Archive for the ‘Crime’ Category
Monday, March 20th, 2023
Ronny Yu is a director whose work I’ve enjoyed since the ‘90s, when I first saw his beautiful wuxia film THE BRIDE WITH WHITE HAIR. Part of what’s interesting about him is that he was so adept at making those lush martial arts fantasies, but he was on a trajectory to come to Hollywood and make something quite different, including two of the more notable and unusual franchise horror films of the late ‘90s and early 2000s.
But he started out in another place entirely – making raw, low budget Hong Kong cop thrillers like his very-hard-to-find first two films, THE SERVANT (1979) and THE SAVIOUR (1980).
Yu was born in Hong Kong in 1950. He suffered from polio as a child, preventing the type of physical play most kids take for granted, and leading him to retreat into his imagination, especially by watching movies. “In the dark I could forget about my problems. I could forget that I couldn’t walk so good,” he later said. He attended a boys school in England, and in the ’70s he wanted to go to UCLA and study filmmaking. His dad wouldn’t pay for that, and told him that to really understand the United States he should live in the heartland. So – figuring commercials were similar to movies – Yu studied marketing and communication at Ohio University in Athens, Ohio, the alma mater of Paul Newman and Richard Dean Anderson. Other filmmaker alumni include Joe Eszterhas and Betty Thomas.
Becoming a director was kind of an accident, and it came, strangely, from being friends with a cop. Philip Chan had been a police officer for around 15 years before working as a consultant (and ultimately co-writer) on JUMPING ASH (1976) gave him the bug to be a movie star. He got a few bit parts, but his dream was to be a leading man in a movie about his experiences as a Superintendent in the Anti-Triad Squad of the Royal Hong Kong Police Force. No one was giving him that role, so he had to create it. (read the rest of this shit…)
Tags: Alfred Cheung, Gigi Wong, Hong Kong New Wave, Ken Cheng, Kent Cheng, Pai Ying, Ronny Yu, Tien Feng, Zero External Reviews on IMDb
Posted in Reviews, Action, Crime, Thriller | 14 Comments »
Wednesday, February 22nd, 2023
Ryuhei Kitamura is an interesting director. He started in Japan with the attention-grabbing yakuzas vs. zombies movie VERSUS (2000). That one was kinda cool but I straight up loved his fourth movie, the samurai manga adaptation AZUMI (2003), and by 2004 he was doing that crazy GODZILLA: FINAL WARS. If nothing else, he’s a hero for doing the one thing everyone wanted to do but nobody knew they could do: assassinate Roland Emmerich’s version of Godzilla. I think we all remember where we were when we first heard the news. Ladies and gentlemen, we got ‘im.
That unprecedented act of heroism made Kitamura so huge and important to cinema that in 2008 Hollywood chose him for the crucial job of directing Bradley Cooper’s first serious leading role. He agreed to do it only under the condition that it could take place at midnight on a meat train. (read the rest of this shit…)
Tags: Amazon Eve, Emile Hirsch, Gigi Zumbado, organ trafficking, Ryuhei Kitamura, Sabina Mach, Stephen Dorff, Tanner Zagarino, Tyler Sanders, Vernon Wells
Posted in Reviews, Crime, Horror | 5 Comments »
Tuesday, February 14th, 2023
“My dad died fighting Nazis in Germany, but he died fightin the wrong ones, huh?”
THE FINAL COMEDOWN is a 1972 drama starring Billy Dee Williams as an angry young militant who leads some sort of small uprising. It has been categorized as blaxploitation, and that makes sense – it’s a low budget movie with a funky soundtrack, and a sex scene (maybe to please producer Roger Corman), and it co-stars that bad D’Urville Martin (director of DOLEMITE, played by Wesley Snipes in DOLEMITE IS MY NAME) and Raymond St. Jacques right after COOL BREEZE. But despite having many bullets fired and quite a few falling-off-a-building stunts, it’s not exactly an action movie or empowerment fantasy. It’s a very earnest issue movie, with the unvarnished rage and radicalism of THE SPOOK WHO SAT BY THE DOOR, plus an editing style and non-linear storytelling that seems more in the arty vein of stuff like SWEET SWEETBACK and TOP OF THE HEAP than all the ones that were trying to cash in on the success of SHAFT and SUPER FLY. (read the rest of this shit…)
Tags: Allan Arkush, Billy Dee Williams, Celia Kaye, D'Urville Martin, Ed Cambridge, Grant Green, Maide Norman, Oscar Williams, Pamela Jones, Raymond St. Jacques, Roger Corman
Posted in Reviews, Action, Crime, Drama | 2 Comments »
Wednesday, February 8th, 2023
Recently, events converged to remind me there was a (sort of) remake of John Carpenter’s ASSAULT ON PRECINCT 13 back in 2005. Well, really what happened was that movie PLANE came out – the Gerard Butler one with the plane – and that’s from the same director, Jean-François Richet. He did a couple gritty French crime movies in the ‘90s and then his phone rang and Hollywood said, “Hello, this is Hollywood, would you be interested in remaking ASSAULT ON PRECINCT 13, or as you call it in France, ASSAUT?” I imagine he very thoughtfully said “Oui” and then hung up.
