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Archive for the ‘Action’ Category

Plane

Wednesday, January 18th, 2023

PLANE is the new Gerard Butler movie that had the brilliant idea of using a title so goofy that everybody talked about it and it seemed to end up with more awareness than his last three movies combined. Butler (GODS OF EGYPT) plays Brodie Torrance, an airline pilot who’s sent through a storm, his plane gets struck by lightning and loses its power, but he makes a daring emergency landing on an island near the Philippines. Just like SULLY or FLIGHT! Except then it turns into a survival movie (it’s very hot with no air conditioning on the plane, their phones don’t work [but they still make videos for social media], they have no radio to contact anyone) and also this is some kind of ESCAPE FROM NEW YORK type island where there are no ordinary people, only heavily armed terrorist/druglord/warlord/kidnapper militias, who soon arrive to take them hostage.

A movie like this needs some background and set up to get you interested, and PLANE does okay at that. It’s New Year’s Eve, that’s why there aren’t many people on the flight. Brodie is a single father planning to meet up with his daughter (Haleigh Hekking) after the flight. He seems nice, co-pilot Dele (Yoson An, MORTAL ENGINES) is honored to be working with him, and he makes a friendly little let’s-go-get-‘em speech to the flight crew before they begin boarding. One unusual thing about the flight is that prisoner Louis Gaspare (Mike Colter, MILLION DOLLAR BABY, CARTER) is being transported by mountie Officer Knight (Otis Winston, “Street Man,” VENOM: LET THERE BE CARNAGE). He sits in the back and they try to keep everyone from making eye contact. (read the rest of this shit…)

My Name Is Vendetta

Wednesday, January 11th, 2023

There I was the other night with both physical and mental lists of all the recent movies I want to catch up on, scrolling through them on the various streaming services, failing to decide which one to watch first. So then I clicked on one I never heard of before called MY NAME IS VENDETTA (2022). Very productive.

It’s a pretty good one, though. Straight forward meat and potatoes crime thriller hailing from Italy. The director is Cosimo Gomez, a veteran production designer and art director (including for a bunch of Roberto Benigni movies) on his third outing as director (following the comedies UGLY NASTY PEOPLE and IO E SPOTTY). This one’s not funny at all, it’s a very straight-faced and to-the-point father-daughter revenge thriller very much like something Liam Neeson would do. And the same jacket he would wear. The guy even has a deep voice kinda like Neeson, though his scowl is more Benicio Del Toro. (read the rest of this shit…)

Athena

Tuesday, January 10th, 2023

ATHENA is an astonishing piece of filmmaking. I have no idea how they did it. I have one (1) huge issue with it, which prevents it from being one of my top movies of last year, but it’s a big ass spoiler that I will deal with separately at the end of this review. And you may disagree with me, so don’t worry about that for now. What’s important is that this is a thrilling cinematic experience and about as epic as a movie could feel while clocking in at less than 100 minutes. And it’s on Netflix – it’s one of the ones that actually wouldn’t exist if they hadn’t funded it – so it’s a very accessible way to get knocked flat on your ass by a concussion grenade of impeccable spectacle.

For those who haven’t heard of it, ATHENA is an intense French action-thriller about a battle between riot cops and the predominantly French-Algerian residents of a housing project (in a Parisian banlieue, you know, like the parkour movie) after the death of a 13 year old kid named Idir. Idir’s oldest brother Abdel (Dali Benssalah, NO TIME TO DIE) is a straight-laced soldier who exits police headquarters and announces to the press that they’ve promised to investigate which officers were responsible for his brother’s death. He asks that the people of the Athena project please stay calm and peaceful. (read the rest of this shit…)

The Big 4

Thursday, January 5th, 2023

THE BIG 4 is the new one from Indonesian writer-director Timo Tjahjanto, who gave us THE NIGHT COMES FOR US, easily one of the best action movies of recent years. He’s said that this one is a comedy he made when Netflix Indonesia asked for something more family friendly, so I thought I needed to keep my hopes in check. But a few minutes in it’s clear that some silly humor isn’t gonna get in the way of the gory headshots, stabbings, and bone-cracking martial arts duels you expect in a Tjahjanto joint. It’s an action comedy in the traditional sense of an actual action movie that also has some laughs, not in the sense of a comedy that half-assedly employs genre cliches as set up for riffing. The characters here happen to be goofballs, but that’s overshadowed by the legitimacy of the action the movie delivers.

