Posts Tagged ‘Michelle Williams’
Thursday, July 25th, 2024
July 22, 1994
In this retrospective so far we’ve discussed movies based on a radio show from the ‘30s (THE SHADOW), a cartoon from the ‘60s (THE FLINTSTONES), a western TV show from the ‘60s (MAVERICK) and a real guy who many knew from western TV shows of the ‘60s (WYATT EARP). Here’s another one to add to the list: a movie about Lassie, a character likely unknown to the kids who would be its primary audience, but maybe their parents would be expected to have warm feelings. First introduced in an 1859 short story, then a novel and series of movies in the ‘40s, the heroic collie was known to boomers from a TV series that ran from 1954-1973. People my age knew it mainly from parodies, though I remember seeing parts of the show on Nick at Nite or something.
Despite coming from Saturday Night Live producer Lorne Michaels (between WAYNE’S WORLD 2 and TOMMY BOY), the 1994 LASSIE movie is a very sincere drama for families, with a bit of a meta set up. At the beginning little Jennifer Turner (Brittany Boyd) is watching an old Lassie episode on TV but her older brother Matt (Tom Guiry, THE SANDLOT) says “Thought I told you not to watch this crap” and changes the channel to the video for “Breaking the Girl” by the Red Hot Chili Peppers. (read the rest of this shit…)
Tags: Basil Poledouris, Clayton Barclay Jones, Daniel Petrie, dog movies, Elizabeth Anderson, Frederic Forrest, Gary Ross, Helen Slater, Joe Inscoe, Jon Tenney, Lorne Michaels, Matt Jacobs, Michelle Williams, Richard Farnsworth, Tom Guiry, White Zombie
Posted in Reviews, Drama, Family | 7 Comments »
Thursday, December 8th, 2022
THE FABELMANS is the new Steven Spielberg joint that we can safely call the most personal of his career. At first glance it may seem like just another fictional story about a Jewish kid who makes 8mm movies in Phoenix, Arizona in the ‘50s and moves to Saratoga, California and his mom buys a monkey and his parents split up and he moves to L.A. with his dad and goes to USC and tries to break into the film business, but in my opinion it is not a coincidence that this character “Sammy Fabelman” was born at the same time as Spielberg to a similar family and lived in the same towns and did the same things and had the same experiences. From what I’ve read this is not even a loosely autobiographical story, but a pretty direct one about his childhood and specifically about what he got from each of his parents and why their marriage didn’t work out.
It’s also about him becoming a filmmaker, but those things are related. Just like Batman’s origin story, Spielberg’s starts with a kid being taken to the movies. (Had it not been for that mugger, maybe Bruce Wayne would’ve directed READY PLAYER ONE.) Five-year-old Sammy (Mateo Zoryon Francis-Deford) is in line to see THE GREATEST SHOW ON EARTH at a theater in New Jersey. He’s never seen a movie before and doesn’t really understand what it is, but he’s scared because he heard something about the people being giant. We get a handy encapsulation of his parents Burt (Paul Dano, TAKING LIVES) and Mitzi (Michelle Williams, SPECIES) in the differing ways they try to comfort him. Burt, a computer engineer, tells him about the projector and the projectionist, the still photos moving really fast, the concept of persistence of vision. Mom, a talented pianist, says it’s like a dream that you don’t wake up from. As Sammy grows up he’ll apply Dad’s scientific brain to his obsessions with cameras, editing and effects technology, and his mom’s artistic soul to everything else. (read the rest of this shit…)
Tags: Chloe East, Crystal the monkey, David Lynch, Gabriel LaBelle, Greg Grunberg, Janusz Kaminski, Judd Hirsch, Julia Butters, Keeley karsten, Lane Factor, Mateo Zoryon Francis-Deford, Michelle Williams, Oakes Fegley, Paul Dano, Robin Bartlett, Sam Rechner, Seth Rogen, Sophia Kopera, Steven Spielberg, Tony Kushner
Posted in Reviews, Drama | 11 Comments »
Wednesday, February 2nd, 2022
And now in our journey through the films of Sam Raimi we have arrived at a difficult spot. We have come to the film that was at the time “the new Sam Raimi” but for a few years became “the last Sam Raimi?” I enjoyed OZ THE GREAT AND POWERFUL well enough when it came out in 2013 (here’s my review), even though a big commercial Disney movie that’s an unsolicited prequel to a famous story wasn’t high on the list of what I wanted to see from him. And it definitely wasn’t what I wanted to see him go out on.
