Fairly often I get emails from people who made low budget movies, sometimes they seem to be familiar with me, sometimes they don’t, but they’re trying to do the very hard work of getting people to notice their needle out there in the haystack of what’s available. I sincerely wish every one of them well, but I don’t take very many of them up on it. My fear is that 99.9% of the time it’s not gonna be some hidden gem, or even some crazy failure, it’s just gonna be okay for what it is. And I know I’ll feel bad for them and want to say nice things, but what good does it do them for a niche critic like me to be nice about their movie being okay? I don’t know.
But this particular one, LOST PHOENIX, I decided to watch. After a long time. I was kind of slow about it. But writer/director James Couche (who is also editor and fight choreographer) had a good pitch for it: it’s his micro budget take on “90s mid-budget action movies with shades of inspiration from Hong Kong thrillers.” He also mentioned EL MARIACHI as an inspiration, production-wise. But it takes place in September 2020, and was shot from October 2020 through October 2022 in Richmond, Virginia. I know there are a ton of COVID horror movies shot out in the woods somewhere while people were bored, but this is the first time I heard of an action one. (read the rest of this shit…)
I guess I would classify CATCH THE FAIR ONE (2021) as a thriller more than an action movie, but it’s a certified badass thriller. It’s the first acting role for Kali Reis, the former world champion boxer who recently starred with Jodie Foster in True Detective: Night Country (her reward for this, I believe). Reis also co-wrote the movie with director Josef Kubota Wladyka.
MOON GARDEN (2022) is a strange little fantasy film from writer/director (and also editor, and sound designer, and production designer, and art director, and visual effects artist, and colorist, and animator) Ryan Stevens Harris. Oscilloscope Laboratories gave it an arthouse theatrical run, and recently put it on blu-ray and DVD, and it’s also on Shudder at the moment, though I wouldn’t really think of it as a horror movie.
After watching 
EL CONDE is a pretty simple idea: what if Augusto Pinochet, the dictator of Chile from 1974 through 1990, was in fact a vampire? Sort of the opposite of our “
When I first saw the trailer for 
LOVE LIES BLEEDING is an unusually cool lesbian neo-noir from director Rose Glass (SAINT MAUD), who co-wrote it with Weronika Tofilska. It’s vaguely in the tradition of all my favorite dusty desert town crime movies, and the ones about passionate young couples on the run from bad choices or circumstances, but it has its own secret recipe of transgression, poetry and lovestruck naivete.
THE MOUNTAIN BETWEEN US (2017) is to date the biggest Hollywoood production from Palestinian director Hany Abu-Assad (
A few weeks ago I watched the very good, Oscar nominated Palestinian film 
