"I got news for 'em. There's gonna be hell to pay. 'Cause I ain't daddy's little boy no more."

Archive for the ‘Crime’ Category

Menace II Society

Thursday, August 20th, 2015

tn_menaceiisocietyMENACE II SOCIETY is generally considered the best and most hardcore of the ’90s “hood movies.” BOYZ N THE HOOD (released almost 2 years earlier) was already controversial and blamed for violence near theaters  despite its unmistakable Increase the Peace preachiness. Now here comes this lower budget movie with more violence, more anti-social behavior, more expectation of the audience to know right from wrong, and no Huxtable sweaters, football or Stanley Clarke fusion to help the medicine go down. The “nice kid” in this one is a drug dealer who, when he gets a call from a girl telling him she’s pregnant with his baby, says “Look, I ain’t got time for this. Peace.”

It’s narrated by that kid from Watts, Caine (Tyrin Turner, PANTHER), telling the story of his summer after graduating from high school. It starts with him and his friend O-Dog (Larenz Tate, WAIST DEEP) going into a mini-mart for 40s and getting into an argument with the Asian couple who run it (June Kyoto Lu [who was in CONFESSIONS OF AN OPIUM EATER!] and Toshi Toda [LETTERS FROM IWO JIMA]). Caine and O-Dog are being jerks, opening the bottles before paying for them, even though they’re under 21 and oughta be grateful that these people are gonna sell it to them in the first place. Caine is kinda laughing it off but then fuckin O-Dog decides to shoot and kill the couple. He takes the security tape and spends the summer showing it to all his buddies like it’s a funny Jackass video or something.

This shows you the relationship between these two. Caine knows it’s stupid to be showing it to people, and he complains about it every time, but he never makes him stop. (read the rest of this shit…)

The Usual Suspects

Tuesday, August 18th, 2015


RELEASE DATE: August 16th
RELEASE DATE: August 16th

Do you guys know about these “Usual Suspects”? They’re this group of criminals who get rounded up one day for a line up for some crime none of them had anything to do with, and it pisses them off so much that they decide to pool their resources for a job that will get them some diamonds and humiliate the police by exposing their corruption. As a bonus it will also allow them to terrorize an uptight Paul Bartel and blow up his car. But when they go to fence the jewels they realize they’ve been pulled into this whole other thing with an infamous boogie man super-criminal who now says they owe him and have to do a job for him or their loved ones will be assaulted and killed. Or at least that’s what this lawyer Kobayashi (Pete Postlethwaite, INCEPTION) tells them. Or at least that’s the story that Verbal Kint (Kevin Spacey, MOON, The Equalizer) tells Customs Agent Kujan (Chazz Palminteri, BERRY GORDY’S THE LAST DRAGON) when he wants to know what led up to the burning ship full of dead bodies discovered last night.

Yeah, actually this movie is pretty complicated, and that’s just the basics there. There’s also the whole thing about a Hungarian burn victim survivor of the boat fire and the FBI agent (Giancarlo Esposito, DO THE RIGHT THING, The Equalizer) bringing in a translator and sketch artist before surgery to try to get him to tell what he knows about the mysterious Keyser Soze and trying to get the information to Agent Kujan in time and etc. (read the rest of this shit…)

Set It Off

Thursday, August 13th, 2015

tn_setitoffLong before he directed the new biopic STRAIGHT OUTTA COMPTON, F. Gary Gray was already linked to members of N.W.A. He’d directed the video for the Ice Cube classic “It Was a Good Day” (1992), and later the action-movie-inspired “Natural Born Killaz” by Dr. Dre and Ice Cube (from the soundtrack to MURDER WAS THE CASE). When Gray started in features it was with Cube, who wrote, produced and starred in FRIDAY. And he also did the video for Dre’s “Keep Their Heads Ringin” from that soundtrack.

So in ’97, when he did his first action movie, he cast Dre in a small role as Black Sam, an underworld figure who provides guns for the protagonists, an all female crew of bank robbers.

Hear me out on this, but I do not consider N.W.A to be super respectful of women. Their songs talked endlessly about the bitches and/or hoes. FRIDAY also did some of that, in arguably a more playful way. The men are all doofuses, but Nia Long and Regina King aren’t, so you can’t take it completely seriously. But there’s a whole lot of humor about the women they do or don’t want to get laid by, and one hilariously has as her theme song “Hoochie Mama” by 2 Live Crew. “Big booty hoes – up wit it!”

So with that in mind it’s pretty cool that Gray’s second movie has an entirely female POV. (read the rest of this shit…)


Tuesday, July 21st, 2015

tn_thiefTHIEF is a pure dose of most of what I love about Michael Mann. It’s moody, atmospheric and macho as hell. It matter-of-factly drops us into a gritty underworld, makes us feel like we’re witnessing the real deal, and puts us on the side of a guy who has no business being the good guy except that he lives by more of a code than the other guys do. Not even really a code of honor, just a self-serving code of independence, but one that we can loosely apply to more ethical aspects of our own lives.