Luckily he has now actually filmed his next movie, so a comeback is on deck. But isn’t it crazy that it’s been 9 years since the last Sam Raimi movie? To remind you of how long ago this was, it’s when FURIOUS 6 and MAN OF STEEL came out. It’s when they were on the first film of MCU Phase Two, IRON MAN THREE. We’re talking seven David Gordon Green movies ago (he was on PRINCE AVALANCHE, starring Paul Rudd, who was not yet Ant-Man). It’s when Franck Khalfoun’s remake of MANIAC came out, and Spike Lee’s remake of OLDBOY, and Ryuhei Kitamura’s WWE Films joint NO ONE LIVES. Remember those? No? You weren’t born yet? That’s what I’m saying – it’s been a while. (read the rest of this shit…)
Tags: Abigail Spencer, Bob Murawski, Bruce Campbell, Danny Elfman, David Lindsay-Abaire, James Franco, Joey King, L. Frank Baum, Michelle Williams, Mila Kunis, Mitchell Kapner, Peter Deming, Rachel Weisz, Robert Stromberg, Sam Raimi, Tim Holmes, Tony Cox, Zach Braff
Posted in Family, Fantasy/Swords, Reviews | 46 Comments »
Friday, October 19th, 2018
VENOM is the red-headed step child of 2018 comic book movies. It’s in the off-brand world of Spider-man supporting characters still controlled by Sony but not allowed into the official Marvel Cinematic Universe. It’s a character that was hugely popular with a certain type of dude twenty-some years ago, but not really in line with current tastes in super heroes, and arguably having lost some stature after being played by Topher Grace in the unpopular (though I liked it) SPIDER-MAN 3. And many have noted that the script – credited to the diverse trio of Jeff Pinkner (THE AMAZING SPIDER-MAN 2, THE DARK TOWER), Scott Rosenberg (DISTURBING BEHAVIOR, KANGAROO JACK) and Kelly Marcel (SAVING MR. BANKS, FIFTY SHADES OF GREY), based on the character by David Michelinie (made Tony Stark an alcoholic) and Todd McFarlane (SPAWN) – doesn’t seem that different from what it would’ve been if this was made in the late ’90s.
Let’s not get carried away though. The digital FX are like ten thousand times better than SPAWN’s, and you can’t call it a ’90s throwback if it’s not copping the style of THE CROW. This is filmed in normal locations and the end credit songs are by Eminem and Run the Jewels instead of, you know, Incubus or whoever it would’ve been. (read the rest of this shit…)
Tags: IAWMCU, In Association with Marvel Comics, Jeff Pinkner, Kelly Marcel, Ludwig Goransson, Marvel Comics, Matthew Libatique, Michelle Williams, Riz Ahmed, Roger Yuan, Ruben Fleischer, Scott Rosenberg, Spiro Razatos, Tom Hardy
Posted in Comic strips/Super heroes, Reviews | 65 Comments »
Wednesday, December 14th, 2016
MANCHESTER BY THE SEA is the heavily critic-worshipped third film by writer-director Kenneth Lonergan (YOU CAN COUNT ON ME, MARGARET*). It’s a story about loss and family and people trying to salvage their fucked up lives. It’s not as devastating as some people make it sound, but also not as ultimately-uplifting or inspirational as maybe you would hope. It’ll probly make you tear up a few times and laugh a few times in its 2+ hours. It captures the ways family, friends and beer can bring you both solace and pain.
