Archive for the ‘Horror’ Category
Monday, January 9th, 2023
RESURRECTION is an interesting 2022 horror-thriller you can find on disc, VOD or Shudder. I saw the trailer play before movies many times and found it kind of intriguing, but I could never remember the name. I must’ve confused it with the 1909 D.W. Griffith short, or the silent films from 1910, 1912, 1917, 1918, 1923 and 1927, or the pre-code Tolstoy adaptation from 1931, or the Italian one from the same year, or the 1943 Mexican film, or the 1944 Italian one, or the 1958 German/Italian/French one, or the 1960 Russian one, or the 1968 British one, or the 1980 one starring Ellen Burstyn, or the 1999 Russell Mulcahy one I still haven’t seen although you guys really convinced me I have to and then Vinegar Syndrome even put it out on blu-ray, or the one from 2001 or 2010 or the three from 2016. But this is a different RESURRECTION, the one starring Rebecca Hall (THE B.F.G.) and Tim Roth (THE MUSKETEER).
Hall plays Margaret, a successful, seemingly well-liked single mother living in Albany. Her daughter Abbie (Grace Kaufman, BAD TEACHER) is about to leave for college, and she’s protective of her to an annoying level, but they seem to be on pretty good terms. At first it’s funny how often Margaret will tell her daughter things like “you’re safe” and “it’s going to be okay” when she clearly has no use for such affirmations. At one point when Margaret says something particularly ridiculous, Abbie very astutely points out, “Mom, when you say things like that, I mean… that’s for you, not me.” (read the rest of this shit…)
Tags: Andrew Semans, Angela Wong Carbone, Grace Kaufman, Michael Esper, Rebecca Hall, Shudder, Tim Roth
Posted in Reviews, Horror, Thriller | 5 Comments »
Wednesday, January 4th, 2023
THE PHANTOM CARRIAGE is a phantom movie that came well before PHANTOM THREAD, THE PHANTOM MENACE, or even my man THE PHANTOM. In fact it hails from way back in the silent era of film. Obviously 1921 is a long time ago, but it was a little ways into the movie before it clicked in my brain that holy shit this movie is a-hundred-and-one-years-old. That’s, like, pretty old. Trends, hairstyles, etc. have changed.
It’s also Swedish, which is a whole other thing. I’ve watched HÄXAN, THE VIRGIN SPRING, THRILLER: A CRUEL PICTURE, LET THE RIGHT ONE IN and the DRAGON TATTOO trilogy from my Ikea couch while eating Swedish Fish and wishing I had a Dolph Lundgren poster, but otherwise it’s a culture I’m completely ignorant about. Wikipedia describes PHANTOM CARRIAGE writer/director/star Victor Sjöström as “Sweden’s most prominent director in the Golden Age of Silent Film in Europe.” He was such an influence on also-very-influential Swedish director Ingmar Bergman that Bergman cast him in the lead of WILD STRAWBERRIES and got the idea of his most internationally recognizable character – Death in THE SEVENTH SEAL – straight from THE PHANTOM CARRIAGE. (read the rest of this shit…)
Tags: New Year's Eve, silent, Swedish cinema, Victor Sjostrom
Posted in Reviews, Drama, Horror | 5 Comments »
Friday, December 23rd, 2022
I don’t usually post on Fridays, but here is my second one today, because I got two last stocking stuffers for you before the holiday weekend. Here are reviews of two Christmas related shorts, one horror, one crime (sorta). Pretty obscure ones, but both worth checking out.
First up is THE PRESENT, which is a 2005 episode of a Japanese anthology show called Kazuo Umezz’s Horror Theater (released on DVD as part of Horror Theater 3). The titular Kazuo Umezu (the spelling varies) is a famous author of horror manga, as you can guess by the art laid over the introduction to the show, so this is an adaptation of one of his stories. He’s been around long enough that the 1968 movie THE SNAKE GIRL AND THE SILVER-HAIRED WITCH is based on his comics too.
THE PRESENT filters the classic American form of the killer Santa movie through a more Japanese (and specifically manga) style of fucked-upness. It’s about a little girl named Yuko (Kiyo Ôshiro) who wakes up on Christmas Eve, terrified by a nightmare about Santa. She has a Christmas tree in her room and a stocking on her bedpost – I’m not sure if that’s how they do it in Japan, or if it’s weird. But her parents comfort her and tell her to go back to sleep and she’ll get presents because she’s a good girl (though “if you do bad things he’ll come and get you.”) (read the rest of this shit…)
Tags: Christmas, Christmas crime, Christmas horror, Francis Ford Coppola, killer Santa, manga, William S. Burroughs, Yudai Yamaguchi
Posted in Reviews, Cartoons and Shit, Crime, Horror | 12 Comments »
Friday, December 23rd, 2022
TOYS OF TERROR is a 2020 Christmas horror movie that’s exactly what it sounds like – a movie about toys coming to life and doing evil toy shit. It seems to have premiered on SyFy, and it’s on DVD and VOD. The director is someone named Nicholas Verso (BOYS IN THE TREES) and it’s written and executive produced by Dana Gould, the comedian, Simpsons writer and podcaster. I had no idea when I rented it that anyone notable was involved, and I respect that Gould seems to have just wanted to make a straightforward, non-parody Full Moon type movie. But it comes from the dystopically named “Blue Ribbon Content” division of Warner Bros. Television, responsible for some DC Comics web animation plus the DTV movies DAPHNE & VELMA and THE BANANA SPLITS MOVIE, and has better craft and production value than many of the actual Full Moon movies, especially the later ones.
