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Posts Tagged ‘Joe Pesci’

Man on Fire (1987)

Tuesday, September 26th, 2023

“A kid. I didn’t know it’d be a kid.”

I think we’re all familiar with MAN ON FIRE, the 2004 Denzel Washington/Tony Scott movie. I didn’t like it much at the time, but seeing Washington’s reunion with Dakota Fanning in THE EQUALIZER 3 got me wanting to give it another shot. Before that I thought I should finally watch the earlier version I’d never seen, the 1987 adaptation of the same 1980 A.J. Quinnell book. Scott actually tried to adapt the book in the early ’80s. Producer Arnon Milchan said “nah dude, I produced ONCE UPON A TIME IN AMERICA, I’m getting Sergio Leone to do it” (paraphrase) but that didn’t work out – it went to French director and comic book writer Élie Chouraqui, his followup to LOVE SONGS starring Catherine Deneuve and Christopher Lambert. Chouraqui did share adaptation credit with Sergio Donati, one of the writers of FOR A FEW DOLLARS MORE, ONCE UPON A TIME IN THE WEST and DUCK, YOU SUCKER! (plus ORCA and RAW DEAL), so that’s something. But he’s no Leone, no Scorsese (Milchan produced THE KING OF COMEDY) or Terry Gilliam (he also produced BRAZIL) or Tony Scott’s brother (he produced LEGEND). (read the rest of this shit…)

Lethal Weapon 3 (30th anniversary revisit)

Friday, June 10th, 2022

At first I wasn’t sure I needed to revisit LETHAL WEAPON 3 for this series, because I already wrote a perfectly good review of it (and the other three) back in 2014. But it’s clearly the kick off to the real deal summer movie season of ’92 if you look at the box office charts for its opening weekend, May 15, 1992. It took #1 of course, but everything else on the charts had been out fora while: BASIC INSTINCT in its ninth week, BEETHOVEN in its seventh week, WHITE MEN CAN’T JUMP in its eighth week, THE PLAYER in its sixth week, WAYNE’S WORLD in its fourteenth week, etc.

More importantly, I decided it was necessary for comparison. There will be three other big tentpole type sequels this summer, one of them being PATRIOT GAMES (which I’ve also reviewed, but probly won’t revisit) and the other two being, you know… weird. In contrast, this one wants to be exactly what you would imagine a third LETHAL WEAPON to be, no real surprises. As Desson Howe wrote in his review in the Washington Post, “If there’s an original moment in this movie, producer Joel Silver and director Richard Donner sincerely apologize… essentially, they guarantee you the same product you consumed twice before.” (read the rest of this shit…)

The Irishman

Tuesday, December 10th, 2019

Well, this is the world now: Martin Scorsese has an excellent new gangster epic starring Robert De Niro, Joe Pesci and Al Pacino (plus Harvey Keitel!) and it pretty much went direct to video. Not “We can’t justify the budget for a theatrical DARKMAN 2” DTV, just “It’s easier to get money from Netflix than from a real movie studio” DTV. I wish I had gotten my shit together to see it in its week at Cinerama, like many of my friends did – I’m glad I managed to see ROMA and DOLEMITE IS MY NAME in theaters. But for THE IRISHMAN: I HEARD YOU PAINT HOUSES (actual onscreen title) I turned the lights off, put the phone far away and got the ol’ attention span out of storage for the full cinematic living room experience.

It’s written by Steve Zaillian (SCHINDLER’S LIST, MISSION: IMPOSSIBLE, GANGS OF NEW YORK, AMERICAN GANGSTER, MONEYBALL, THE GIRL WITH THE DRAGON TATTOO) but it definitely has some of that GOODFELLAS spirit: tons of narration (sometimes with gimmicks, like it’s in his head then switches to fourth-wall breaking), jumping around through time, quick comical/horrifying cutaways to things he mentions, some slo-mo, nearly wall-to-wall music, but also some guitar noodling (the score is by Robbie Robertson). And there’s a long steadicam shot at the beginning but instead of going into a hot club it’s going into an assisted living joint. So this is old man GOODFELLAS. (read the rest of this shit…)

Lethal Weapon 2

Wednesday, July 17th, 2019

I already wrote about LETHAL WEAPON 2 along with the rest of the LETHAL WEAPON series back in 2014. I’m still happy with that review. It covers much of what’s relevant about the movie, and even features a scan from my beloved Summer 1989 Warner Brothers Catalog (as seen in the BATMAN review). But I didn’t think I should skip over the movie in this series because it’s such a crucial piece of what I’m talking about here. So the earlier review still stands, but here’s a partially overlapping supplemental look at LETHAL WEAPON 2 focusing on its place in the action movies of summer ’89.

LETHAL WEAPON (1987) was of course a quintessential ’80s action movie, the Platonic ideal of a buddy cop picture, and one of the originators of the idea of Mel Gibson and producer Joel Silver (ROAD HOUSE) as action kings. But part 2 is more my idea of what “a LETHAL WEAPON movie” is like because it invented how to sequelize that movie and make it about the continuing adventures of that now-established friendship. It takes what was already seen as heightened and makes it bigger, sexier, funnier, lethal-er (apparently it’s the biggest body count in the series at 33), creating a template (and new character in Leo Getz, played by Joe Pesci a year before GOODFELLAS) that would be used for two more sequels in the ’90s. (read the rest of this shit…)

Jersey Boys

Tuesday, November 18th, 2014

tn_jerseyboys“Frankie’s okay. He’s no Neil Sedaka.”