*[Please note that it is not one movie called YOU CAN COUNT ON ME, MARGARET. It is one movie called YOU CAN COUNT ON ME and then another totally separate one called MARGARET. And if I had written it as MARGARET, YOU CAN COUNT ON ME I would’ve had the same problem.]
*[Also please note that Lonergan wrote THE ADVENTURES OF ROCKY AND BULLWINKLE and an episode of the cartoon Doug, but it wouldn’t be appropriate to mention those at all because right now we are focusing on his directorial work.] (read the rest of this shit…)
Tags: C.J. Wilson, Casey Affleck, Gretchen Mol, Kenneth Lonergan, Kyle Chandler, Lucas Hedges, Michelle Williams
Posted in Drama, Reviews | 10 Comments »
Friday, October 30th, 2015
Earlier this month when I reviewed HALLOWEEN II I wrote that it was “easily one of the best or the best HALLOWEEN sequel they made.” I was being a little cagey, saving it for today to reveal my opinion that the actual best sequel is 1998’s HALLOWEEN H20: TWENTY YEARS LATER. First I watched it again and verified that the verdict still stands now that we’re only a couple years away from being able to make HALLOWEEN H20-20: HALLOWEEN H20 TWENTY YEARS LATER. Also this time I learned that it plays even better when watched immediately after II.
It seems designed for that, because it begins with “Mr. Sandman” by the Chordettes, the same thing that played as Laurie rode off in the ambulance at the end of II. Unlike the other sequels it leaves Loomis dead after blowing himself up with Michael (Donald Pleasance had passed away by this point anyway). But Laurie isn’t the only major character to survive II: there was also Marion Chambers (Nancy Stephens), Loomis’s nurse colleague. That’s who Michael comes after first.
Marion’s still working as a nurse, and still chain smoking. She comes home to her house in a different Illinois suburb besides Haddonfield and finds it broken into. The police take their sweet time coming, but two neighbor boys (one played by Joseph Gordon Levitt, SHADOWBOXER, KILLSHOT, LINCOLN) keep her company while she waits. I like that because in HALLOWEEN Laurie tried to run to a neighbor’s house for help and they turned off the lights and wouldn’t answer the door. Marion does have helpful neighbors, but things don’t turn out any better.
Of course this is the opening kill scene, but it’s also a strategic move by Michael, who ransacks Marion’s office, searches her files and leaves an empty one labeled “Laurie Strode,” signaling that he’s figured out the whereabouts of his sister (a triumphantly returning Jamie Lee Curtis), last survivor of the Halloween Murders. She’s in California, working as headmistress at a boarding school attended by her 17 year old son John (introducing Josh Hartnett) under the assumed name Kari Tate. (read the rest of this shit…)
Tags: Adam Hann-Byrd, Alan Arkin, Jamie Lee Curtis, Jodi Lyn O'Keefe, John Ottman, Joseph Gordon-Levitt, Josh Hartnett, Kevin Williamson, LL Cool J, Matt Greenberg, Michelle Williams, Nancy Stephens, part 7s, Robert Zappia, slashers, Steve Miner
Posted in Horror, Reviews | 88 Comments »
Wednesday, October 15th, 2014
“Don’t go. Please! I want a baby.”
SPECIES is one of these movies of the ’90s that isn’t very good but that represents a weird enough collision of influences to be interesting. It’s a studio genre movie so it has an all-star cast. Ben Kingsley (PRINCE OF PERSIA, BLOODRAYNE) leads the government monster hunt, and his team of specialists is Forest Whitaker (BLOODSPORT), Michael Madsen (BLOODRAYNE), Alfred Molina (PRINCE OF PERSIA) and Marg Helgenberger (FIRE DOWN BELOW).