It’s the story of a family coming to stay at a former children’s home that they plan to refurbish into a mansion and flip. (Same set up as The Haunting of Hill House.) It’s implied to be somewhere in Washington state, but it’s filmed in Canada – as usual, and as indicated by a cast full of actors you know are Canadian because of how many Hallmark Christmas movies they’re in. (read the rest of this shit…)
Tags: Christmas, Christmas horror, Dana Gould, Dayo Ade, killer dolls, Kyana Teresa, Nicholas Verso, stop motion animation, Verity Marks
Posted in Reviews, Horror | 2 Comments »
Wednesday, December 21st, 2022
Whether Christmas is a religious holiday for us, or just a way to celebrate giving, or whatever, we can all agree that it’s mainly about trying to find more movies we haven’t seen that are about a killer Santa or some shit. That’s the true and sole meaning of Christmas, is what it says quite clearly in the Bible, and if you don’t believe me I challenge you to tell me which verses it’s not in. You can’t do it, can you? Case closed. Anyway the point is this year I saw CHRISTMAS BLOODY CHRISTMAS but for those of you who would prefer to have the same title but shorter there’s also CHRISTMAS BLOOD (Juelblod), a Norwegian one from 2017.
IMDb lists it as a horror comedy. It really doesn’t read as one to me, but maybe it’s an exceedingly dry sense of humor – there is certainly some absurdity to it, which is what I liked about it. It’s very openly a Santa Claus version of HALLOWEEN. It opens in the middle of the night on Christmas Eve, 2011, when a little girl and her parents get killed by a guy dressed as Santa. The police show up in time to shoot the Santa, and Detective Thomas Rasch (Stig Henrik Hoff, THE THING premaquel), who’s been chasing this guy for 13 years, unloads his gun into him while he’s down. (read the rest of this shit…)
Tags: Ben Rock, Bonita Friedericy, Christmas, Christmas horror, Daniel Myrick, David Simkins, killer Santa, Philip Newby, Raw Feed, Reinert Kiil, slashers, Sondre Krogtoft, Stig Henrik Hoff
Posted in Reviews, Horror | 3 Comments »
Tuesday, December 20th, 2022
CHRISTMAS BLOODY CHRISTMAS is the new one from writer/director Joe Begos. I previously reviewed his first two features, ALMOST HUMAN (2013) and THE MIND’S EYE (2015), but I’ve been sleeping on his 2019 double whammy of BLISS and VFW. Nevertheless I had to see his new one as soon as it hit Shudder because it’s Christmas horror. There’s a timeliness factor.
It’s a low budget movie but seems huge and lush compared to those other two I mentioned. It continues in the same tradition of filtering a specific ‘80s horror aesthetic through Begos’ brain, now with more dialogue and humor. But I wouldn’t call it a comedy. After the comical advertisements that open the movie and introduce the absurd horror premise, there aren’t really jokes. The laughs come from the characters themselves being funny. Otherwise it comes across as very serious – an odd choice that I like. (read the rest of this shit…)
Tags: Christmas, Christmas horror, Dora Madison, Jeff Daniel Phillips, Joe Begos, Jonah Ray, Josh Ethier, killer Santa, Riley Dandy, robot, Sam Delich
Posted in Reviews, Horror | 11 Comments »
Monday, December 19th, 2022
I do believe this is my first review where just telling you the movie exists is kind of a spoiler. But I had to have it spoiled to know to watch it myself, so now I’m passing that information on to you. This is a horror movie that was designed to be found on accident, originally promoted like this: “ADULT SWIM YULE LOG: Get in the holiday spirit with this cozy, crackling fire,” and airing at 11:30 pm after the season finale of Rick & Morty. Now it can be found on Home Box Office Maximum under “Adult Swim Yule Log – a.k.a. The Fireplace.”
It starts off as a normal Yule Log or fireplace video. Just footage of a fire with some Christmas music playing. But after a few minutes of that we start to hear something going on outside of the frame. The owner of the cabin containing the cozy, crackling fire is talking about getting the place cleaned. We see her walk past the fireplace a few times. Then there’s a knock on the door, a woman (Tordy Clark, GLORIOUS) talking about her car breaking down, and introducing her son… a hulking, grunting Leatherface type (Brendan Patrick Connor, JOKER) wearing a plastic Halloween mask of a Ken-doll type character. He bursts in and attacks as his mom reminds him to “Say nice things to her, women like that.” It’s off camera, but we get the implication, and this is a really fucked up thing to have on as holiday background ambience. (read the rest of this shit…)
Tags: Adult Swim, Andrea Laing, Casper Kelly, Christmas, found footage, Jonathon Pawlowski, Justin Miles, long takes, Mark Costello, Tordy Clark
Posted in Reviews, Comedy/Laffs, Horror | 9 Comments »
Monday, December 5th, 2022
note: This is a great fuckin movie and this review has spoilers, so if you’re planning on seeing it anyway, I suggest doing that first and coming back.
