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Archive for the ‘Crime’ Category

Villains

Thursday, October 9th, 2025

VILLAINS is a 2019 indie movie I’ve wondered about for a while. It uses the reliable formula “somebody tries to rob a house and discovers a horrific thing going on there.” Other ones that come to mind are THE COLLECTOR, LIVID and DON’T BREATHE. This is a much jokier take on the format than any of those, more of a dark comedy than anything, but I’d say it’s at least horror adjacent. There are maniacs doing something crazy, it takes death seriously, it stars two perhaps underrecognized greats of contemporary horror… yeah, I’ll count it as horror.

It’s about a couple of addled deadbeats named Mickey (Pennywise/Orlok/The Crow himself Bill Skarsgård) and Jules (Maika Monroe, THE GUEST, IT FOLLOWS, WATCHER, LONGLEGS) who clumsily rob their last gas station, intending to use the money to move to Florida and start a new life selling seashells. Trouble is they run out of gas on a remote, wooded road. They are not criminal masterminds.

On foot they find a large, isolated house where no one seems to be home. They break in, hoping to steal the car in the garage or come up with some other escape plan. But they face a moral dilemma when they find a young silent girl (Blake Baumgartner, MADELINE’S MADELINE) chained up in the dark basement. (read the rest of this shit…)

Jackie Brown

Monday, September 29th, 2025

There are a bunch of fun movies based on Elmore Leonard books – I always like seeing what bits of his style can translate properly – but there are two absolutely great ones that are among my very favorite movies. One is Steven Soderbergh’s OUT OF SIGHT, which I got up the courage to write about for its 20th anniversary in 2018, and I bet you could guess what the other one is. Quentin Tarantino’s JACKIE BROWN has been at the top of my not reviewed list* for I don’t know how many years. It’s intimidating, you know, to try to write something worthy of a movie this good that I’ve put off for that long. But recently I took a vacation to L.A. and I was able to see a midnight show of JACKIE BROWN at the New Beverly (the historic theater owned by Tarantino since 2007), so it’s time to finally do this.

Rarely has there been a more synergistic match of adapted and adapter. The small time criminals who love to talk about other stuff, the funny loser made more dangerous by his stupidity, the protagonists who aren’t following the law either but who are our guys, the very specific regional details – all these things make perfect sense for both a Leonard book and a Tarantino movie. So this becomes both an extra-Leonardy Tarantino and a Tarantino-fied Leonard. An unstoppable combination. (read the rest of this shit…)

Off Limits

Tuesday, September 23rd, 2025

OFF LIMITS is a couple different genres – serial killer thriller, buddy-cop action, Vietnam War movie. It centers on two military police detectives, Sergeants First Class Buck McGriff (Willem Dafoe between PLATOON and THE LAST TEMPTATION OF CHRIST) and Albaby Perkins (Gregory Hines between RUNNING SCARED and TAP).

It’s directed by Christopher Crowe, who was the writer of NIGHTMARES, THE LAST OF THE MOHICANS and FEAR, but his only other theatrical directing gig was WHISPERS IN THE DARK. He also created a bunch of TV shows (including B.L. Stryker, B.J. and the Bear and The Watcher hosted by Sir Mix-a-Lot) and (no shit) designed the logo for Cheap Trick. I would’ve guessed it was made by more of a cinema veteran because, though I only think it’s pretty good, it has the muscular cinematistic confidence and atmosphere of A Real Fucking Movie. I mean, let me give you a few screengrabs I made to give you an idea of the fuckin vibes (TFV) in this thing:

(read the rest of this shit…)

Honey Don’t!

Tuesday, September 16th, 2025

HONEY DON’T! is Margaret Qualley lesbian crime comedy #2 from Ethan Coen and his wife/editor Tricia Cooke. When the first one, DRIVE-AWAY DOLLS came out last year we learned that 1) though only Coen is credited as director he considers it a directing team 2) don’t worry, she’s a lesbian (they have an unusual marriage) 3) they can make a really funny movie even if it’s not as slick as FARGO and shit.

It took me a couple weeks to get to this one, and the reviews I saw were dire, but I figured I’d still get some laughs from it. Instead I came out honestly confused what those people were talking about. It’s not just not as bad as they say, it’s straight up a good movie. To my surprise it’s more serious than the last one, still funny and absurd but an actual neo-noir/pulp/crime type deal, like a detective novel my cool building manager two apartments ago would’ve left in the free book box in the laundry room. It has fewer big laughs than DOLLS, but by design, and I think it’s much better directed – nicer looking, more seamless in its storytelling, more interesting balance of tone. I’d have to guess that what people are rejecting is not some messiness or failure but just the shaggy quality of this style of crime story where a bunch of stuff happens by accident or coincidence and nobody fully figures out what’s going on or achieves what they’re trying to (which is, of course, part of its world view and one of the main things that’s fun about it). (read the rest of this shit…)

Sovereign

Thursday, September 11th, 2025

SOVEREIGN is a very solemn and creepy true crime movie about a doomed father and son. We know from the opening flash-forward (with what sure sounds like real 911 recordings) that they will be involved in a shootout with police. A traffic stop gone wrong, small time end-of-the-road shit, nothing spectacular, but just as final as if it was.

Most of the movie is not exactly about crime, it’s just about their lives shortly before that fateful conflict. Joe Kane (Jacob Tremblay, BEFORE I WAKE, THE TOXIC AVENGER) is a quiet, gawky teenager who doesn’t go to school. He tells police he’s home schooled, and it’s basically true; he follows a lesson plan and everything, but usually there’s no teacher. His dad Jerry (Nick Offerman, THE KINGS OF SUMMER) is away on business most of the time, putting on small seminars about debt elimination and forestalling foreclosures. He’s an expert, I guess, because they’re threatening to take his house away but he refuses to accept any communications about it and spews all kinds of arcane (what he considers) facts about why they can’t do that. (read the rest of this shit…)

Eenie Meanie

Wednesday, August 27th, 2025

EENIE MEANIE is a crime movie that went straight to Hulu last week. It stars Samara Weaving (MONSTER TRUCKS, THE BABYSITTER, READY OR NOT, AZRAEL) and I like that lady so I watched it.