Behind the scenes they got a couple of legit horror technicians in the mix: composer Christopher Young, whose eerie score is very similar to what he did for HELLRAISER, and monster designer H.R. Giger does his biomechanical thing like in ALIEN, but this time with bonus eyes and boobs. This was the first time his creatures got the computer animation treatment, an exciting development in those days. It was only two years after JURASSIC PARK and just doing everything digitally was still in the future, they had to put in some effort to do it so it was usually a big deal. The digital parts look almost charmingly crude now, but luckily they got puppets and costumes in there too, like you did back then. (read the rest of this shit…)
Tags: Alfred Molina, Ben Kingsley, Forest Whitaker, H.R. Giger, Marg Helgenberger, Michael Madsen, Michelle Williams, Natasha Henstridge, Roger Donaldson
Posted in Reviews, Science Fiction and Space Shit | 20 Comments »
Tuesday, March 12th, 2013
OZ THE GREAT AND POWERFUL could also be called WALT DISNEY’S SAM RAIMI 3D. That’s what I was hoping to see, and that’s what I got. If it had been a WIZARD OF OZ prequel movie made by somebody not as exciting as Raimi I don’t know that I would’ve even bothered, and it’s not my first choice of what he should be doing now that he’s stopped being a captive of SPIDER-MAN. But it turns out to be a better-than-expected use of Raimi’s time and mine.
Before we get into that I’m gonna say what we’re all thinking: let’s call it quits on these revisionist fantasy and fairy tale type movies now. “What if Alice in Alice in Wonderland was really the chosen one and she puts on armor and leads an army against the jabberwocky” made literally a billion dollars, but it was a moronic idea that was not rescued by Tim Burton’s imaginative visuals. I’ll give the Hansel and Gretel one and the Jack and the Beanstalk one a shot on video, but after that maybe it’s enough now, eh fellas? But they’re into this idea now of the recognizable name that’s not copyrighted. (read the rest of this shit…)
Tags: 3D, Black List, Bruce Campbell, Disney, James Franco, L. Frank Baum, Michelle Williams, prequels, Rachel Weisz, Sam Raimi, Zach Braff
Posted in Family, Fantasy/Swords, Reviews | 36 Comments »
Tuesday, May 5th, 2009
Well, we had Butch and Sundance, we had Bonnie and Clyde, we had Thelma and Louise and Tango and Cash. And today on DVD we have WENDY AND LUCY.
Wendy and Lucy are an inseparable team, relying on their wits alone as they set forth on a harrowing cross-country trek from Indiana to Alaska. But when fate separates them, Wendy will stop at nothing to reunite with her friend… even if it means sacrificing everything she ah hell, I can’t make this shit sound exciting. This is actually a quiet, minimalistic movie about a girl and her dog stuck in a small town in Oregon with no money. Nice and simple. No explosions. (read the rest of this shit…)
Tags: Kelly Reichardt, Michelle Williams, Oscilloscope Laboratories
Posted in Drama, Reviews | 10 Comments »
Saturday, December 17th, 2005
For God’s sake man, when I go to see a western there are certain things I expect to see, and certain things I don’t expect to see, and one of the things I don’t expect to see–
Nah, I’m just fuckin with you. Everybody knows that BROKEBACK MOUNTAIN is “the gay cowboy movie.” Or that’s the hype anyway. So first thing’s first, I gotta tell you that the “gay cowboy” description is utter bullshit and if that’s what you wanna see you’re gonna be just as disappointed as I woulda been if I went in expecting THE OUTLAW JOSEY WALES. Because this is not about gay cowboys. It’s about gay sheperds. They herd sheep. They shepherd. They are gay shepherds. Get it straight, America. Cowboys are dealing with cows and cattle and whatnot. If they herd sheep, they are shepherds. In this case, gay shepherds. (read the rest of this shit…)
Tags: Ang Lee, Anne Hathaway, gay shepherds, Heath Ledger, Jake Gyllenhaal, Larry McMurtry, Michelle Williams, Randy Quaid
Posted in Drama, Reviews, Romance | 5 Comments »