According to his commentary track they didn’t have the script yet when they hired him. He chose James DeMonaco to write it because he’d just seen THE NEGOTIATOR, a movie this does seem kinda similar to. DeMonaco had also written a film for Francis Ford Coppola*. (read the rest of this shit…)
Tags: Aisha Hinds, Brian Dennehy, Dorian Harewood, Drea De Mateo, Ethan Hawke, Gabriel Byrne, Graeme Revell, Ja Rule, James DeMonaco, Jean-Francois Richet, John Leguizamo, Kim Coates, KRS-One, Laurence Fishburne, Maria Bello, New Year's Eve, siege movies, Titus Welliver
Posted in Reviews, Action, Crime, Thriller | 12 Comments »
Thursday, January 26th, 2023
Aubrey Plaza is funny. I first saw her in FUNNY PEOPLE, and then I knew her for years as April on Parks & Recreation. She seems hip for a sitcom star, and for a decade and a half has been able to oscillate between mainstream comedies and indie movies. The one that gave me a new level of respect for her was INGRID GOES WEST (2017), a dark squirm-inducer where her titular character moves to L.A. to try to become friends with her favorite Instagram influencer. It’s a very layered character and performance, but it’s a funny one. She’s funny.
What’s surprising about Plaza in EMILY THE CRIMINAL is that she’s completely engrossing without being funny at all. She makes one or two bitter jokes, but this is a gritty, very grounded crime drama. Those withering looks of disgust she gave as sullen teen April Ludgate have evolved into more mature and considered looks of contempt for the system, and humanity, and all this bullshit. (read the rest of this shit…)
Tags: Aubrey Plaza, Jeff Bierman, John Patton Ford, Jonathan Avigdori, Megalyn Echikunwoke, Noah Halpern, Sheila Korsi, Theo Rossi
Posted in Reviews, Crime | 11 Comments »
Wednesday, January 11th, 2023
There I was the other night with both physical and mental lists of all the recent movies I want to catch up on, scrolling through them on the various streaming services, failing to decide which one to watch first. So then I clicked on one I never heard of before called MY NAME IS VENDETTA (2022). Very productive.
It’s a pretty good one, though. Straight forward meat and potatoes crime thriller hailing from Italy. The director is Cosimo Gomez, a veteran production designer and art director (including for a bunch of Roberto Benigni movies) on his third outing as director (following the comedies UGLY NASTY PEOPLE and IO E SPOTTY). This one’s not funny at all, it’s a very straight-faced and to-the-point father-daughter revenge thriller very much like something Liam Neeson would do. And the same jacket he would wear. The guy even has a deep voice kinda like Neeson, though his scowl is more Benicio Del Toro. (read the rest of this shit…)
Tags: Alessandro Gassmann, Cosimo Gomez, Ginevra Francesconi, Italian crime movies, Remo Girone, revenge
Posted in Reviews, Action, Crime | 11 Comments »
Friday, December 23rd, 2022
I don’t usually post on Fridays, but here is my second one today, because I got two last stocking stuffers for you before the holiday weekend. Here are reviews of two Christmas related shorts, one horror, one crime (sorta). Pretty obscure ones, but both worth checking out.
First up is THE PRESENT, which is a 2005 episode of a Japanese anthology show called Kazuo Umezz’s Horror Theater (released on DVD as part of Horror Theater 3). The titular Kazuo Umezu (the spelling varies) is a famous author of horror manga, as you can guess by the art laid over the introduction to the show, so this is an adaptation of one of his stories. He’s been around long enough that the 1968 movie THE SNAKE GIRL AND THE SILVER-HAIRED WITCH is based on his comics too.