The first Tjahjanto movie I saw was HEADSHOT (2016), where a group of orphans were trained from birth to fight and kill. Same thing here, except they become good guys, not evil bastards. They’re vigilantes who go after horrible people. But it’s a messed up thing to do, it’s a dark and dangerous world to live in, and there’s tragedy and emotion just like in the non-comedies. It’s just in a context where it leaves you smiling at the end. A wholesome smile, not an evil one. (read the rest of this shit…)

Avatar: The Way of Water

Friday, December 16th, 2022

If we hadn’t seen it coming for so many years, AVATAR: THE WAY OF WATER would be a cinematic miracle. There has definitely not been a blockbuster movie with this level of mindblowing spectacle, visual beauty and action chops since MAD MAX: FURY ROAD, and before that since the first AVATAR.

I’ve rewatched AVATAR several times since it came out, and it’s always as good, usually better than the last time. Watching it again this week was no exception, and it really struck me that holy shit, these “game changer” visual effects from 2009 have influenced everybody, but not one movie has matched them. (Probly closest would be Peter Jackson’s largely forgotten HOBBIT trilogy.) I don’t want to get into an attack on modern blockbusters, many of which I enjoy, but it’s a simple statement of fact that the similarly-greenscreen-and-performance-capture based visuals in the very expensive Marvel movies that are trailered before THE WAY OF WATER and coming out next year look crude and primitive next to what was achieved thirteen years ago in AVATAR. And now along comes the sequel that blows AVATAR out of the water (by putting it into the water). (read the rest of this shit…)

Raven Hawk

Thursday, December 15th, 2022

TAPE RAIDER ALBERT PYUN TRIBUTE PART 3: RAVEN HAWK

RAVEN HAWK is yet another Albert Pyun movie only released on VHS in the States. The only one of this review trilogy to not include any cyborgs. According to IMDb, it was #3 of five Pyun releases in 1996 (the others being ADRENALIN: FEAR THE RUSH, NEMESIS 3: TIME LAPSE, OMEGA DOOM and NEMESIS 4: DEATH ANGEL), but was filmed in 1993. It was meant for theatrical, but ended up premiering on HBO. Written by Kevin Elders (writer of IRON EAGLE, director of SIMON SEZ, therefore a legend), it’s a very basic but pretty appealing revenge movie. It follows in the tradition of the THUNDER WARRIOR trilogy (itself inspired by the success of the BILLY JACK series) in trying to mine the thrill of a Native American hero standing up to racist white bullies and land stealers. But what makes it stand out is that the hero is played by bodybuilding champion Rachel McLish, who was in PUMPING IRON II: THE WOMEN and then stole the show in ACES: IRON EAGLE III.

In the prologue, Senator Stansfield (John de Lancie, Days of Our Lives, Star Trek: The Next Generation) – who’s on the phone talking in an evil voice while a naked lady lounges by the fire nearby – pressures his stooge Thorne (William Atherton, DIE HARD) to finish “negotiations” with the tribal council to approve a land deal to build a nuclear power plant. (In a dark touch, he says if they don’t do it now the Department of Transportation will build a freeway there. Either way, the Natives are fucked.) (read the rest of this shit…)

Heatseeker

Wednesday, December 14th, 2022

THE TAPE RAIDER TRIBUTE TO ALBERT PYUN PART 2: HEATSEEKER

Yes friends, here’s another Albert Pyun film that has only been released on VHS in the U.S., HEATSEEKER. It came to us in 1995, #2 of 3 between SPITFIRE and NEMESIS 2: NEBULA. Pyun has a story credit, with the screenplay written by Christopher Borkgren (whose only other credit is SPITFIRE).

Set in the futuristic New America of 2019 A.D. (“After Dollman?”) it’s the story of kickboxing champion Chance O’Brien (Keith Cooke, CHINA O’BRIEN I & II) trying to keep doing his thing in a changing world. Combat sports are beginning to be dominated by new models of cyborgs, including those created by the sinister Sianon Corporation, who try to bait “the greatest human fighter in the world” into entering their imaginatively titled event “The Tournament.” (read the rest of this shit…)

Knights

Tuesday, December 13th, 2022

At the end of last month we lost Albert Pyun, prolific and perhaps infamous b-movie auteur, chronicler of kickboxing cyborgs, mounter of simultaneous productions, and occasional blurrer of lines between drive-in exploitation and abstruse art movie.

