"KEEP BUSTIN'."

Posts Tagged ‘Stephen Lang’

Avatar: The Way of Water

Friday, December 16th, 2022

If we hadn’t seen it coming for so many years, AVATAR: THE WAY OF WATER would be a cinematic miracle. There has definitely not been a blockbuster movie with this level of mindblowing spectacle, visual beauty and action chops since MAD MAX: FURY ROAD, and before that since the first AVATAR.

I’ve rewatched AVATAR several times since it came out, and it’s always as good, usually better than the last time. Watching it again this week was no exception, and it really struck me that holy shit, these “game changer” visual effects from 2009 have influenced everybody, but not one movie has matched them. (Probly closest would be Peter Jackson’s largely forgotten HOBBIT trilogy.) I don’t want to get into an attack on modern blockbusters, many of which I enjoy, but it’s a simple statement of fact that the similarly-greenscreen-and-performance-capture based visuals in the very expensive Marvel movies that are trailered before THE WAY OF WATER and coming out next year look crude and primitive next to what was achieved thirteen years ago in AVATAR. And now along comes the sequel that blows AVATAR out of the water (by putting it into the water). (read the rest of this shit…)

Don’t Breathe 2

Thursday, August 19th, 2021

Your mileage may vary, but I loved DON’T BREATHE, director Fede Alvarez’s followup to his EVIL DEAD remake, once again produced by Sam Raimi. It was a hit at the time, and they talked about a sequel, but Alvarez was getting bigger offers, like THE GIRL IN THE SPIDER’S WEB. Which I also liked, but it didn’t really catch on. Now five years have passed, and I haven’t noticed DON’T BREATHE turning into a big thing, but we finally got that sequel, written and produced by Alvarez and directed by his usual co-writer Rodo Sayagues, in his directing debut. Hey, I’ll take it!

Stephen Lang (MANHUNTER, HOSTILES) returns as “The Blind Man,” or Norman Nordstrom as he is apparently named. He’s a Gulf War vet who lives in a rickety house in a largely abandoned area of Detroit with a rottweiler named Shadow and a young girl named Phoenix (Madelyn Grace, 2 episodes of Z-Nation). He home schools her, trains her in survival tactics, and only rarely allows her to go into town with his Army Ranger friend Hernandez (Stephanie Arcila, Penny Dreadful: City of Angels).

Phoenix calls him Dad, and we have to wonder what’s up here because we’ve seen part 1. In that one he was a victim of home invaders and went uncomfortably far in exacting his vengeance on them, then he was revealed to (SPOILER FOR THE FUCKED UP TWIST IN PART 1) have the woman who killed his daughter in a hit-and-run accident imprisoned in his basement, pregnant with a “replacement.” So there are many reasons for concern here. (read the rest of this shit…)

Mortal Engines

Thursday, March 21st, 2019

You might’ve figured a new sci-fi/fantasy produced and written by Peter Jackson and his fellowship (Fran Walsh, Philippa Boyens), and directed by his storyboard artist/effects guy since DEAD ALIVE Christian Rivers, would be a pretty big deal. I had hoped to see it in 3D, but it came out the same week as THE MULE and SPIDER-MAN: INTO THE SPIDER-VERSE and then the next week I wanted to see AQUAMAN, MARY POPPINS RETURNS and BUMBLEBEE and since the movie flopped the showtimes dropped precipitously and it was gone before I got to it. Plus, everybody said it sucked.

Wrong! I am happy to report that MORTAL ENGINES is pretty fuckin cool! It’s based on a young adult book, and there are some costumes and characters that follow a sort of steampunk or HUNGER GAMES city dweller style that I’m not into it, but it’s an adventure in an interesting world with cool characters and the spectacular effects of Weta at their best.

