I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
(Bruce)
This Joel Silver production is a collaboration/clash between director Tony Scott (coming off of DAYS OF THUNDER) and screenwriter Shane Black (after being replaced on LETHAL WEAPON 2). Those guys making a Bruce Willis movie is about as all-star action as it got in 1991, and had Bruce and Silver known how the release of HUDSON HAWK was gonna go earlier in that year they would’ve been even more eager to sow they could still blow people through the back walls of theaters. (read the rest of this shit…)
A STAR IS BORN, from director Bradley Cooper, is a very good adaptation of the trailer that played before every single movie I saw in a theater for the last three months. I saw that trailer so many times I would try to act it out and could sing the two songs (one with correct lyrics, even). I would get just those song fragments stuck in my head for days. So it’s exciting to discover that they have second verses.
I don’t know if it’s as good as an adaptation of the 1937 film starring Janet Gaynor and Fredric March, or the 1954 one starring Judy Garland and James Mason, or the 1976 one starring Barbra Streisand and Kris Kristofferson, or the 1998 made-for-cable one starring Brandy and Casper Van Dien, because I haven’t seen any of them and made up the last one. I have to assume it’s closest to the ’76 because actor Bradley Cooper (THE MIDNIGHT MEAT TRAIN) definitely seems to be channeling Kristofferson’s rugged country poet vibe. I even contemplated whether or not he should be allowed to play Whistler if they ever do a new BLADE. Then I realized that really the voice he’s doing is Sam Elliott, so I was delighted when the actual Sam Elliott (ROAD HOUSE) showed up, playing his older brother/road manager. I wondered if that was awkward between the two actors, and then I found a Good Morning America interview where Elliott says Cooper (THE MIDNIGHT MEAT TRAIN) warned him “this is gonna be a little weird” before playing him a tape of the voice he was working on. “And it was a little weird.”
What if Elliott hadn’t been available? If they ended up casting, like, Don Johnson or Willem Dafoe or somebody, would they have to imitate Sam Elliott too? (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
August 6, 1993
We got a few super heroes in this series, but THE METEOR MAN is the first original one. I mean “original” as in appearing here for the first time, not as in distinctive and unique. This is a comedy(ish) by Robert Townsend, so it’s basically “what if a regular guy became a super hero?,” which means intentionally generic super power/vigilante tropes, sometimes setting up jokes, but not always. In fact the opening credits have no comedy at all. It starts with Cliff Eidelman’s STAR WARS-esque scoring and a special effects sequence of a meteor exploding as the title flies at us ala SUPERMAN: THE MOVIE.
After that it pretty much looks and feels like a comedy, but it’s mostly serious in its story about a guy wanting to protect his neighborhood from a gang.
The guy is Jefferson Reed, wimpy Washington DC substitute teacher and, because this is a couple years after MO’ BETTER BLUES, member of “the baddest jazz trio in DC.” So they mention Wynton Marsalis a couple times, he has white suits, musical note pajamas and jazz memorabilia, and he tries to trade records with his neighbor Mr. Moses (James Earl Jones, BEST OF THE BEST), but we never actually see him play his bass (rip off).
Nice character detail: he has one of those car stereos that you pull out and carry around with you. (read the rest of this shit…)
Kid, you look different since Part 2. Did you lose weight or something?
Okay, I’m not saying it’s very good, but I gotta admit, HOUSE PARTY 3 wasn’t as bad as I expected. Actually I was kinda impressed that each installment covers a different part of Kid’s life. Part 1 he’s (improbably) in high school maintaining friendships, bonding with his dad, starting his first serious relationship. Part 2 he’s going to college, learning about his heritage, facing challenges in keeping his girlfriend, dealing with loss. Now, for part 3, he says goodbye to childish things. He’s lost the fade and is thinking about cutting his hair altogether. He must decide how much he believes in his future as a rapper, accept that his parts 1-2 girlfriend Sidney wasn’t who he was meant to be with, and trust that his woman Veda (Angela Means) loves him even when she’s around naked dudes. All this because he’s about to get married. In HOUSE PARTY 3, Kid becomes Man.
Harry here with Vern’s uncovering of the greatest America has to offer. This time it is BLAST starring… ah hell, I’ll just hand it over to Vern – he’s who you come to AICN desperate for something new to read…
Boys –
You know how it is with me, every time I get a screener for some shitty straight to video movie I get this idea somewhere in my brain… what if this is it? What if this is THE ONE? The one I’ve been looking for all these years? Well today we’re here to discuss BLAST, which is not the one. But it is one of those rare surprisingly competent ones. Destined for a Not As Bad As You Would Think award from the Direct to Video Academy of Well Who Are We Kidding There Is No Art Or Science In These Things.
