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Posts Tagged ‘Nancy Stephens’

Halloween Kills

Wednesday, October 20th, 2021

HALLOWEEN KILLS is the controversial new film from director David Gordon Green (YOUR HIGHNESS). It is a sequel to his 2018 film HALLOWEEN, which was a sequel to John Carpenter’s 1978 film HALLOWEEN, but not any of the other nine HALLOWEEN movies. It’s in the unusual (unprecedented?) situation of being a slasher movie that’s the middle chapter in an already planned and greenlit trilogy – I see it as part 2 of Green’s HALLOWEEN II series.

When I went to the first show on Friday I had already seen enough comments online to sense that many or most people disliked, strongly disliked, or flat out despised HALLOWEEN KILLS, in many cases sounding like they were prepared to live for decades as recluses building traps and practicing firearms on mannequins to prepare for when it comes for them again. I clearly don’t have my finger on the pulse of what other horror fans are looking for these days, because I’m positive had I seen it before hearing anything about it I would’ve figured it would go over well. As a guy who enjoys all but one of the HALLOWEEN movies on some level and will keep watching them over and over forever, I feel like it’s plain as day that KILLS has more on its mind than most of them, looks way better than most of them, and finds an approach that’s very different from what we expect or are used to, feeling fresh and new despite being more reverent of the first film than any previous sequel. It’s the kind of thing where if I didn’t like it so much I would have to at least respect it. But many people obviously don’t see it that way. (read the rest of this shit…)

Halloween H20: Twenty Years Later

Friday, October 30th, 2015

tn_H20Earlier this month when I reviewed HALLOWEEN II I wrote that it was “easily one of the best or the best HALLOWEEN sequel they made.” I was being a little cagey, saving it for today to reveal my opinion that the actual best sequel is 1998’s HALLOWEEN H20: TWENTY YEARS LATER. First I watched it again and verified that the verdict still stands now that we’re only a couple years away from being able to make HALLOWEEN H20-20: HALLOWEEN H20 TWENTY YEARS LATER. Also this time I learned that it plays even better when watched immediately after II.

It seems designed for that, because it begins with “Mr. Sandman” by the Chordettes, the same thing that played as Laurie rode off in the ambulance at the end of II. Unlike the other sequels it leaves Loomis dead after blowing himself up with Michael (Donald Pleasance had passed away by this point anyway). But Laurie isn’t the only major character to survive II: there was also Marion Chambers (Nancy Stephens), Loomis’s nurse colleague. That’s who Michael comes after first.

Marion’s still working as a nurse, and still chain smoking. She comes home to her house in a different Illinois suburb besides Haddonfield and finds it broken into. The police take their sweet time coming, but two neighbor boys (one played by Joseph Gordon Levitt, SHADOWBOXER, KILLSHOT, LINCOLN) keep her company while she waits. I like that because in HALLOWEEN Laurie tried to run to a neighbor’s house for help and they turned off the lights and wouldn’t answer the door. Marion does have helpful neighbors, but things don’t turn out any better.

Of course this is the opening kill scene, but it’s also a strategic move by Michael, who ransacks Marion’s office, searches her files and leaves an empty one labeled “Laurie Strode,” signaling that he’s figured out the whereabouts of his sister (a triumphantly returning Jamie Lee Curtis), last survivor of the Halloween Murders. She’s in California, working as headmistress at a boarding school attended by her 17 year old son John (introducing Josh Hartnett) under the assumed name Kari Tate. (read the rest of this shit…)

Halloween II

Tuesday, October 6th, 2015

tn_halloweeniiHALLOWEEN II is… not HALLOWEEN. But I guess that’s why they added the “II” on it. I should’ve caught that.

Continuing immediately from the end of John Carpenter’s genre-defining much-imitated timeless unkillable masterpiece classic, and using most of the same crew (including cinematographer Dean Cundey), it’s able to imitate the style enough to recapture the feel sometimes. Other times it just emphasizes how outstanding and impossible to duplicate Carpenter’s touch was.

To be fair, this was written and produced by Carpenter and Debra Hill, scored by Carpenter, who also chose the director, Rick Rosenthal (who later ended the series in disgrace with HALLOWEEN: RESURRECTION) on the basis of a short he directed. Then, when it was filmed and Carpenter didn’t think it was scary enough he went and shot gorier death scenes. So he has a hand in it, for good or bad.

This is one of the rare sequels that just continues exactly from the ending of the last one. So it starts by replaying the ending of the original, where Dr. Loomis (Donald Pleasance) shows up to rescue Laurie (Jamie Lee Curtis) by shooting Michael “The Shape” Myers (in the new footage played by stunt coordinator Dick Warlock, the only major cast change), who then disappears. I always wonder if the end of HALLOWEEN, a series of shots of empty locations, was meant to imply that Michael could be anywhere, or that he IS everywhere. But part II goes with the first choice. He snuck off.

The sequel proper begins with an excellent steadicam P.O.V. sequence. Carpenter has his scene from the point-of-view of young clown-costumed Michael spying on and then murdering his sister on Halloween night. Rosenthal has adult Michael walking around dark Haddonfield unseen by unsuspecting suburbanites. We hear his breath, the dogs barking and nearby cars driving by as he walks through an alley and looks into people’s homes. Some of the innocents he comes across are doomed, most will not know how close they came, or that they walked right past him without noticing his presence. (read the rest of this shit…)