The movie centers around futuristic London, which is a “predator city,” meaning the whole fucking thing drives around the wastelands like a giant tank looking for resources, which they get by “ingesting” smaller cities to steal their machines and citizens. In the opening scene they chase down a small mining town and swallow it up. When I saw the Londoners on the fancy top deck watching the chase and cheering I fell in love with the movie. (read the rest of this shit…)

Hostiles

Wednesday, February 13th, 2019

Scott Cooper is an actor-turned-writer/director who seems slightly under the radar to me. He made a splash with CRAZY HEART ten years ago, a movie that somehow seems overshadowed by Jeff Bridge’s Oscar-winning performance in it (and that I thought of a few times watching A STAR IS BORN). His followup, the gloomy crime drama OUT OF THE FURNACE (2013), teamed him with Christian Bale (POCAHONTAS) for the first time, and I have to admit that I have not seen his poorly reviewed BLACK MASS (2015). But he didn’t write that one. I only watch the ones he directs and writes, obviously.

2017’s HOSTILES (based on a manuscript written by Donald E. Stewart [JACKSON COUNTY JAIL, DEATHSPORT, THE HUNT FOR RED OCTOBER, PATRIOT GAMES, CLEAR AND PRESENT DANGER] in the ’80s) reteamed him with Bale for what might be categorized as a Real Serious Western – the kind where the director is hesitant to call it a western (“I don’t think in terms of genre… If anything it’s a psychological western in the vein of Anthony Mann…I don’t think it’s a western, it has more in common with Joseph Conrad or Larry McMurtry or Louis L’Amour” he told Moviemaker) and you want to grab them and tell them “all right cool it buddy, just admit you made a really good western.” (See also THE REVENANT.)

But I guess I sort of get it. A completely traditional western is not very marketable in this day and age. Most people don’t really want the genre without a little bit of a new spin on it, and HOSTILES has one. (read the rest of this shit…)

Braven

Tuesday, April 10th, 2018

Jason Momoa is… BRAVEN.

BRAVEN is the story of Joe Braven (Jason Momoa, BULLET TO THE HEAD), a nice, rugged logger guy who lives with his family in some snowy area in Newfoundland (or at least that’s where it’s filmed). I really didn’t know what the movie was going to be about, so when he wished a brotherly goodbye and safe driving to his co-worker buddy Weston (Brendan Fletcher, FREDDY VS. JASON) I thought Weston would never come back. And then when his wife Stephanie (Jill Wagner, Blade: The Series) had to leave and repeatedly talked about what she was going to do with him when she got home, I worried she would never come back. And then when he made his daughter Charlotte (Sasha Rossof) go to bed and wait until tomorrow to give her bracelet to grandpa (Stephen Lang, BAND OF THE HAND, DON’T BREATHE), I thought oh shit, Pops is not gonna make it through the night.

Well, I guess none of this is foreshadowing, they’ll all be okay. For a bit. And then they’ll all be in trouble. (read the rest of this shit…)

Gang in Blue

Wednesday, February 28th, 2018

GANG IN BLUE is a made-for-Showtime Melvin & Mario Van Peebles father-son directorial collabo from 1996. Mario plays Rhoades, a righteous cop surrounded by corrupt racists in a secret cop gang called The Phantoms. Please think of these “Phantoms” as dudes in white ghost hoods, not purple tights and skull rings. Their only uniform, though, is their regular police one or their tattoos or their softball jerseys and jackets, ’cause their softball team is also called The Phantoms. There must be some naive soul on the force who sees the tattoos and thinks “Geez, those guys are really into softball.”

Rhoades talks about hiring diversity and minority policing of minority neighborhoods while his co-workers are talking about “ching-chong” and “homeboys” and “ooga booga” and “the jungle” and calling people “animals” like Trump always does. His presence fucks everything up when they go to shake down an illegal casino. Despite all the anti-racism talk the only Asian we see after these stereotypical gangsters is a thickly accented officer at headquarters who’s kind of a doofus. (read the rest of this shit…)

Manhunter

Monday, March 20th, 2017

Michael Mann feature #4 is MANHUNTER. Instead of a moody portrait of a thief like in THIEF he does one of a profiler trying to identify a serial killer. This is of course Mann’s adaptation of Thomas Harris’s Red Dragon, the pre-SILENCE OF THE LAMBS story of a guy chasing a killer called “The Tooth Fairy” after having caught Hannibal Lecktor (that’s how they spell it when he’s played by Brian Cox). William Petersen (THE SKULLS) plays Will Graham, who FBI agent Jack Crawford (Dennis Farina, CODE OF SILENCE) nudges into the investigation by showing him some crime scene photos and making him feel bad. That was a pretty shitty thing to do because Will is just starting to get his life back together after getting inside the mind of Lecktor also got him inside the rooms of a mental hospital.

