I don’t know why it took me this long, but I finally decided to catch up with the two Mike Flanagan joints I hadn’t seen yet (not counting the dramas he made during and immediately after college, or the TV series The Firefighter Combat Challenge). He made his entry into horror in 2006, with a shot-on-video-in-one-room short called Oculus: Chapter 3 – The Man with the Plan. Like George Lucas with STAR WARS, his story was bigger than his resources so he started with the most exciting chapter and filled in the rest later.
The short is about a guy who has obtained a haunted mirror that he plans to destroy. It’s a cool idea for a short with acting and visuals that require a certain level of forgiveness. But it apparently went over well at film festivals and inspired some interest in a feature version. The trouble was that producers all wanted to make it a found footage movie and/or give it to a director other than Flanagan. So instead he set the evil mirror aside and did a Kickstarter campaign to finance his $70,000 debut horror feature, ABSENTIA (2011). And once that was under his belt he got Intrepid Features (WAIST DEEP, THE STRANGERS) to let him direct a non-found-footage OCULUS, which filmed in 2012. And they must’ve been pretty happy with it, because now he’s a partner in the company. (read the rest of this shit…)
In a small, depressing town in Oregon, ravaged by economic despair and opioid addiction, out crawls a monster to make shit even worse. Come on, read the room, monster. We don’t see him clearly for a while, we don’t know what he’s up to at first, or how he works, but we get his general vibe. Uncool.
Scott Cooper is an actor-turned-writer/director who seems slightly under the radar to me. He made a splash with 
ARGO is based on an amazing true story, recently declassified and told in 
