Archive for the ‘Reviews’ Category
Wednesday, July 11th, 2018
June 19,1998
Here’s another last minute addition to the ’98 series in acknowledgment of the summer’s abundance of significant indie movies. I suddenly realized that HENRY FOOL being a Cannes-Film-Festival-best-screenplay-award-winning film from lauded (once lauded?) auteur Hal Hartley meant it fit right in with the other stuff I was writing about, and shouldn’t be skipped. All I really know about Hartley is my vague memories of liking THE UNBELIEVABLE TRUTH, TRUST and SIMPLE MEN when I saw them almost 30 years ago. I never saw this one until now, but I’ve read that it is his biggest box office success.
That’s surprising. HENRY FOOL is a very dry, often ponderous two hour seventeen minute sort-of-comedy that takes its sweet time getting to what it seems to be about before abruptly switching to something else for the last part. It’s raw, seems to be intentionally lacking in style or energy, at times slightly amateurish, even feeling in moments like a parody of indie movie pretension. Its two leads are an obnoxious prick with a sort of reverse charisma and a passive, inscrutable peon who barely talks, except to occasionally parrot some dumb bullshit that the other guy said that he should know better than to believe.
I kind of liked it though. (read the rest of this shit…)
Tags: Hal Hartley, James Saito, James Urbaniak, Kevin Corrigan, Liam Aiken, Parker Posey, Summer of '98, Thomas Jay Ryan
Posted in Comedy/Laffs, Reviews | 9 Comments »
Tuesday, July 10th, 2018
June 19, 1998
MULAN is the Disney animated feature of summer ’98. It’s another Broadway-style musical loosely based on an old tale, in this case the legend of Chinese warrior Hua Mulan, as described in The Ballad of Mulan. Fa Mulan – voiced by Ming-Na Wen (STREET FIGHTER), singing voice Lea Salonga (NINJA KIDS) – is a young woman in Han dynasty China in the midst of training to be a great warrior. Oh, whoops, that’s a typo – in the midst of training to be a great wife. She gets all painted up and tries to walk in confining clothes and know all the etiquette for tea drinking and what not. But she’s not up to it, even has to write notes on her hand before a test, and completely fucks it up.
Luckily there is another option. The Huns are invading and every family must provide a man or boy to fight in the army. The only male in her family is her dad Fa Zhou (Soon-Tek Oh, STEELE JUSTICE, DEATH WISH 4), a war vet who is all for going again but he’s an old man who can barely walk and she’s sure he’s gonna get fuckin killed in like two seconds so at night she steals his armor and conscription notice and runs off to pretend to be a dude and fight in the army on his behalf.
Which she’s actually worse at than being feminine. There’s lots of, you know, humor about how she says something in a normal voice and then says “er, I mean” and repeats it in a not even remotely convincing fake-masculine voice. She starts to pick up other things like to spit and do gross things to be accepted as a man. It’s like JUST ONE OF THE GUYS I guess but when they see her boobs it’s off screen. (read the rest of this shit…)
Tags: Alan Ormsby, Disney, Donnie Osmond, Eddie Murphy, Gedde Watanabe, George Takei, James Shigeta, June Foray, Lea Salonga, Miguel Ferrer, Ming-Na Wen, Miriam Margolyes, Pat Morita, Soon-Tek Oh, Summer of '98
Posted in Cartoons and Shit, Reviews | 53 Comments »
Monday, July 9th, 2018
June 19, 1998
(or is it THE X FILES?)
(note: Some people call it X-FILES: FIGHT THE FUTURE, but I think “fight the future” is just the tag line, like “DIE HARDER.”)
Oh shit, man. The ’90s. The X-Files sure was a bigger deal in the ’90s, wasn’t it? And in some ways this movie spin-off of the show is the most era-representative of the ones I’ve watched in this series so far. Not in style, or in any kind of fun, nostalgic way – it doesn’t feel very dated – but just in its view of the world. It spoke to a type of pre-millennium paranoia that has uncool associations today, but at the time was fresh and edgy and hip.
