Well geez, it’s not too often you get this with a movie writer, but apparently this Charlie Kaufman guy can do no wrong. Between the brilliant BEING JOHN MALKOVICH and ADAPTATION and the underrated HUMAN NATURE and now this… I mean really, what more could you ask for from a writer? There is no other non-director writer working who has been so consistently inventive and surprising and at the same time so personal. In fact there are few who have ever worked who could be in this same category. These are all movies made by skilled directors but it is always the writer’s voice that comes through.
You hear that, motherfuckers, the WRITER.
This is Kaufman’s most straight forward and normal picture so far, but that’s not saying all that much. It’s adapted from Chuck Barris’ autobiographical novel, and the gimmick of course is that in the novel he claims to have been a CIA hitman while he was hosting the Gong Show, which seems pretty dubious. Also he talks about the genesis of The Gong Show, the Dating Game, the Newlywed Game, etc.
What surprised me about the movie is that Kaufman and director George Clooney (the guy from OUT OF SIGHT) adapt as if they take the novel completely at face value. It tells the story of his CIA intrigue completely deadpan, to the point that there are scenes where his murders come back to haunt him and he sees the audience of the Gong Show as a bunch of corpses. It is really a pretty serious biopic of this guy, but also faithful to the spirit of his works. There are funny gimmicks like a love montage set to a Gong Show contestant very badly singing an Elvis song. You’d think that would come across as a funny joke but to me it just worked as drama. The relationship in the montage is actually pretty sweet and given that it’s Chuck Barris it’s only fitting that it would be set to the tune of this bad singing.
It goes back and forth from gaudy, artificial game show sets to gloomy eastern european locations where he sneaks around in a fedora and trench coat and shoots people with a silenced revolver. (more…)
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I never reviewed IRON MAN, because I just didn’t feel like I had anything new to say about it. I enjoyed it just like everybody else did, for the same reasons, and every websight I read had examined the shit out of it, so I just let it go.
I don’t know what my problem was, but I didn’t dig on GLADIATOR like everybody else did, and for some reason I was bitter about it and skipped most of the Ridley Scott movies after that. But like the typical SCARFACE-loving American male I couldn’t resist AMERICAN GANGSTER, and that’s when I realized the error of my ways. So predictably my post BAD LIEUTENANT fascination with Nic Cage sent me back to catch up on Mr. Scott’s con men movie.
(from the request line…)
