ZEIRAM is a goofy but entertaining Japanese sci-fi movie from 1991. I always thought it was based on an anime or manga, but now I’ve learned that the six episodes of Iria: Zeiram the Animation were a tie-in that came out the same year, like CHRONICLES OF RIDDICK: DARK FURY or VAN HELSING: THE LONDON ASSIGNMENT. But obviously there is some anime influence going on with some of the futuristic armor and weird creatures and stuff, which are given more consideration than the plot, so it might as well be a live action anime adaptation.
Zeiram (Mizuho Yoshida, who later played Gojira in GODZILLA, MOTHRA AND KING GHIDORAH: GIANT MONSTERS ALL-OUT ATTACK) is the name of a villainous alien on a rampage. He looks like a guy with a Boushh-style slit mask and a wide brimmed hat. The hat has a little kabuki-white face on the front that sometimes looks like a doll head, but in closeup appears to be a living person. Sometimes it extends on a long wormy neck. Eventually it’s revealed that he’s a “forbidden biological weapon,” and the “hat” is actually Zeiram, the rest is a biomechanical attachment. He’s basically a manta ray driving a mech! Spoiler. (read the rest of this shit…)
DIRTY ANGELS is not the newest Martin Campbell joint – that’s CLEANER starring Daisy Ridley – but the one from 2024, now on DVD in Canada. I don’t exactly know the events that shifted Mr. Campbell from A-lister who kicked off the 
SING SING is an unusual movie with a simple appeal: it’s about a theater program in a prison, and most of the cast is made up of actual graduates of the program playing versions of themselves, so there’s an unmistakable feeling of authenticity completely outside of a normal Hollywood production. We see interjections of unscripted or documentary scenes – auditions, video of real plays – but mostly we just see very natural performances by actors/characters speaking or drawing from their hearts in ways that cut deep.
This is just me but when I found out there was
LEGENDS OF THE CONDOR HEROES: THE GALLANTS is the unwieldily titled new Tsui Hark joint, which I was grateful to be able to see in a theater. (This puts my lifetime Tsui Hark theatrical screenings at four, after 
THE ORDER (2024) is a gritty, not too showy but completely riveting true crime movie about neo-nazi bank robbers in the Pacific Northwest, circa 1983. The protagonist is an FBI agent, but one of his specialties is going after bigots, and I support him in that. Anyway it’s kinda like 
Lately, with reality increasingly losing its appeal, I’ve had more desire to lose myself in fantastical worlds of animation. Even when those places are horrible in their own right it feels like an escape, because at least they’re made of nice drawings and paintings. NINJA SCROLL transports us to a mystical past of deadly assassins, some with magic powers, others just so skilled that they might as well have ‘em. This is from 1993 and it was legendary in that decade for providing extravagant violence that seemed novel to us Americans when delivered in cartoon form. It still kinda works as that, but more importantly I think it holds up as a pretty entertaining movie.
THE GORGE is a movie with an appealing, simple premise, strong execution, great tone, and a fun mix of elements you don’t usually see together but that feel perfectly natural. It’s a romance within a monster movie, or vice versa, but not in a a jokey way at all (though that worked for 