By today’s standards it’s an arty movie, full of long, quiet scenes, not a bunch of noises to tell you it’s exciting. It opens with a 10 minute heist sequence where everything goes right. No one gives chase or almost sees them. They’re just very professional about it and perform their jobs well. And it doesn’t need tension. It’s fascinating without it.

It’s a movie that’s low on exposition, high on uncomfortable moments where we aren’t expected to agree with the protagonist (like the aggressive way he courts Jessie [Tuesday Weld], and then the heartless way he cuts her off, treating her as a property that’s been tying him down). But also it has plenty of moments of badassness, not shirking its duty to deliver on the genre goods. Its closest modern equivalent is DRIVE, which at times plays as an homage or ripoff of THIEF. But that’s a character, believe it or not, with more heart. (read the rest of this shit…)

Waist Deep

Tuesday, June 2nd, 2015

tn_waistdeepBefore Tyrese found a comfortable place as a supporting player in the FAST AND FURIOUS and TRANSFORMERSES pictures he was just another model and R&B singer trying to prove himself as an actor. I remember liking him in John Singleton’s BABY BOY, which at least at the time (2001) I thought was an underrated companion piece to BOYZ N THE HOOD. In 2003 Singleton had him as the Vin Diesel replacement in 2 FAST 2 FURIOUS, in 2007 he did TRANSFORMERS, and so far he’s done a total of five sequels to those two movies.

So WAIST DEEP (2006) is kind of an anomaly in the middle there because it’s pretty much the only straight up Tyrese vehicle, with elements of 2 FAST but a seriousness level leaning a little more toward BABY BOY. Like in both movies he plays a struggling Los Angeles native, like in 2 FAST he’s an ex-con and he’s trying to make a new life. His name is Otis or O2, he’s a single father out on parole and his car gets jacked with his son (H. Hunter Hall, BLACK NATIVITY) in the back seat. You’d think the thieves would want to dump the kid off immediately, but instead they bring him to Big Meat (The Game), psychotic kingpin of “the notorious gang The Outlaw Syndicate” who incorrectly believes O2 still has the money from the robbery he went down for, and demands it as ransom. Or at least that’s what his shitty brother Lucky (Larenz Tate, CRASH) claims, but it kinda seemed like he might’ve been using the situation to pay off his own debts. I’m not sure. (read the rest of this shit…)


Wednesday, April 29th, 2015

tn_everlyEverly (Salma Hayek) is one of these sex slaves who doesn’t know Liam Neeson or Tony Jaa, so she has to take justice into her own hands. Her movie starts right in the thick of things, but we quickly start to piece some of her story together: she’s been kept woman to a Yakuza for four years, taken away from her young daughter, and she can’t stand it anymore. She had an escape planned with a police officer she trusted, but he hasn’t shown up. Now she’s here in the bathroom with one stashed gun and a bag full of money, so she can either kill herself or take that one opportunity that Eminem talks about in that one song.

In a way this is a DIE HARD type movie. It’s one person fighting off many criminals in a contained location, in this case the fancy apartment she’s been stuck in. It’s even Christmas time, though she is not bare foot, so in that sense it’s more like DIE HARD 2. And she can fight better than we probly could, but it’s all tenacity, she’s not a super woman. She gets shot, cut, stabbed, she cries, she messes up, but she keeps fighting. (read the rest of this shit…)

Bobby Z

Thursday, April 2nd, 2015

tn_bobbyzPaul Walker won us over while starring in his six great FAST AND FURIOUS movies, so it’s a wonder he had time to do much in between. As you saw with yesterday’s JOY RIDE review I wanted to take the occasion of our saying goodbye to Brian O’Conner to pay tribute to his work again. The trouble is I’ve already reviewed most of his starring vehicles: RUNNING SCARED, EIGHT BELOW, every FAST AND FURIOUS movie… buddy, I saw BRICK MANSIONS in the theater, that’s the type of individual you are dealing with here. Luckily I remembered there was this one based on the book The Death and Life of Bobby Z by Don Winslow, the author of SAVAGES.

BOBBY Z (released in some countries as KILL BOBBY Z or LET’S KILL BOBBY Z) is no SAVAGES, that’s for sure, but it has alot of the same elements: legendary surfer turned ultra-rich California marijuana magnate, Iraq vet turned violent criminal, crooked DEA agents, ruthless Mexican cartels, genius businessman friend turned unlikely kingpin, women scheming while taken for granted as sex objects by the empire. Walker plays the vet, Tim Kearney, a crazy long hair kicked out of the Marines for beating up an Iraqi general and turned into a lifer for three dumb strikes. Now he’s facing certain death from the Aryan Brotherhood for killing a fellow con named Mad Dog (UFC legend Chuck Liddell).