See, the internet was pretty new, so it wasn’t common to know about every strange belief or kooky fringe group. If you wanted to find out about some weird creature somebody claimed to spot you had to read outdated cryptozoology books at the library. If you wanted to know about UFO cults you had to know their address and send them a self addressed stamped envelope and read their newsletter. I don’t know why, but that’s what I did at a certain age. One time I even went to a UFO cult’s presentation on a college campus. All I really remember was a woman with a shaved head who seemed very sincere about all this. A few years later when the mass suicide happened I dug out a handout I’d saved, and though it didn’t say “Heaven’s Gate” on it anywhere it described the same theology, following the teachings of someone called “The Two” or “Ti and Do.” And I always wondered if that lady got out in time. (read the rest of this shit…)
Tags: aliens, based on a TV show, Chris Carter, David Duchovny, Frank Spotnitz, Gillian Anderson, John Neville, Lucas Black, Martin Landau, Rob Bowman, Summer of '98, Terry O'Quinn, William B. Davis
Posted in Reviews, Science Fiction and Space Shit | 28 Comments »
Thursday, July 5th, 2018
Before seing INCREDIBLES 2 and JURASSIC’S 5 I wanted to catch up with OCEAN’S 8. It’s that all star ensemble heist movie that came out in theaters a month ago. I know whatever conversation there was has already died off, but I wanted to see it.
Debbie Ocean, who kind of looks like Michael Jackson and is played by Sandra Bullock (SPEED 2: CRUISE CONTROL), gets out on parole with nothing but forty-some dollars, a glittery party dress and a master plan for stealing millions of dollars worth of jewelry. So she’s in good spirits. Plying her trade of theft and scams she gets herself a fancy hotel room and amenities (the fancy lady’s version of Porter building himself back up from nothing at the beginning of PAYBACK) and then goes to find her old partner Lou (Cate Blanchett, HANNA). Lou claims to have not known she was in prison, just thought she changed her number, and she says it so dryly I didn’t know at first if she was joking. I like these two.
Much like OCEAN’S ELEVEN, we get to meet the Mission: Impossible team of heisters in their regular lives as the two go around recruiting them. They rescue jewelry expert Amita (Mindy Kaling, A WRINKLE IN TIME) from working for her mom and Tammy (Sarah Paulson, THE SPIRIT) from suburban boredom. They hire hacker Nine Ball (Rihanna, BRING IT ON: ALL OR NOTHING) and three-card-monty hustler/pickpocket Constance (Awkwafina, CRAZY RICH ASIANS). Most crucially they trick movie star and soon-to-be Met Gala host Daphne Kluger (Anne Hathaway, HOODWINKED!) into hiring past-her-prime former fashion design legend Rose Weil (Helena Bonham Carter, PLANET OF THE APES) who they’ve gotten in on a scheme to get Kluger to wear a ridiculously valuable Cartier necklace that would otherwise be in a vault. (read the rest of this shit…)
Tags: Anne Hathaway, Awkwafina, Cate Blanchett, Dakota Fanning, Gary Ross, Helena Bonham Carter, Katie Holmes, Mindy Kaling, Olivia Milch, Rihanna, Sandra Bullock
Posted in Comedy/Laffs, Crime, Reviews | 15 Comments »
Tuesday, July 3rd, 2018
When I heard they were making an ESCAPE PLAN 2 I couldn’t believe it. If you read my review of the first one you can see that right at the beginning I worried it might be “the last gasp for straight ahead R-rated theatrically released movies from the ’80s action icons.” I was a major proponent of the Old Man Schwarzenegger and Stallone movies and disappointed that they kept flopping. I even saw MAGGIE in a theater somehow (there were three other people there, if I remember right) and I suspect I’ve recommended BULLET TO THE HEAD to more people than any other human being. I liked that one better, but that’s okay – ESCAPE PLAN was a solid genre piece with standard Stallone and Schwarzenegger getting to be funny and some goofiness and weirdness for flavoring. Not the best or worst thing either of these icons have done. A pretty good one. I want to keep seeing old fashioned action star vehicles like that, but these days the world is treating them like VHS. Or maybe Betamax. Or America Online CD-ROMs.
