"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Thriller’ Category

They Cloned Tyrone

Tuesday, February 6th, 2024

I feel a little guilty for reviewing more Netflix movies than usual lately. But I’ve been catching up on some stuff and I think THEY CLONED TYRONE (2023), if not the best of them, is still the kind of thing that sinister corporation owes us as a civilization and culture. They gotta balance out their ills a little by spending money on movies by new directors, that have interesting ideas. Give them a name cast and some production value but let them make something that’s not necessarily very commercial, at least not enough that they would’ve made it if they were in the movie business, looking for paying customers.

This one they actually promoted more than most of their stuff and they still didn’t give a fuck, they released it on the same day as BARBIE and OPPENHEIMER! It’s distinct from the typical Netflix joint both structurally and stylistically – structurally because it has the confidence to let you be confused for a while before it starts to reveal what’s going on, or even that there is something going on; stylistically because it avoids that modern digital cleanness, instead having a beautifully grainy 16mm sort of texture to it. I assume they shot it digitally and did that in post (would it really have cigarette burns on the reel changes if it was never meant for projection?) but it works just the same. (read the rest of this shit…)

Limbo (2021)

Tuesday, January 9th, 2024

Soi Cheang a.k.a. Cheang Pou-soi is a director whose name(s) get my attention because he made one of the great modern action films, KILL ZONE 2 a.k.a. SPL 2: A TIME FOR CONSEQUENCES (2015) – a masterpiece in my book. He has a bunch of other ones I need to catch up with, but I enjoyed his car movie MOTORWAY (2012), and one that’s maybe a little more informative here, the 2007 manga adaptation SHAMO, which I would describe as an evil fighting tournament movie. Its protagonist is the usual underdog fighting against the odds, except he’s also a murderer, he has no sense of honor, and he does not seek or receive redemption. Bad person, good athlete, the end.

For almost its entire runtime, Cheang’s 2021 serial killer thriller LIMBO is even grimmer. It has between one and three characters you can root for, depending on your level of forgiveness, but its story and the world it takes place in – a fictional garbage-strewn neighborhood in Hong Kong – are the bleakest of bleak. The black and white cinematography by Cheng Siu-Keung (INVINCIBLE DRAGON, IP MAN 4: THE FINALE) gives  it a moody noir feel at times, gothic horror at others, but mostly just bringing a uniformity to frames crammed with chaotic visual detail. (The screengrabs here will be hard to make out in miniature, and you do get plenty of breathers from that kind of busy-ness in the movie, but I chose them to give you an impression of the incredible production design.) (read the rest of this shit…)

Crawlspace (2022)

Tuesday, January 2nd, 2024

CRAWLSPACE (2022), not to be confused with the CRAWLSPACEs from 1972, 1986, 2012, 2013 or 2016, is a little thriller starring Henry Thomas. He plays Robert Mitchell, a friendly plumber in rural Oregon who witnesses a murder while he’s working in the crawlspace of a cabin, gets shot with an arrow while trying to run off, then finds a hidden bag of money they’re looking for, and it turns into a standoff.

While I wouldn’t exactly call it an action movie, there’s an undeniable DIE HARD element here: one man caught in the wrong place at the wrong time, hiding in the structure of a (much smaller this time) building, injured, outgunned, using his wits and ingenuity to survive. But since it’s just a house he doesn’t need a walkie talkie to talk to the bad guys, they just yell and can hear each other through the floor. (read the rest of this shit…)

Speak No Evil (2022)

Tuesday, October 24th, 2023

SPEAK NO EVIL is the English title for the Danish film Gæsterne (The Guests). It’s directed by Christian Tafdrup, an actor who was in The Killing and Borgen, and he co-wrote it with his brother Mads. I watched it on Shudder with only a vague awareness that it had been on some people’s lists of best movies in the banner horror year of 2022. I keep forgetting the title and questioning whether it’s actually SEE NO EVIL or HEAR NO EVIL, but no, it’s gotta be SPEAK, ‘cause there’s a kid in it with no tongue. Anyway, it was a successful viewing. If my stomach was coal it would’ve turned into diamonds.

If you’re not one for slow burns then approach with caution, because this one takes so long to seal the deal as an official horror film that I was honestly not sure if it ever would. But the truth is I didn’t think it needed to. To me the deeply uncomfortable social situations most of the running time is dedicated to are far more torturous than any cinematic maimings or killings. (Though I ordinarily prefer the latter.) (read the rest of this shit…)

Night of the Hunted (2023)

Friday, October 20th, 2023

NIGHT OF THE HUNTED is a really tense, unsettling single-location thriller just released to Shudder. It’s directed by Franck Khalfoun (who did the Elijah-Wood-starring remake of MANIAC), and he co-wrote it with Glen Freyer, remade from the 2015 Spanish film LA NOCHE DEL RATON (NIGHT OF THE RAT). The premise is about as simple as they come: a woman on her way home late at night gets trapped in a gas station mini-mart by a sniper.

As usual in these sorts of set ups, the protagonist is already going through some drama. Alice (Camille Rowe, KNUCKLEDUST) was attending a convention for work with her co-worker John (Jeremy Scippio, UNDERBELLY BLUES). They’re driving in the middle of the night to get her home in time to see a fertility doctor with her husband Erik (Aleksander Popovic, KNOCK KNOCK 2). But we can see by the nonchalant way John gets into the shower in front of her that they’re having an affair. And we can see from Erik’s texts that they’re aware of problems in the marriage they’re trying to work out. She’s clearly wrestling with what to do with her life, and annoyed with John too, and then she goes in to get coffee, finds no one on duty to buy it from, and gets shot in the arm. (read the rest of this shit…)

Dark Web: Cicada 3301

Monday, August 14th, 2023

I know I’d seen the cover for the 2021 film DARK WEB: CICADA 3301 before. I assumed it was some generic shitty hacker thriller, so I paid it no mind. But when I was working on my review of FAST X I noticed it on the filmography of Alan Ritchson – he’s not only in it as an actor, but he directed and co-wrote it. That’s right, Reacher himself, from the TV show Reacher. I had to know what kind of a movie Reacher would direct, so I watched it.

