Unfortunately this is not the pervy Cronenberg movie I’ve never gotten around to seeing about the people getting off on car crashes. This is the race relations movie directed by Paul Haggis, writer of Clint’s MILLION DOLLAR BABY. I gotta be honest, my reason for seeing this was not that I thought I would like it, but that I was just real damn curious. Because it got so many rave reviews, and Roger Ebert chose it as the best of the year, but every single person I knew who had seen it said it was corny, overwrought bullshit.
I hate to be a centrist but I think it falls somewhere in the middle. It seems well intentioned. It’s trying to point out different kinds of subconscious racism, it’s trying to show that people are complicated, racists maybe have a chance of being redeemed, people who don’t think they are racists might end up shooting a black dude, etc. It’s one of those movies where there’s a bunch of different characters tangentally connected by coincidence and you find out as the story unfolds what they have to do with each other, which can be fun. And there’s some good little moments and whatnot. One of the best scenes actually involves a cop trying to save somebody from a flipped car before it blows up. In other words, a scene you can see in every single episode of CHiPs. But this is better directed so it’s pretty intense. Also Tony Danza has a cameo.
Other than Tony Danza there’s a good cast and lots of good acting. Terence Howard is always good, Thandie Newton is good, Don Cheadle is real good which is getting kind of old in my opinion. Come on Don, let’s see one movie where your acting sucks. You’re repeating yourself too much. Larenz Tate from MENACE II SOCIETY is in there, I like him. The biggest surprise is Ludacris. I didn’t think he was all that great in the much better HUSTLE & FLOW, but here he really impressed me. Also his character is pretty funny. In his first scene he does a long monologue about racism and how the white woman (Sandra Bullock) that he passed on the street was obviously scared of him and why do white people fear black men and etc., then he pulls out a gun and carjacks Sandra Bullock. And he continues to preach throughout the movie while committing crimes. (more…)
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Right now Nimrod Antal is a director-of-interest because they got him doing that PREDATORS movie. And I hadn’t seen his movies (like KONTROLL and VACANCY) but ARMORED is out on DVD this week so I decided to check it out. (And yes, every movie he’s directed so far has a one word title.)