Basically BLAST is DIE HARD on an oil rig. Or maybe UNDER SIEGE on an oil rig, but not ON DEADLY GROUND. Anyway the important thing is instead of Bruce or Seagal, we got wisecrackin Eddie Griffin. You know, from MY BABY’S DADDY. Now look, I wouldn’t watch 99% of the shit this guy has made. But I do think he can be funny. I’m more of a POOTIE TANG man, but I liked him in UNDERCOVER BROTHER. And his standup movie/family documentary DYSFUNKTIONAL FAMILY was funny. Here, he has a couple good smartass lines, but mostly plays the action hero. (read the rest of this shit…)
I’ve always been a man who enjoys this one kind of movie hero, let’s call it the counter-hero. The counter-hero is the type of hero who fits the usual mold of the action hero or super hero or what not, but who represents a set of values closer to yours or mine than of the assholes you usually see in movies.
For example you got Snake Plissken or Roddy Piper in THEY LIVE, who are sort of an anti-Rambo. They go around by themselves and take on armies and blow shit up but they aren’t doing it in the name of the american government or military conquest or nothing. Snake is the anarchist Rambo, Roddy is the anti-alien-republican Rambo. John Carpenter pictures are full of these type of characters. (read the rest of this shit…)
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THANKS EVERYBODY. YOUR FRIEND, VERN
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Recent commentary and jibber-jabber
Handsome Dan on Kazaam: “You should’ve told the guy you wear it as a tribute to the excellent 1980 self-titled LP by Sweat Band…” Jul 31, 15:28
សមមិត្តឌុច on Multiplicity: “I remember this one from childhood as funny, though very lazy. It made me wonder if builders in USA were…” Jul 31, 13:13
CJ Holden on Kazaam: “All I have to say about sweat is that Melanie C’s SWEAT is IMO a better 2026 dancepop album than…” Jul 31, 13:05
VERN on Kazaam: “Here’s a sweat-related anecdote I was tempted to put in the review, because it had just happened. You were spared…” Jul 31, 11:36
ethan2000 on War: “I completely agree that the generic title probably hurt the film’s discoverability. Choosing a name like War instead of something…” Jul 31, 10:53
scarhead on Jackass: Best and Last: “I knew that was the quote as soon as you mentioned it in your review. That is one of the…” Jul 31, 01:12
MaXiao on Multiplicity: “maybe Vern’s outie has already watched it @Hamm” Jul 31, 00:59
Franchise Fred on Multiplicity: “I will put the first Vacation up with Groundhog and Caddyshack is still legit. This fits my recollection as well.…” Jul 30, 23:58
CJ Holden on Multiplicity: “Oh, another small SLAM EVIL SUMMER connection: With ID4, PHENOMENON and MULTIPLICITY, Trekkos had a chance to see Data and…” Jul 30, 21:10
CJ Holden on Multiplicity: “One thing that it has in common with THE NUTTY PROFESSOR is that one crafty part was actually quite revolutionary…” Jul 30, 21:04
Tim Bobo on Kazaam: “I consider myself I fan of the Paul Michael Glaser Cinematic Universe, but I’ve never seen this one. I need…” Jul 30, 18:56
Tim Bobo on Multiplicity: “I remember really liking it back in 96. But I haven’t seen it since. At the time is was Keatons…” Jul 30, 18:42
VERN on Multiplicity: “Hamm – No reason. My wife watches it and loves it. I just didn’t start it with her and don’t…” Jul 30, 18:30
Hamm on Multiplicity: “Vern, is there a reason you haven’t watched Severance or is it just you haven’t gotten around to it. I’d…” Jul 30, 17:44
grimgrinningchris on Multiplicity: “I just rewatched this around Christmas for the first time since it first hit video. I don’t have much to…” Jul 30, 16:50
I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
A STAR IS BORN, from director Bradley Cooper, is a very good adaptation of the trailer that played before every single movie I saw in a theater for the last three months. I saw that trailer so many times I would try to act it out and could sing the two songs (one with correct lyrics, even). I would get just those song fragments stuck in my head for days. So it’s exciting to discover that they have second verses.
Okay, I’m not saying it’s very good, but I gotta admit, HOUSE PARTY 3 wasn’t as bad as I expected. Actually I was kinda impressed that each installment covers a different part of Kid’s life. Part 1 he’s (improbably) in high school maintaining friendships, bonding with his dad, starting his first serious relationship. Part 2 he’s going to college, learning about his heritage, facing challenges in keeping his girlfriend, dealing with loss. Now, for part 3, he says goodbye to childish things. He’s lost the fade and is thinking about cutting his hair altogether. He must decide how much he believes in his future as a rapper, accept that his parts 1-2 girlfriend Sidney wasn’t who he was meant to be with, and trust that his woman Veda (Angela Means) loves him even when she’s around naked dudes. All this because he’s about to get married. In HOUSE PARTY 3, Kid becomes Man.
Harry here with Vern’s uncovering of the greatest America has to offer. This time it is BLAST starring… ah hell, I’ll just hand it over to Vern – he’s who you come to AICN desperate for something new to read…
I’ve always been a man who enjoys this one kind of movie hero, let’s call it the counter-hero. The counter-hero is the type of hero who fits the usual mold of the action hero or super hero or what not, but who represents a set of values closer to yours or mine than of the assholes you usually see in movies.