It’s not a great movie, but it’s an interesting one. The cover really doesn’t capture the feel of the thing, which is very smart alecky, though more of a thriller with a sense of humor than an all-out comedy. The marketing team might’ve been counting on people knowing what the title referred to, which I did not. It sounds like the corniest name ever if you don’t know “Cicada 3301” is a mysterious internet puzzle thing that’s famous as far as mysterious internet puzzles things go. I guess these very difficult puzzles were posted between 2012 and 2014, claiming to be designed to find “highly intelligent individuals” for some unknown purpose, and only 2 of the 3 have ever been solved. Wikipedia says that “the puzzles focused heavily on data security, cryptography, steganography, and internet anonymity,” whatever that means. Rumors grew that they were a recruiting tool for an intelligence agency, a hacker group, or a secret society. This movie imagines one explanation and follows some characters trying to solve the puzzles. (read the rest of this shit…)

The Star Chamber

Monday, July 31st, 2023

August 5, 1983

THE STAR CHAMBER is the most grown up thriller I’ve come across in this 1983 retrospective so far. You can tell because it stars Michael Douglas. As a judge. It’s a crime/vigilante movie with a message about the flaws of the justice system and the temptation to take short cuts toward justice. Kinda like MAGNUM FORCE without the badass shit, but still good. Peter Hyams (between OUTLAND and 2010: THE YEAR WE MAKE CONTACT) directs the shit out of it, and is credited as co-writer with Roderick Taylor (a recording artist turned rookie screenwriter who explored related themes many years later in THE BRAVE ONE).

It takes place in L.A., with a great L.A. atmosphere. It opens around 6 am one sunny morning when two undercover cops decide to follow a suspicious pedestrian, who notices them and takes off running. They see him ditch something in his garbage can as he runs into his house, and are aware they can’t search it without a warrant, but decide to wait until a garbage man dumps it in his truck, and then search the truck. (read the rest of this shit…)

Master Gardener

Monday, June 26th, 2023

MASTER GARDENER is the latest from Paul Schrader, who I consider to be on a late career roll between FIRST REFORMED and THE CARD COUNTER. This one is thematically related to those, and Schrader has called the three of them his unintentional “Lonely Man Trilogy,” but the template goes all the way back to TAXI DRIVER and has been loosely repeated over and over again throughout his filmography. Which is one of the things I love about him.

This time the journal-writing weirdo narrator is Narvel Roth (Joel Edgerton, JANE GOT A GUN), the fastidious horticulturalist in charge of Gracewood Gardens, an estate in Louisiana (filmed at a former plantation). He’s very loyal to his aging heiress boss, Norma Haverhill (Sigourney Weaver, ABDUCTION) – including having sex with her on demand – so he does as she says when she instructs him to take on her troubled grand-niece Maya (Quintessa Swindell, BLACK ADAM) as an apprentice. (read the rest of this shit…)

Influencer

Tuesday, June 6th, 2023

INFLUENCER (2022) is an excellent horror/thriller that recently came to Shudder. A friend recommended it and I watched it blind, which was a good way to go. I’ll try to set the stage and then I’ll warn you when I’m going to get into specifics of the structure and plot that you might prefer to experience first hand.

It’s set in Thailand, but all the characters are westerners, most of them on vacation. The opening introduces us to Madison (Emily Tennant, SNIPER: ASSASSIN’S END), who narrates in the form of an Instagram video or social media post about her love of travel and adventure, of meeting new people and learning about new places. But we see she’s doing none of that – she’s almost entirely alone at a luxury resort, floating in the pool, getting a massage, lounging on scenic overlooks, occasionally smiling for selfies. (read the rest of this shit…)

WarGames: The Dead Code

Wednesday, May 31st, 2023

“We’re targeting today’s savvy media consumer who demands quality video entertainment regardless of where that entertainment experience takes place. By leveraging film and television franchises, which have already proven to be popular with specific targeted demographic groups, we’re able to both continually replenish our library while also maximizing revenues from our existing film and television programming!” —Jason Weiss, Vice President of MGM DTV division, 2007


Do you remember this – that they made a 25-years-later DTV sequel to WARGAMES? Please join me in wishing it the happiest of 15th anniversaries. As one of today’s savvy media consumers who demand quality video entertainment regardless of where that entertainment takes place (a.k.a. an aficionado of the DTV-sequel-nobody-asked-for format), I was always curious about it, but never bothered to find out what the deal was until now. It’s called WARGAMES: THE DEAD CODE, and it seems at first like it’s following the WILD THINGS model of DTV sequel: just do kind of a loose ripoff/update of the original plot with different characters. Will Farmer (Matt Lanter, the voice of Anakin Skywalker on Star Wars: The Clone Wars!) is a young computer genius who does some computing/hacking that brings him to the attention of an A.I. called R.I.P.L.E.Y. (voice of Claudia Black, PITCH BLACK), a project of the Department of Homeland Security or somebody.

Later it turns out to be kind of using the THE HIDDEN II method: bring in a character from the first one, recast. Part 1’s eccentric inventor Dr. Stephen Falken shows up to help (introducing himself as “a gentleman who almost started World War III”), but now he’s played by Gary Reineke (RITUALS, IRON EAGLE II) and no longer has an accent. Oh, his computer WOPR is also back. Still uses the same password, too. (read the rest of this shit…)