“You’re supposed to be his friend. Why didn’t you leave him alone?” Will’s wife Molly (Kim Greist, C.H.U.D.) asks resignedly. (read the rest of this shit…)

Don’t Breathe

Wednesday, August 31st, 2016

tn_dontbreatheDON’T BREATHE is the new film by EVIL DEAD remake director Fede Alvarez, and the most up-my-alley new horror movie I’ve seen in at least a couple years. Once it really got going I found myself alternating between wincing and having a big smile that I couldn’t get off my face. It’s produced by Sam Raimi, and I daresay it is almost a non-supernatural spookablast. I’m not gonna say it’s as good as DRAG ME TO HELL, but that might be the last time I had this much fun watching a horror movie in a theater.

Now, keep in mind, I also liked EVIL DEAD. I had a great experience with some friends who all got a big kick out of its eviscerating-all-previous-standards-of-what-can-be-done-in-an-R-rated-movie audacity. Then almost everybody else I knew, both in life and in the comments here, seemed genuinely offended that I found any redeeming quality of any kind in that movie. It might be the most backlash I ever got for a positive review.

But I think this is different! It’s dark, and it definitely Goes Too Far at one point, but I think it’s more of a crowdpleaser. I think some of you guys will love it? (read the rest of this shit…)

In the Blood

Thursday, June 5th, 2014

tn_inthebloodI heard so much trash talked about Gina Carano vehicle #2, IN THE BLOOD, that I was scared off from watching it on VOD. And it’s true that there’s plenty wrong with it, especially as a followup to Steve Soderbergh’s HAYWIRE.

#1 problem for alot of people: director John Stockwell (UNDER COVER, BLUE CRUSH) isn’t as meticulous about massaging a performance out of veteran fighter, recent actor Carano as Soderbergh was, so there are some pretty stiff line readings. In one scene she even says she’s from “Cuh-NECK-ticut,” not a regionally accurate pronunciation in my opinion. But as a fan of Dennis Rodman, Brian Bosworth, early Van Damme, Daniel Bernhardt, Gary Daniels, Olivier Gruner, early Dolph, etc. this is not a problem to me at all, and seems like kind of a complaint for action movie lightweights.

The main complaint for people of our ilk, that will go unnoticed by normal people, is that the fights are short and over-edited. The hits feel hard, the camera’s not that shaky and most of the framing is okay, but it’s another one hit = one cut movie. Why directors don’t think it’s worth the effort to stage a bunch of moves – or shit, at least two moves – in a row is beyond me, especially since Stockwell is on the public record as having seen and enjoyed HAYWIRE. He seems to take some influence in how to portray Carano as a scary asskicker (even re-using the gag where she calls her betrayer on the guy she just killed’s phone), but little in the clean-as-a-whistle action filmatism that is HAYWIRE’s bread and butter. (read the rest of this shit…)

Band of the Hand

Wednesday, May 8th, 2013

tn_bandofthehandBAND OF THE HAND is a beautiful combination of elements: underdog juvenile delinquent brotherhood, island survival, stoic badass mentorship, paramilitary vigilante revenge, Miami Vice style and attitude. I mean, literally, it’s the people who made Miami Vice. Michael Mann is the executive producer. Paul Michael Glaser, who is known for playing Starsky but also directed episodes of Miami Vice, is the director. IMDb trivia claims it was actually released theatrically after failing as a TV pilot, but I’m skeptical about that. It seems a little too awesome to have been made for TV. They would’ve had to go back and do reshoots for additional awesomeness.

I think this is Michael Mann’s version of a RED DAWN type teen action movie. It’s hoods vs. kingpins in Miami, great cast, show-offy camera moves and editing, moody atmosphere, restrained dialogue. And as the cover brags, it has a high grade ’80s pop soundtrack – “Broken Wings” by Mr. Mister, “Let’s Go Crazy” by Prince, a bunch of songs by some band called The Reds that also played on MANHUNTER – even a title song by Bob Dylan, somehow. (read the rest of this shit…)