"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Britain Dalton’

Dark Harvest (2023)

Monday, October 16th, 2023

DARK HARVEST is a crazy new Halloween movie I rented for six bucks on VOD. I think they kinda fumbled in marketing it because they made me think it was about a corny looking killer in a skeleton mask, when in fact it’s about a cool monster and that’s just a guy in a Halloween costume. But I’m glad I knew nothing, because it was interesting to see the movie’s weird premise unfold and realize yeah, this is obviously based on a book (same title, written by Norman Partridge, published in 2006). Hard to make a movie with a world and concept this odd these days unless it’s based on a book.

The most succinct way I can describe it is THE OUTSIDERS meets THE PURGE + HUNGER GAMES but also PUMPKINHEAD. A gory monster movie wrapped in a novel gimmick. It takes place in an I-believe-unnamed small town surrounded by cornfields, and it opens on Halloween night, 1962. Mobs of teenage boys comb through the fields, strutting like droogs with various blunt weapons slung over their shoulders, many wearing letterman jackets, all wearing plastic masks of monsters, The Lone Ranger, etc. They’re looking for something called Sawtooth Jack (Dustin Ceithamer, THE NEW MUTANTS), and they find him, but only after he spews fire from his head and burns a kid in a JFK mask into a fuckin skeleton. (read the rest of this shit…)

Avatar: The Way of Water

Friday, December 16th, 2022

If we hadn’t seen it coming for so many years, AVATAR: THE WAY OF WATER would be a cinematic miracle. There has definitely not been a blockbuster movie with this level of mindblowing spectacle, visual beauty and action chops since MAD MAX: FURY ROAD, and before that since the first AVATAR.

I’ve rewatched AVATAR several times since it came out, and it’s always as good, usually better than the last time. Watching it again this week was no exception, and it really struck me that holy shit, these “game changer” visual effects from 2009 have influenced everybody, but not one movie has matched them. (Probly closest would be Peter Jackson’s largely forgotten HOBBIT trilogy.) I don’t want to get into an attack on modern blockbusters, many of which I enjoy, but it’s a simple statement of fact that the similarly-greenscreen-and-performance-capture based visuals in the very expensive Marvel movies that are trailered before THE WAY OF WATER and coming out next year look crude and primitive next to what was achieved thirteen years ago in AVATAR. And now along comes the sequel that blows AVATAR out of the water (by putting it into the water). (read the rest of this shit…)