Here it is again, the ol’ New Movie Directed By Clint Eastwood But Without Him Acting In It rigmarole. It goes like this: New Clint movie comes out. It doesn’t seem like my kind of thing. It gets bad reviews (at least if it came out in recent years). I genuinely intend to see it in theaters, but I keep putting it off. There’s always something I’m more excited for that’s playing. Like, uh, I believe I might’ve seen some robot/dinosaur related picture around the time JERSEY BOYS came out. So I end up missing the movie in theaters. Months later it comes out on video. I’m not excited. I feel like I’m doing my homework. I watch it.

And then the Hey, this is pretty good!

I wouldn’t say this surprised me as much as J. EDGAR (which I still believe is totally underrated, and got 10% worse reviews even than JERSEY BOYS, according to Rotten Tomatoes) but I’m happy to say I enjoyed it. It’s a solid, entertaining biopic of Frankie Valli and the Four Seasons based on a Broadway show of some kind. Vincent Piazza of Boardwalk Empire plays guitarist Tommy DeVito and then the guys from the stage version play the other three: John Lloyd Young as lead singer Frankie Valli, Erich Bergen as songwriter/keyboardist Bob Gaudio and Michael Lomenda as bassist Nick Massi.

I thought it was gonna be a musical, but thankfully it’s not. It’s just a story about musical performers doing musical performances, recorded by the actors. I don’t know about the show, but the movie version only has one actual musical number and it’s during the end credits. In my opinion it is more of a blooper reel than an official part of the movie, because why would they be dancing around on a soundstage street singing songs, I mean it just doesn’t make sense.

The rest of the time it’s them singing “Sherry” and “Can’t Take My Eyes Off Of You” and stuff, and these are good songs. So it’s not a problem. (read the rest of this shit…)

Lethal Weapon 4

Monday, January 13th, 2014

tn_lethalweapon4LETHAL WEAPON 4 is a family affair. In part 1 we just had suicidal widower Riggs becoming friends with ol’ Murtaugh and his family. We still have them, but also their friend Leo (added in part 2) and Riggs’s girlfriend Lorna (added in part 3) who now he’s thinking about marrying and they live together so now he has two trailers next to each other instead of the one. And he still has his dog from part 1 plus the dog guard he stole from the bad guys and rehabilitated in part 3. And Lorna is pregnant and Murtaugh’s daughter Rianne is also pregnant and also Chris Rock is in this one and also a Chinese family called the Hongs. There’s even four new writers on this one. The cast just keeps getting bigger, like how in a long running sitcom like The Cosby Show or Roseanne they have a bunch of new grandkids and spouses and shit added on by the end.
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Lethal Weapon 3

Wednesday, January 8th, 2014

tn_lethalweapon3LETHAL WEAPON 3 is the third one in the series in my opinion so it brings with it certain baggage, but also certain strengths. On the negative side, it feels more concerned with satisfying sequel expectations than with actually telling a good story. Even more than the other two it feels more like a list of ideas strung together than a story. Oh, we gotta bring Leo back, he should be bleach blond and act all Hollywood and stuff, that would be funny. And Murtaugh should be trying to sell his house and they try to not mention to prospective buyers that a bunch of deadly battles took place there! Oh yeah, Leo could be the real estate agent. That’s it! And Murtaugh should be retiring soon so he’s all worried he’s gonna get shot, ’cause he realizes how it works in movies! But then it’s Leo that gets shot, he’s okay but he gets all high and mighty about it, saying he got shot in the line of duty. You know how Leo is. Murtaugh should bond with a son this time, not just Rianne. Something about guns in the black community. Oh, and explosions. Bigger than before. One of those “the red wire or the green wire?” scenes could be fun. Who should be Riggs’s new girl? How ’bout a girl cop? You think she’s uptight, ’cause she’s internal affairs, but then she knows how to kickbox!
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Lethal Weapon 2

Monday, January 6th, 2014

tn_lethalweapon2“I’m really too old for this shit.”

Is it wrong that I almost like LETHAL WEAPON 2 better than part 1? I know it’s kinda formulaic and Shane Black left part way through and everything but to me it’s a really enjoyable follow-up with some great gimmicks.

It states its action-with-a-comedic-edge intent from the opening logo when it plays the Looney Tunes music with the dramatic metal title lettering. Credits forged in steel. Then it opens mid-high-speed car chase with Riggs cackling like a madman, i.e. like Riggs. We get to have our cake and eat our cake also because he hasn’t wanted to commit suicide since the end of part 1, but he’s still a nut. To underline that point we get to see him wearing a straitjacket at the police station. He takes a bet that he can’t escape from one, and is crazy enough to intentionally dislocate his shoulder to pull it off. (read the rest of this shit…)