrassing blunder there. So some thugs, including long-haired Shinji Takamura (James Lew, MISSION OF JUSTICE), come in, he refuses, they break some glass and give him an ultimatum. When he still doesn’t pay up the main enforcer guy drives a car by the playground and one of his ski masked guys does a drive-by on Billy. (read the rest of this shit…)
Round 1, final competitor, Team Blanks vs. The Red Fist Club
“I didn’t come here to box. I gave that up a long time ago. I came here to find his killer.”
I’m not sure, but could BLOODFIST be the first movie to include sports achievements in the credits? Because it lists the star as DON WILSON – WORLD KICKBOXING ASSOCIATION LIGHT HEAVYWEIGHT WORLD CHAMPION.”
(Rob Kaman, Billy Blanks and Kris Aguilar get similar credits.)
Of course, we call him Don “The Dragon” Wilson for short, and he stars as Jake Raye, a retired boxer who works pathetically giving faked fight demos for bullied kids at Hal & Jake’s Self Defense in the Valley. He coulda been a contender or whatever but he selflessly donated his kidney to his half brother Mike (Ned Hourani, BLOOD CHASE, BLOOD HANDS, BLOOD RING, FIST OF GLORY, ETERNAL FIST, LIVE BY THE FIST). With only one of those things he could die if he went back in the ring. (read the rest of this shit…)
Round 1, Final Bout, Team Blanks vs. The Red Fist Club
“You’ve got steel balls, but no brains.”
How’s this for a weird twist on the fighting tournament movie: mismatched undercover narcotics agents Billy Blanks (USA) and Jalal Merhi (Canada) train real hard to enter an underground fighting tournament so they can impress crime lord Mr. Li (James Hong). It works, he hires them, and the tournament is never mentioned again.
Up until that point it has all the traditional tournament movie touches, though. The older mentor is Master Pan Quing Fu, a hall-of-famer martial artist who helped the Chinese government catch 23 Triad leaders in the ’60s, appeared in SHAOLIN TEMPLE with Jet Li, and is playing himself in this movie! We know he’s a good dude because when Mr. Li tries to “pay repects” to him with a bunch of cash Master Pan burns it with a torch. (read the rest of this shit…)
Yesterday was Roddy Piper’s birthday. I’m celebrating late with the Piper/Billy Blanks picture from 1993, BACK IN ACTION.
Script-wise, I gotta say, this is a half-assed affair. They got the maverick cop (Roddy Piper), the ex-soldier who is back in action on a one man mission of justice (Billy Blanks), standard issue evil druglords, damsel-in-distress sister and also the female reporter love interest always looking for a good story but who ends up trying to help (see also DARKMAN 2, UNIVERSAL SOLDIER). Also some obvious one-liners that I guess I got a laugh from, like when the bad guy thinks (let’s face it, naively) that Piper won’t kill him because of his Miranda rights. Piper stabs him and says “You have the right to remain silent. Forever.” (read the rest of this shit…)
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Recent commentary and jibber-jabber
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THE LAST KUMITE is a movie designed for a very specific demographic some of you may be familiar with. It’s a throwback to ‘90s tournament fighting movies, its cast is heavily populated with venerated icons of the genre, and they even managed to get a score by Paul Hertzog (BLOODSPORT, KICKBOXER), his first since 1991’s BREATHING FIRE. Best of all it features two new songs by the king of montage rock, Stan Bush (if you’re not familiar he did multiple songs on KICKBOXER and BLOODSPORT and “The Touch” from TRANSFORMERS: THE MOVIE).
I reviewed THE LAST BOY SCOUT (1991) 
“Man in other country, it’s a long story” —translation of lyric from beach montage song
THE MASTER – not 
In BALANCE OF POWER, Billy Blanks plays Niko, one of those martial arts instructors who teaches disadvantaged kids, in one of those neighborhoods where gangs go door-to-door demanding protection money. He makes the kids pick up litter in the neighborhood and lectures them if they think “the most important thing about karate” is “kicking some butt, man.” Niko is sensitive and truly cares about the kids, but he maintains a tough love exterior, hoping it will keep them in line. He’s especially worried about Billy (Adam Bonneau) because he told him not to ever go to the playground (inhabited by scary gang members) and then the dumbass went there for a girl.
Round 1, final competitor, Team Blanks vs. The Red Fist Club
Round 1, Final Bout, Team Blanks vs. The Red Fist Club
Yesterday was Roddy Piper’s birthday. I’m celebrating late with the Piper/Billy Blanks picture from 1993, BACK IN ACTION.