I did not always have generous things to say about his films, but something about them kept me coming back, so over the years I’ve reviewed DANGEROUSLY CLOSE, CYBORG, CAPTAIN AMERICA, KICKBOXER 2: THE ROAD BACK, NEMESIS, KICKBOXER 4: THE AGGRESSOR, and MEAN GUNS, and of course I have chapter in Seagalogy about his Seagal movie, TICKER.

When I reviewed KICKBOXER 2 back in 2009 the man himself showed up in the comments and thanked me for the review, even though it included the line, “The director is Albert Pyun, but I never would’ve guessed that because it’s both watchable and kind of good.” He had a very gracious and self-deprecating attitude, promising “I hope I am improving to at least an almost semi-coherent level of competence,” and he came back a few times responding to questions and comments. Too bad he dodged my question about how he made it look like a dead Van Damme in KICKBOXER 2 (claiming it was someone who died from watching the beginning of ALIEN FROM L.A.). (read the rest of this shit…)

Violent Night

Monday, December 12th, 2022

When I first heard that the trusted manufacturers of sturdy action cinema at 87North Productions were making a Santa Claus movie, I misunderstood. I pictured sort of a BAD SANTA meets DIE HARD – a serious action movie where it’s some deadbeat mall Santa who’s in the wrong place at the wrong time and has to save the day, hopefully using a velvet sack’s worth of seasonally themed methods.

So when I realized that the Santa Claus played by David Harbour (BROKEBACK MOUNTAIN) in VIOLENT NIGHT is the actual Santa Claus, having his Christmas Eve deliveries interrupted by hostage takers and using “Christmas magic” to fight back, I was disappointed at first. Sounded corny, I thought.

I was wrong. I want to apologize to Santa. VIOLENT NIGHT is an admirable and solid take on a type of movie I treasure: the genre mash-up that knows it’s ludicrous to combine these particular types of movies but moves forward trying to deliver on both genres as well as the unique opportunities offered by their combination. So it has the trappings of a DIE HARD/UNDER SIEGE scenario (ruthless mastermind, elite mercenary force, carefully planned heist, hero mixed up in it by mistake, shocking deaths of innocent people, bad guys picked off one-by-one with stolen or improvised weapons) but also a heartwarming holiday tale (little girl wavering in her belief in Santa, family having trouble getting along, lessons about selflessness). It’s a comedy, but not a spoof. It tries to deliver faithfully on the mission of each genre. (read the rest of this shit…)

Section 8

Monday, November 21st, 2022

SECTION 8 came to VOD a couple months ago and now is on disc and I guess AMC+. It’s a solid and enjoyable movie of its type, with a good cast, some good fights, and liberal use of familiar action conventions that tend to be enjoyable. However I’m gonna show it a little tough love in this review because, as we agreed when I went on I Must Break This Podcast to discuss it last month, it’s pretty representative of where VOD/DTV action is at right now, for both good and bad. So there might be some value in going deep.

It has not one, not two, but three significant action stars in the cast – not as the lead, but in those we-can-afford-them-for-this-many-days-and-if-we-put-them-on-the-cover-we-get-financing type roles that are the bread and butter of this industry right now. One of the three is I think not used very well, one I did enjoy, another I think we will all agree is clearly the best part of the movie. All of them are added value along with Ryan Kwanten (RED HILL, THE HURRICANE HEIST), who stars, and Dermot Mulroney (SUNSET, THE GREY), who plays the villain with a grey beard that makes him look kinda like present-day-Mel-Gibson on the cover.

The story begins in “Mosul, Afghanistan” (uh… whoops) where Jake Atherton (Kwanten) is, we’re told, a really great marine, but his platoon is ambushed by the Taliban and only he and his mentor Captain Mason (Dolph Lundgren, HAIL CAESAR!) survive. I’m kind of unclear what happens, but later we’re told that Mason saved Jake’s life and also received a career-ending leg injury. (read the rest of this shit…)