Weaving plays Edith Meaney. The title is a cute nickname a bad person gave her – she prefers Edie. Orphaned by her dad (Steve Zahn, WAR FOR THE PLANET OF THE APES) going to prison, she somehow fell into being a teenage getaway driver for grown up criminals. Many years later she’s away from that world, going to school – even got a job at a bank! – until, you know, an inciting incident.

It’s triggered by her bank being robbed, but it really has nothing to do with that. She ends up in the hospital, where a blood test finds that she’s pregnant. Against her better judgment she decides to go find the father, her ex-boyfriend John (Karl Glusman, THE NEON DEMON, THE BIKERIDERS), and let him know. (read the rest of this shit…)

Four Brothers (20 years later revisit)

Tuesday, August 26th, 2025

August 12, 2005

I reviewed John Singleton’s FOUR BROTHERS twenty years ago and hopefully I’ll have a few new things to say about it, but the sad truth is my verdict has not changed. This is a movie that starts off with a real good hook and then doesn’t do enough with it. It’s thoroughly okay.

SUMMER 2005The screenplay is by David Elliot (THE WATCHER) & Paul Lovett, the team who later did G.I. JOE: THE RISE OF COBRA, and the hook is that an old lady named Evelyn Mercer (Fionnula Flanagan, THE EWOK ADVENTURE) is in a convenience store in Highland Park, Michigan when it gets robbed, and ends up shot to death. It turns out she was a beloved member of the community who helped hundreds of troubled kids find foster homes. But there were four kids so bad nobody would take them, and she adopted them herself. So her funeral brings all four brothers back home, they get to talking, and decide to go find out who did this.  (read the rest of this shit…)

Highest 2 Lowest

Monday, August 25th, 2025

I’ve been watching Spike Lee movies since I was a teenager in the late ’80s. Okay, I still haven’t seen SHE HATE ME, but otherwise I see all of them, and any new one is obviously gonna be an event for me. They’re pretty infrequent these days, though – it’s been five years since his last movie (DA 5 BLOODS), seven since his last theatrical release (BLACKKKLANSMAN). So I’m thankful that even though it was made for Apple TV+ the new one is playing at my favorite theater, SIFF Downtown, f/k/a Cinerama.

HIGHEST 2 LOWEST is, yes, a remake of Akira Kurosawa’s HIGH AND LOW (1963), itself based on the Ed McBain 87th Precinct Mystery King’s Ransom (1959). So that means it tells the story of an executive dealing with a kidnapping/ransom situation while also trying to take over control of his company. Instead of the shoe industry this time it’s the music industry, and instead of the guy who runs the factories he’s a Grammy winning, cover of Rolling Stone, “best ear in the business” producer/label owner/icon. Denzel Washington (RICOCHET) plays David King, founder of Stackin’ Hits Records, obviously. (read the rest of this shit…)

Freaky Tales

Wednesday, August 13th, 2025

I don’t know much about Oakland, but FREAKY TALES seems designed to be the Oakland-est movie of all time. So Oakland that Too $hort is the narrator and one of the producers and has a cameo as a cop and is a character in the movie played by rapper Demario “Symba” Driver. Also they have a cool retro synth type score but they got Raphael Saadiq to do it.

It’s presented as an anthology film, but it’s the type where each of the stories intersects a little bit and ultimately becomes one story in the last chapter – actually not that far off from the structure of WEAPONS, which I watched the day after I watched this. What it made me keep thinking of though is the made-for-cable movie COSMIC SLOP, even though this is pretty different and definitely way better. I guess just because it’s weird stories hosted by a music icon and named after one of his works.

Although there’s a sci-fi element in a stylishly fake looking “cosmic green stuff” that pops up occasionally (Short Dog figures it “was just one of those freaky things that made the Bay Area so damn fresh” at the time) I think it comes closest to being a crime movie. There’s a hitman, a corrupt cop, and everything revolves around a botched robbery of Golden State Warriors point guard Sleepy Floyd (Jay Ellis, TOP GUN: MAVERICK). I of course enjoy that type of story, but the standout chapters for me are the two about circa ’87 Bay Area music scenes, following some punk rockers and then a female rap duo, each group having a fateful incident after leaving the same showing of THE LOST BOYS. (read the rest of this shit…)

The Quiet Ones (2025)

Wednesday, June 11th, 2025

THE QUIET ONES (2025) is a very dry Danish true crime movie about a heist that happened in 2008. The main character Kasper (Gustav Giese, RIDERS OF JUSTICE) is a boxer, but seems to also have a past in armed robbery. He’s trying to make a comeback in the ring but one day Slimani (Reda Kateba, LOST RIVER), whose group we saw really blow it in an opening armored car robbery, asks to meet with him. He heard from Kasper’s brother-in-law that he was “smart.”

Their target is a cash processing facility. Basically just like a warehouse fenced off in an industrial area. The impetus (which comes from the real crime that inspired the movie) is that the company who runs the place posted a promotional video on their websight showing off what they do. The thieves watch the video together and laugh in disbelief that somebody was stupid enough to post all this information. We don’t see it, but apparently it reveals to them the layout of the building and which currencies are stored where – easy break-in instructions. Kasper agrees to plan the robbery, but not go in, even though it means a smaller cut. (read the rest of this shit…)