So I was grateful for whatever miracle of international co-financing gave us the possibility of an ESCAPE PLAN franchise. And okay, so it’s too bad Arnold isn’t in this one, but Dave Bautista (WRONG SIDE OF TOWN)? I’ll take Dave Bautista. And then wait a minute, they’re not releasing it in theaters? I guess I could understand it. Still could be good.
But pretty recently I saw another trailer and I noticed wait a minute, this is kind of weird, they say STALLONE and they say BAUTISTA but it kind of looks like it’s mostly about this character played by a Chinese actor whose name they don’t even say. (read the rest of this shit…)
Tags: Chen Tang, Dave Bautista, Huang Xiaoming, Jaime King, John Herzfeld, Newton Brothers, prison escape, Steven C. Miller, Sylvester Stallone, Titus Welliver, Wes Chatham
Posted in Action, Reviews | 35 Comments »
Monday, July 2nd, 2018
SICARIO: DAY OF THE SOLDADO, like its predecessor SICARIO, is a bleak, uncomfortable peek into a hellish world of violence depicted near our southern border. Cartels go about their business with savage brutality. U.S. agencies blur and push and blatantly leap across every legal or moral line they ever heard of. The Americans hire a Mexican lawyer turned killer to do the dirty stuff because he wants revenge on those who murdered his family. But they also seem pretty okay with doing the dirty stuff themselves.
Criminals, cops and soldiers all ride on the backs of humvees or pickup trucks or in helicopters, some of them caravanning across the border with impunity, wrapped in armor, strapped with high capacity rifles, hiding behind their sunglasses and gritting their teeth until something pops off and then they pound hundreds of rounds through glass, metal and meat, leaving the wreckage of vehicles and their inhabitants to bake under the hot sun on the pavement or in the dirt. (read the rest of this shit…)
Tags: Benicio Del Toro, Catherine Keener, Josh Brolin, Matthew Modine, Taylor Sheridan
Posted in Crime, Reviews | 19 Comments »
Thursday, June 28th, 2018
Note: the correct title is 
, in the FAST AND FURIOUS font
The only thing wrong with HURRICANE HEIST is that it’s actually called , and that “the” throws off the alliteration. But I’m betting this thing was written as, like, CATEGORY 5 or IN THE EYE OF THE STORM or something and then director Rob Cohen (DRAGON: THE BRUCE LEE STORY, DRAGONHEART, THE MUMMY: TOMB OF THE DRAGON EMPEROR) said “Are you stupid? This needs to be called . Unless I can talk you into DRAGONWIND?”
Of course I knew I needed to see a new movie from the director of STEALTH, ALEX CROSS and xXx called . Duh. That’s obvious. What I did not know I needed was Toby Kebbel (DEAD MAN’S SHOES, DAWN OF THE PLANET OF THE APES, FANTASTIC FOUR) playing redneck meteorologist Batman. After witnessing his dad getting smooshed by a hurricane as a child, Will Rutledge grows up to fight weather in a high-tech practically-a-tank car he calls The Dominator. It has armor-plating, roll bars, flood lights and retractable spikes that can claw into cement. (read the rest of this shit…)
Tags: disaster, heist, Maggie Grace, Rob Cohen, Ryan Kwanten, Toby Kebbell
Posted in Action, Reviews | 35 Comments »
Wednesday, June 27th, 2018
AFTER 2 WEEKS IN LIMITED
RELEASE, THE LAST DAYS OF DISCO
EXPANDED TO 168 SCREENS…
June 12, 1998
THE LAST DAYS OF DISCO is a category of movie that arguably had its heyday in the late ’90s: the beloved indie auteurs given the money to do their thing with more production value. In this case it’s the third film of writer-director Whit Stillman, whose $250,000-budgeted debut METROPOLITAN (1990) received an Oscar nomination for best original screenplay and an Independent Spirit Award for best first feature. His second one BARCELONA (1994) cost under $3 million, but for this one he got $8 million to work with, more than either of his movies had grossed.
