“The earth doesn’t belong to humans alone. It’s ours too, and we should defend it.” —Mothra
GHIDORAH, THE THREE-HEADED MONSTER is Godzilla movie #5, released in 1964, 8 months after MOTHRA VS. GODZILLA. Like numbers 1,3, and 4 it’s directed by Ishiro Honda. And by now he’s getting cocky, so he uses cool freeze frame credits of Godzilla and his co-stars Rodan and Mothra #2 (one of the two larva of the previous Mothra. Godzilla killed the original Mothra and the other larva died of unknown causes between installments.)
The movie opens on the roof of a clock tower where a gathering of the UFO Society (who wear lab coats like legit scientists – they’re not kooks) try to receive a transmission from space. When they fail they blame the attendance of skeptical TV reporter Naoko Shindo (Yuriko Hoshi, KILL!). “They sensed your mistrust through your brain waves.”
They’re desperate for help from beyond, because shit is getting crazy. We hear about a heat wave in January, constant sirens, an encephalitis outbreak. “Everything has gone haywire,” we’re told, and “It’s getting strange out there. The Earth has gone mad.” Yeah, I know the feeling. I’ve lived through some times that feel like that. Also, “Strange things have been happening beyond our galaxy too,” whatever that means. There are meteor showers happening all around the world. (read the rest of this shit…)
FIRE OF LOVE is a 2022 best documentary feature Oscar nominee that’s produced by National Geographic, but it’s not the sort of thing I associate with them. It’s one of a couple different movies telling the odd story of maybe history’s first married volcanologist couple, Katia and Maurice Krafft of France. They married in their twenties and spent the rest of their lives traveling around documenting volcano events. And I really mean right until the very end… we’re tipped off at the beginning that they died in the eruption of Mount Unzen in 1991.
It’s weird that there’s a studio action-thriller starring Jeff Bridges (THUNDERBOLT AND LIGHTFOOT) and Tommy Lee Jones (
Right after western star Clint Eastwood first directed himself in PLAY MISTY FOR ME, but before he directed his first western with 
Much like POSSE will have to do 21 years later, BUCK AND THE PREACHER starts out by establishing that yes, silly head, there were Black people in the old west. This history is communicated visually by showing the film’s characters in sepia tone photos. The story takes place after the civil war, when some former slaves decided sharecropping was just slavery 2.0 and tried their luck traveling west to find, as a title card puts it, “new frontiers where they could be free at last.” Where the western genre comes in is that “they placed their hopes in the hands of the few black wagonmasters that knew the territories of the West.” 
COCAINE BEAR is a kind of funny new horror comedy written by Jimmy Warden (
Tsui Hark’s groundbreaking 1983 wuxia epic ZU: WARRIORS FROM THE MAGIC MOUNTAIN recently got a fancy new blu-ray release, inspiring me to finally get around to seeing it. In fact I watched it right before I watched 
Well, I’ve been thinking about it for far too long, but I’ve finally gone and done it: my first home brew, play along commentary track. This is designed to sync up with the US cut of NO RETREAT NO SURRENDER (the shorter of the two included on the Kino Lorber DVD and blu-ray) but I think it would also work okay if you just want to listen to it like a podcast. I try to explain my love for this intersection of Hong Kong cinema and ’80s American pop culture, with my usual goal of being informative and wise but also funny, sincere, and occasionally stupid. Lots of talk about little details of the movie and the people in it, the Seattle locations, the history of action movies filmed in Seattle, the worldwide phenomenon of Bruce Lee worship, some stupid stories about me, and of course plenty about Van Damme. (Sorry for slagging Chuck Norris for the same reason two different times, but I say some nice things about him too.)
Watching Ryuhei Kitamura’s latest 
Ryuhei Kitamura is an interesting director. He started in Japan with the attention-grabbing yakuzas vs. zombies movie VERSUS (2000). That one was kinda cool but I straight up loved his fourth movie, the samurai manga adaptation 
SENTINELLE is a pretty good 2021 French revenge movie that’s mostly made out of cliches, but benefits from a dedicated performance by its star Olga Kurylenko (
