I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Brian Dennehy’

Best Seller

Monday, May 8th, 2017

Sometimes you’re not in the market for a topic to write about, but it falls right into your lap. Me, I’ve been dying to start writing about JCVD, but I keep coming up with other ideas that I get excited about. I have three different action stars fighting it out in my head to be my next book, so when I finally get the current one polished off and find some time to work I’m gonna have to make a decision and stick with it.

LAPD detective/best-selling true crime author Dennis Meechum (Brian Dennehy, FIRST BLOOD) doesn’t have as hard of a time deciding, because his subject keeps showing up in person and hassling him until he gets started. Back in ’72 he survived the infamous robbery of a police evidence depository (with the thieves wearing Nixon masks four years before POINT BREAK) and turned his experiences into the hit book Inside Job: Anatomy of a Robbery. This guy is a hard worker: he’s still a cop, and also keeps writing books, and also has raised his beloved daughter Holly (Allison Balson, Little House on the Prairie) alone since his wife died of cancer. But he’s burnt out and having trouble writing another one and some guy named Cleve (James Woods, VAMPIRES) has decided to come tell him what to write about. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Jericho Mile

Monday, March 9th, 2015

tn_jerichomilerookiesIf you count TV movies – and I do – JERICHO MILE is Michael Mann’s directivational debut. It’s not as cinematic as his later big, wide movies, but it’s from the days when TV movies were legit enough to play theatrically overseas. It also stood out from other TV at the time, winning Emmies for writing, lead actor (over Kurt Russell in ELVIS!) and film editing for a limited series or special, and a Director’s Guild Award for “Outstanding Directorial Achievement in Special/Movies for TV/Actuality.” (?)

It’s a prison movie, and you know Mann isn’t gonna want to soften that up. I mean, it’s TV so we don’t get any profanity, racial slurs or rape, but it’s still got a gritty feel because it was filmed in Folsom with the real inmates all around, and plenty of establishing montages that are clearly just documentary footage. You can definitely tell that some of the supporting players are real cons. I wasn’t surprised when I read that Mann had to negotiate for each of the race gangs (white, black and Latin) to have representatives on screen and vow to prevent any race wars or riots during filming so the production wouldn’t be kicked out. I mean obviously it’s an unwritten rule on pretty much all movie sets that the actors should not be involved in any race wars. But I still give them credit for not having one. Apparently there were a bunch of stabbings, one fatal, but those were allowed. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

First Blood

Wednesday, January 1st, 2003

Some video association recently named Sylvester Stallone “Action Star of the Millennium.” Well nobody knows where the fuck that’s coming from, mainly because there are about 999 years left on this millennium and about 900 on the previously millennium where nobody had figured out how to make action movies yet. But also there’s the sorry state of Sylvester Stallone’s career.

Now by that I do not mean that Entertainment Weekly shit that he is not making hits. There are many actors who are not making hits who are still completely respectable, such as our friend Mr. Eastwood. But Stallone is in the Arnold category, he’s done so much worse than making less money. His good days are so far behind him you almost don’t even associate him with them. First he turned Rambo into an icon and became the symbol of everything that is wrong with our country, our culture, our movies, and our clothes. (I mean that headband looked fuckin ridiculous.) Then he started makin shit like COBRA and DEMOLITION MAN and etc. etc. He fell so hard that even HE started noticing it after a while. So he went through a stage where he was fighting for critical respectability. He tried to go the Travolta route and lobbied for the role of Max Cherry in JACKIE BROWN. When that didn’t pan out he got fat for the role in COPLAND and america was under his spell until, you know, the movie came out. Soon he became so desperate he tried to revive both the Rocky and Rambo series, but luckily that hasn’t worked out yet. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.