Posts Tagged ‘Paul Giamatti’

Saving Private Ryan

Tuesday, January 31st, 2012

tn_sprspielbergNo joke, I never saw SAVING PRIVATE RYAN before. I’ve never been big on war movies and I think back when it was a recent movie I was real cynical and suspicious of any type of flagwaving. I thought movies like this were just brainwashing kids to join up in case they needed to blow up Iraq again.

But that’s stupid. This one’s about “the good war” and still makes it look like something to avoid at all costs. The famous Omaha Beach invasion sequence near the beginning is a total bloodbath, soldiers pouring off the boats into waves of machine gun bullets. They might as well just be jumping from a diving board directly into a giant fan, it seems like.
(more…)

10 people like this post.

Planet of the Apes (2001 remake)

Wednesday, July 27th, 2011
tn_pota2001

chapter 10

logo_summer2001smallreleased July 27, 2001

Well, so far this summer of 2001 we’ve been having hasn’t been too hot. But at least we got that new Tim Burton movie coming out, right? I don’t know why they gotta remake PLANET OF THE APES but it’s a great cast and that guy knows what he’s doing, I’m sure he’ll do something interesting with it.

Nope. 10 years later I’m not sure I need to explain why the PLANET OF THE APES remake is no good. I don’t remember there being an argument about it at the time, or ever encountering anybody that liked it in the decade since. It was a bad idea, it was not good, let’s all pretend it never happened. The end.

But I’m doing this thing so let’s do it. (more…)

6 people like this post.

Lady in the Water

Tuesday, July 25th, 2006

M. NIGHT SHYAMALAN’S LADY IN THE WATER
a bedtime story by M. Night Shyamalan
directed by M. Night Shyamalan
produced by M. N. Shyamalan
written by M. Night Shyamalan
co-starring M. Night Shyamalan
inspired by the true adventures of M. Night Shyamalan
dedicated to M. Night

The movie I really wanted to watch this week was WASSUP ROCKERS, but for some reason it went straight to the second run theater in Seattle. That theater’s a little out of the way for me and today I just wanted somewhere nearby with some air conditioning, so instead of seeing Larry Clark ogle Hispanic skateboarders from Compton I got to see M. Night Shyamalan ogling Ron Howard’s daughter. I’m not sure which one’s freakier.

The advertisements say that LADY IN THE WATER is “a bedtime story by M. Night Shyamalan” which is a nicer way of saying “he made this shit up as he went along so it doesn’t make any god damn sense and it doesn’t matter because the whole point of it is to put you to sleep.” And now that I think about it there actually was a dude snoring in front of me (no lie) so Shyamalan must know what he’s doing.

I actually think Shyamalan is a real good director, at least when he’s working with Bruce. SIGNS was a little too goofy for me, and I didn’t see that last one (maybe that’s why I still like him). But I like his filmatism – his pacing, his deliberate camera moves, etc. On most of his movies he has this very serious tone and you feel like he’s in total control of what’s on screen, showing you the best angle to watch things from, making the right part of the screen be bright red or whatever, getting good quiet acting performances out of Bruce and that little Haley Joel Osment dude. But those movies were directed by the old “guy who got lucky and got to work with Bruce” Shyamalan, this is the new Shyamalan who thinks he’s a fuckin rock star, makes credit card commercials about his brilliant imagination and casts himself in this movie in a major role as the savior of humanity, wearing a hip shirt. Rock Star Shyamalan doesn’t seem to have the same control over the movie, he’s too busy making googly eyes trying to look sensitive to give as much of a shit about a story and characters and where to put the camera as he used to. (more…)

Only 1 person likes this post. Kinda sad.

Sideways

Saturday, January 1st, 2005

So there’s these two middle aged dudes, Miles (Paul Giamatti) and Jack (some dude from a sitcom they used to have). Jack is an ex-soap star who’s about to get married, Miles is a depressed middle school english teacher who can’t get his novel published and is obsessed with wine. Together they have to stop a criminal mastermind who is poisoning the wine supply in the San Fernando valley and turning wine drinkers into an army of zombies.

Actually I made that last part up but what it’s actually about is they go on a trip into wine country the last week before the wedding. The idea is for Miles to show Jack “a good time” which to him means going around tasting wine and showing off that you know how the grapes were grown and what year it is and stupid crap like that. I mean in this movie you got people talking on and on about Pino this and 1961 is peaking and all this shit, they might as well be talking backwards, you got no idea what these idiots are blabbing about. Except when they start talking about how fragile the grapes are or something, and it is obviously a parallel to their own emotional state or their dreams or something. But I’m sorry, metaphors are not a good enough excuse for that kind of talk. Anyway, it works for the movie because they are good characters. You are not supposed to think their wine talk is cool.

But Jack notices that Miles is depressed and he wants to help him, by getting him laid. They end up hanging out with a pair of female wine fanciers who they really like. Jack tells them that Miles’ novel is about to get published, and Miles doesn’t tell them that Jack’s getting married on Saturday.

So okay, it seems clear where the movie is going. You got the whole falling in love deal, along with the keeping a secret torment, the eventual revealing the truth misery, the begging for mercy humiliation and the sudden, exhilirating proving love and making up ending. And by the way this is an Alex Payne picture. This is the guy who did CITIZEN RUTH, ELECTION and ABOUT SCHMIDT and they don’t call him payne for nothin. He’s real observant and honest about the kind of things that make a dude feel miserable and uncomfortable. (more…)

Storytelling

Saturday, January 1st, 2005

I don’t know what you’ve heard about this one, but I keep hearing that it’s a pile of shit. That Todd Solondz has gone from a visionary manipulator of our deepest taboos and human flaws, to some kind of shock value asshole just trying to get a rise out of people. That this is just a big fuck you to the audience with no sense of humanity and etc. etc.

Well none of that is true. I’m not gonna say this is a perfect movie. It feels a little short (apparently they cut out one of three stories, and that seems like it mighta been a mistake). But if it weren’t for all the shit I heard from contrarians waiting to pounce on their former hero, I would say that anybody who liked HAPPINESS would like this one too. Because it’s the same kind of feel – a deep probing of the things that make individuals the most uncomfortable. It’s not as sad as HAPPINESS but it has that same feeling that it is daring you to laugh. Come on motherfucker. Laugh at this. I fucking dare you. Remember, you’re in public here. Do you have the balls to let everyone else in this room know that you think that’s funny?

Do you?

What I like about this movie is that it brings up interesting questions and then refuses to answer them for you. For example there is a scene in a college creative Writing class where a student with cerebral palsy reads a short story about himself. The rest of the class tries to be very supportive, comparing his work to Faulkner, praising his choice of words, listing famous Writers that had disabilities. One frankly honest student, half-way apologetically, bashes the story as trite and poorly written. And the Pulitzer Prize winning professor says, “She’s right. The story is a piece of shit.” (more…)