DEA Agent Tad Gruzsa (Laurence Morpheus Fishburne) offers him a crazy, convoluted deal: he looks kinda like this marijuana kingpin named Bobby Z, who cartel leader Don Huertero (Joaquim “Evil Phil Hartman” de Almeida, FAST FIVE) wants in trade for Gruzsa’s kidnapped partner. He says they don’t know the real Bobby Z is dead so if Kearney pretends to be him and successfully makes the trade the DEA will just let him go and he can try to escape from a deadly cartel or whatever but not have to go back to prison. I mean, it’s kind of the honor system I guess. If he wants to go back to prison that’s cool. (read the rest of this shit…)

Better Luck Tomorrow

Tuesday, March 31st, 2015


BETTER LUCK TOMORROW was not Justin Lin’s rookie film (that would be SHOPPING FOR FANGS, co-directed with Quentin Lee), but it was his buzzed-about Sundance film that got picked up by MTV Films and must’ve got him alot of meetings and what not. Next thing you know he’s directing Jordana Brewster in ANNAPOLIS and then what the hell, give him that third FAST AND THE FURIOUS movie, see what he can do with that, and then FAST 4, 5 and 6 and the world was changed forever and he almost did a TERMINATOR and a BOURNE and he’s actually doing a STAR TREK right now.

That trajectory started with this somewhat controversial teen crime movie. Narrated GOODFELLAS style, it’s the story of Ben Manibag (Parry Shen of the HATCHET trilogy), a Chinese-American student in a California suburb driven to succeed in school and get into a good college, but who also finds the time for decreasingly petty crimes with his friends. He’s employee of the month at the hot dog joint where he works, he practices free throws every day to get on the JV basketball team and vocabulary words to get perfect SAT scores, works as a Spanish translator at a medical clinic, organizes a litter pick-up crew for the local beach and is American history expert for his Academic Decathlon team. But also he pulls a fake return scam at the electronics store, TPs houses and starts selling seat cheats, then drugs, then starts carrying a gun. (read the rest of this shit…)

Run All Night

Monday, March 16th, 2015

tn_runallnightAlthough he’d already done HOUSE OF WAX and GOAL II: LIVING THE DREAM, it was ORPHAN that brought director Jaume Collet-Serra to my attention. I gotta admire a director whose movie I go to thinking I’m gonna be all ironical on it and then it defeats me with its audacity and genuine cleverness. So far that’s the height of his output, but I keep going back.

I guess I’d be watching them anyway, because his ORPHAN follow up has been three Liam Neeson vehicles in a row. UNKNOWN was a somewhat forgettable twisty thriller with some good touches here and there. Apparently I forgot to even post a review of it, but the part I remember liking best was some awkwardness between Neeson and Diane Kruger where they laugh because they’re in her small apartment and hear sex noises from next door, and that turns out to be set-up that her walls are thin enough for him to throw a guy through. NON-STOP was more my speed, a fun take on a confined-location-high-concept with some pretty interesting political subtext. Now the third one, RUN ALL NIGHT, takes the collaboration in a different direction. There’s less emphasis on the thrillery gimmicks and more on the character drama.

Oh, hey, this might explain it: it’s a screenplay by Brad Ingelsby, the guy that wrote OUT OF THE FURNACE. That’s another movie that uses badass genre elements but is more interested in exploring relationships than in satisfying expectations. (Though this one does have shootouts and car crashes.) (read the rest of this shit…)

The Drop

Wednesday, February 25th, 2015

tn_dropThere’s something I love about a movie where English Tom Hardy, Swedish Noomi Rapace and Belgian Matthias Schoenaerts play Brooklyn neighborhood folks. It’s this international cast, directed by Michaël R. Roskam (who previously did the “Best Foreign Language Film” Academy Award nominee BULLHEAD starring Schoenaerts) but there’s still a theme of characters having to correct each other’s ignorant statements about nationalities and languages: no, those gangsters aren’t from Russia, they’re from Chechnya. And you call them Chechens, not “Chechnyans.” And the language they speak in Brazil is called Portueguese, not Brazilian.

Rapace actually doesn’t put alot of effort into hiding her real accent, but Hardy, being Tom Hardy, throws himself into the task head long, especially in his occasional voiceover narration. He loves to mumble and slur, and to be funny-dumb, but also intelligent-inarticulate. As good as he is at playing eloquent snobs I suspect he has way more fun playing louts like this. (read the rest of this shit…)