I’m not fully up on the films of director Luca Guadagnino. He’s done several I haven’t seen, including A BIGGER SPLASH, which I know some people love. I did see CALL ME BY YOUR NAME, which I didn’t officially review but did write a little about in a 2018 Oscar preview. I concluded that, “My main feeling about CALL ME BY YOUR NAME was that it was pretty good but just not for me. But I did continue thinking about different aspects of it for days afterward, making me think I liked it more than I realized at first.”
Since that was my only impression of Guadagnino it seemed kind of crazy that he was the one to finally do a remake of SUSPIRIA! Or as I called it in my review, “SUSPIRI… uh…”
Actually I liked that one, and will watch it again, though I didn’t understand what it was trying to say about German politics of the ‘70s. As I wrote in my review, “It is possible that this Italian director and American writer have something very important to say about the post-WWII generational shift that was happening in Germany when they were 6 and 8 years old, respectively, and that it adds greatly to the story of these dancing witches. If so it’s way over my head, so for me it dilutes what could be a far more intense experience if the horrific parts weren’t so spread out.”
With those mixed feelings in mind, I’m thrilled to say that Guadagnino’s new one BONES AND ALL is the first one I’ve seen by him that I unreservedly loved. This is another horror one that will get some of the more finicky genre purists in their feelings about it being pretentious or whatever, but I think it’s a real fuckin knockout. It’s a cannibal road movie romance. You’re gonna love it. (read the rest of this shit…)
Tags: Andre Holland, Atticus Ross, Chloe Sevigny, David Gordon Green, Jessica Harper, Luca Guadagnino, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothee Chalamet, Trent Reznor
Posted in Reviews, Horror, Romance | 12 Comments »
Wednesday, November 23rd, 2022
I always keep an eye out for new films from Lucky McKee, because he’s the director of my official Favorite Horror Movie of the 2010s, THE WOMAN. Even your average individual who knows who Lucky McKee is may not have heard of his young-people-find-some-stolen-cash thriller BLOOD MONEY or his Lifetime Channel domestic thriller KINDRED SPIRITS, but you bet I’ve seen and reviewed them. He has a new one that came out on VOD recently called OLD MAN, and I didn’t review that one because it’s so simple I didn’t really know how to write about it. It’s pretty much like a two person play with two actors I like – Stephen Lang (BAND OF THE HAND) and Marc Senter (BRAWLER) – having a long, increasingly strange conversation/confrontation in a remote cabin. I didn’t feel like I totally understood where it ended up, but I enjoyed the experience.
Before Halloween I rewatched Tobe Hooper’s THE TOOLBOX MURDERS, which stars long time McKee collaborator Angela Bettis, and I read in an old Fangoria that McKee himself almost played the toolbox murderer in it, and that he hooked up Hooper with cinematographer Steve Yedlin, who’d shot his first film. That inspired me to revisit MAY and also reminded me that despite all my bragging in the first paragraph there were two other McKee/Bettis joints from the aughts that I hadn’t actually seen. What the fuck dude. So I did a triple feature.
(read the rest of this shit…)
Tags: Angela Bettis, Anna Faris, Erin Brown, James Duval, Jeremy Sisto, Jesse Hlubik, Kristen Bell, Lucky McKee, Marcia Bennett, Nectar Rose, Sean Hood
Posted in Horror, Reviews | 7 Comments »
Thursday, November 17th, 2022
Friends, I am here to announce that I have officially transitioned from guy who intellectually respected and sort of liked THE WITCH to card carrying Robert Eggers Fan Club member and honorary district captain. The dominos that fell were first viewing of THE NORTHMAN —> second viewing of THE NORTHMAN —> second viewing of THE WITCH —> finally getting it together to watch THE LIGHTHOUSE. Eggers has a unique style and approach and I’m tuning more and more into his frequency. This one is interesting because it’s clearly the work of the same director, except his sophomore movie here has some humor in it. Actual laughs. And I’m not counting the farts.
The time and location for this one is 1890s New England, on a tiny lighthouse island, and mostly inside the lighthouse. Ephraim Winslow (Robert Pattinson, THE ROVER) is a young rookie contractor just starting a four week gig as a lighthouse keeper with veteran “wickie” Thomas Wake (Willem Dafoe, LIGHT SLEEPER, SPEED 2). The style is black and white, square 1.19:1 aspect ratio, appropriate for a movie set in a claustrophobic vertical structure. I’d seen pictures and it looks so old-timey with Pattinson’s giant mustache and Dafoe’s upside down pipe that I pictured it as one of those stylized retro movies mimicking old silent film techniques. But no, it’s all very raw, filmed largely in remote locations with harsh climates, and a lighthouse they constructed. Looks fuckin stunning. (read the rest of this shit…)
Tags: A24, Mark Korven, Robert Eggers, Robert Pattinson, Willem Dafoe
Posted in Horror, I don't know, Reviews | 30 Comments »
