If they were in America, Rudolf (Christian Friedel, THE WHITE RIBBON) and Hedwig (Sandra Hüller, who just got a best actress nomination for ANATOMY OF A FALL) would say they were living the American dream. They’re in a big new house near a river where they can swim and fish. They have a bunch of kids and a dog and their backyard is huge, with an elaborate garden, cobblestone paths, a huge greenhouse, a nice deck, and a small swimming pool with a slide. They even have servants. All because Rudolf’s doing so good in his job. And they live right next to work, so he doesn’t have to commute at all, he’s home right after work to spend time with the family. The kids love him (they got him a canoe for his birthday), and he and Sandra get along well, they make each other laugh, they talk about the trips they’ll go on after all this.
It’s the biggest possible “all this,” though: World War II. And I think you’ll share my objection to Rudolf’s job. He’s the commandant of Auschwitz. A very bad person. The conceit of writer/director Jonathan Glazer (SEXY BEAST, BIRTH, UNDER THE SKIN)’s gut punch of a movie is to matter-of-factly depict the mundane activities of this family as they go through their daily activities without a thought to the suffering they’re causing and benefiting from on the other side of the wall. (read the rest of this shit…)

Chen Kaige is an acclaimed Chinese filmmaker I have no familiarity with. Too classy for me, I guess. Now I finally watched one, but not one of his famous ones from the ‘80s or ‘90s, it’s his 14th film, a straight up kung fu movie from 2015 called MONK COMES DOWN THE MOUNTAIN. And the reason is because it’s based on a book by Xu Haofeng, who wrote Wong Kar Wai’s
I didn’t know what a NYAD was, but it’s the last name of a real life person, Diana Nyad, a marathon swimmer who broke a bunch of distance records in the ‘70s and in 1978 tried to swim from Havana to Key West. She made it about 76 miles in 42 hours but had to quit.
After
Awards Season Catchup Double Feature: ANATOMY OF A FALL and AMERICAN FICTION
Well, Scott Adkins has another franchise. ONE MORE SHOT is the new sequel to
My favorite Michael Mann Mode (MMM) is crime movie mode. Or guy chasing another guy mode. Moody guy looking out a window talking to another guy across the city mode. The mode you can feel coming in the air tonight, oh lord.
I saw this movie THE ROYAL HOTEL that came out on video last week, and I really liked it, so I watched the previous one by director Kitty Green, and that was even better. Let me tell you about them in this Kitty Green/Julia Garner Stressful Job Double Feature, presented in order of release.
THE BEEKEEPER is a proudly absurd new Jason Statham vehicle where he plays a humble beekeeper – a guy who cultivates beehives and collects honey. But also he’s retired from being another type of Beekeeper – an operative for a secret organization who kill bad guys and use bee, hive and queen metaphors to describe their role in protecting civilization. (Not puns, though, sadly.) It has a good pedigree as far as these things go – the director is David Ayer (HARSH TIMES,
Man, it’s too bad. 

