It’s still a movie mostly about people talking, but it costs money to have a huge club set, period costuming and a soundtrack of disco hits (just ask the producers of PROM NIGHT about that last one). The movie chronicles Alice (Chloe Sevigny, KIDS, GUMMO) and Charlotte (Kate Beckinsale, VAN HELSING, PEARL HARBOR) – both readers at a New York City book publisher – and some of the other people who hang out at the same unnamed disco as them over a period of maybe a year or two in “the very early 1980s.” They fall in and out of relationships, fuck things up, etc. (read the rest of this shit…)
Tags: Chloe Sevigny, Chris Eigeman, disco, Kate Beckinsale, Mackenzie Astin, Matt Keeslar, Matt Ross, Robert Sean Leonard, Summer of '98, Whit Stillman
Posted in Comedy/Laffs, Reviews | 25 Comments »
Tuesday, June 26th, 2018
June 12, 1998
Ivan Reitman’s SIX DAYS SEVEN NIGHTS is a kind of low concept romance/adventure that I don’t think you’d see today, and didn’t generally see twenty years ago. It’s basically just a woman and a man who don’t initially like each other getting trapped on an island together, and then starting to like each other after a bit of survival shenanigans.
There’s more romantic-comedy trappings than adventure ones. Robin Monroe (Anne Heche, PSYCHO) is a hard working assistant editor for the fashion magazine Dazzle who’s in a long term relationship with Frank (David Schwimmer, WOLF). He’s a sweet but immediately off-putting guy who makes grand romantic gestures like surprising her with a sudden six-day-seven-night (you see, that’s the title, SIX DAYS SEVEN NIGHTS) vacation to the South Pacific, where he proposes and she says yes.
But she also meets Quinn Harris (Harrison Ford, THE EXPENDABLES 3), a grizzled, hard-drinking pilot of the small plane who gets them from a larger island to their final destination of Makatea after their more lush charter falls through. On the island he drunkenly hits on her at the bar, forgetting that he was the one who just got her there, and Ford does a good bleary-eyed horny dude. Robin is polite but unimpressed, in contrast to Frank, who could not for the life of him hide his boner for Quinn’s busty and flirtatious co-pilot/sort of girlfriend Angelica (Jacqueline Obradors, UNSTOPPABLE, BAD ASSES). (read the rest of this shit…)
Tags: Anne Heche, Cliff Curtis, Danny Trejo, David Schwimmer, Harrison Ford, Ivan Reitman, Jacqueline Obradors, Michael Browning, Summer of '98, Temuera Morrison
Posted in Reviews, Romance | 14 Comments »
Monday, June 25th, 2018
June 12, 1998
DIRTY WORK doesn’t look like it comes from the same era as these other movies in this series. I remember noticing that at the time, too. It’s not that it’s visually simple and unadorned, it’s more that Norm Macdonald, with his loose fitting plaid shirts over plain t-shirts, looks like a schlub from a low budget ’80s frat comedy or the cover of an old Home Improvement DVD. (I’m not sure what I thought of Artie Lange’s more late ’70s/early ’80s style polos, which play as kind of stylized now, like SUPERBAD.)
I remember wondering, has this thing been sitting on the shelf for several years? Or do things just look different in Toronto, where it was filmed? Or is it because it’s directed by Bob Saget? Yeah, I know, even back then, pre-THE ARISTOCRATS, he made sure everybody knew he was actually real edgy, man, he told jokes about penises and buttholes and you name it, everything. Nevertheless he was still the dude from Full House and America’s Funniest Home Videos. That is an incontrovertible fact. It’s the same guy. He did those things. (read the rest of this shit…)
Tags: Artie Lange, Bob Saget, Chevy Chase, Chris Farley, Fred Wolf, Norm Macdonald, Summer of '98
Posted in Comedy/Laffs, Reviews | 34 Comments »