THE PRESENT filters the classic American form of the killer Santa movie through a more Japanese (and specifically manga) style of fucked-upness. It’s about a little girl named Yuko (Kiyo Ôshiro) who wakes up on Christmas Eve, terrified by a nightmare about Santa. She has a Christmas tree in her room and a stocking on her bedpost – I’m not sure if that’s how they do it in Japan, or if it’s weird. But her parents comfort her and tell her to go back to sleep and she’ll get presents because she’s a good girl (though “if you do bad things he’ll come and get you.”) (read the rest of this shit…)
Tags: Christmas, Christmas crime, Christmas horror, Francis Ford Coppola, killer Santa, manga, William S. Burroughs, Yudai Yamaguchi
Posted in Reviews, Cartoons and Shit, Crime, Horror | 12 Comments »
Tuesday, November 29th, 2022
RHYMES FOR YOUNG GHOULS (2013) was the first of two features by writer/director Jeff Barnaby. I didn’t know about him until I saw his really good 2019 zombie movie BLOOD QUANTUM, at which point I was excited to follow this new director who was around my age and seemed real interesting in interviews. Tragically that was his last film – he died of cancer last month. That’s a real damn shame, but I encourage you to check out his small body of work. He’s got a real interesting perspective as a guy whose politics grew from seeing some shit growing up in the Mi’kmaq reserve in Quebec, but his genre influences taught him to make movies from that point-of-view that are entertaining, not strident.
While BLOOD QUANTUM is straight forwardly Barnaby’s take on the zombie post-apocalypse genre, this one is something more distinct. It’s kind of a small time crime tale, set (like BLOOD QUANTUM) in a fictional reservation called Red Crow, but in 1976 (the year Barnaby was born). Reservation Dogs star Devery Jacobs (credited here as Kawennáhere Devery Jacobs) plays Aila, a teenager who has been running the family weed business since a drunk driving accident killed her brother and mother and put her father in prison. (read the rest of this shit…)
Tags: Brandon Oakes, Canadian, Cody Bird, Devery Jacobs, Glen Gould, Jeff Barnaby, mark Antony Krupa
Posted in Reviews, Crime, Drama | No Comments »
Wednesday, September 28th, 2022
Many of these August ’92 movies I’ve been reviewing have been grueling, but there are some good ones among them, even great ones. To make up for the toil of watching CHRISTOPHER COLUMBUS: THE DISCOVERY and LITTLE NEMO, August 21, 1992 also brought us Paul Schrader’s LIGHT SLEEPER. It was the filmmaker’s first time writing and directing since 1987s’ LIGHT OF DAY (though he’d directed PATTY HEARST and THE COMFORT OF STRANGERS and written THE LAST TEMPTATION OF CHRIST since then). And it’s up there with his best work.
The troubled journal-writing outsider this one centers on is John LeTour (Willem Dafoe, WILD AT HEART), a New York City drug deliverer who’s having a bit of a crisis because his boss Ann (Susan Sarandon following THELMA & LOUISE and a cameo in THE PLAYER) seems pretty serious about starting a cosmetics company and going straight. He’s 40 and this has kept him going in the four years since he kicked drugs and he doesn’t know what he’s gonna do with his life. He has an idea about getting involved in recording music, but I’m not sure how realistic he thinks that is. (read the rest of this shit…)
Tags: Dana Delany, David Clennon, David Spade, drug dealing, Edward Lachman, Jane Adams, Mario Kassar, Mary Beth Hurt, Paul Jabara, Paul Schrader, Sam Rockwell, Susan Sarandon, Victor Garber, Willem Dafoe
Posted in Crime, Drama, Reviews | 11 Comments »
Thursday, September 22nd, 2022
“This ain’t about money anymore.”
DIGGSTOWN, released August 14, 1992, is a pretty entertaining meat and potatoes movie, with the meat being a sports movie and the potatoes being a con movie. It’s directed by Michael Ritchie (PRIME CUT, FLETCH) and written by Steven McKay (between HARD TO KILL and DARKMAN II: THE RETURN OF DURANT) based on the novel The Diggstown Ringers by Leonard Wise.
James Woods (BEST SELLER) stars as Gabriel Caine (no relation to RAISING CAIN), a master manipulator doing time in a Georgia prison for selling counterfeit art, now making money on the side helping other prisoners escape. When he’s released he heads to nearby Diggstown with a complicated scheme targeting unofficial ruler of the town John Gillon (Bruce Dern, THE DRIVER). Gillon was once the manager of local boxing legend Charles Macom Diggs (Wilhelm von Homburg, DIE HARD, NIGHT OF THE WARRIOR). Now he manages the small boxing venue Diggstown Arena, but makes enough money to buy his his son Robby (Thomas Wilson Brown, the neighbor kid in HONEY, I SHRUNK THE KIDS) a ’56 Corvette. (read the rest of this shit…)
Tags: Benny "The Jet" Urquidez, boxing, Bruce Dern, cons, Heather Graham, James Woods, Jim Caviezel, Louis Gossett Jr., Michael Ritchie, Oliver Platt, Randall "Tex" Cobb, Steven McKay, Thomas Wilson Brown, Wilhelm von Homburg
Posted in Comedy/Laffs, Crime, Reviews, Sport | 7 Comments »
