I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Logan Lucky

The prodigal son has returned. Four years ago, Steven Soderbergh (OUT OF SIGHT) had gotten burnt out on directing and decided to retire. After the 2013 doubleheader of SIDE EFFECTS and BEHIND THE CANDELABRA he hung it all up, and in the interim he’s done nothing but kick back, lay low, recharge his batteries, start his own brand of Bolivian muscat brandy called Singani 63, do an edit of HER for Spike Jonze, create his own alternate cuts of PSYCHO, HEAVEN’S GATE, RAIDERS OF THE LOST ARK and 2001: A SPACY ODYSSEY for fun, shoot and edit MAGIC MIKE XXL, direct, produce, shoot and edit 20 one-hour episodes of The Knick, and relax. And now, finally, he’s back to work!

I guess that makes BEHIND THE CANDELABRA his Black Album and LOGAN LUCKY his Kingdom Come. But fortunately without a duet with Coldplay at the end.

If it was anybody besides Soderbergh it would seem weird that it was this one that pulled him back in – arguably as close to hack-work as he’s ever done. It’s sort of a redo of his three OCEAN’S movies but with hick characters and locations. But even a weak Soderbergh movie has always been worth seeing, and one of his talents is finding the compelling in the routine. It’s a bouncy, far-fetched caper story, but he seems completely invested in the lead character and the time he spends with his precocious little daughter (Farrah Mackenzie, DOLLY PARTON’S COAT OF MANY COLORS), and gives those scenes weight that really anchors the movie.

Channing Tatum, who has formed a productive partnership with Soderbergh since playing the first guy Gina Carano beats the shit out of in HAYWIRE, stars as Jimmy Logan, a construction worker laid off due to a bum leg (see also RED ROCK WEST) who convinces his bartender amputee Iraq vet brother Clyde (Adam Driver, J. EDGAR) and hairdresser sister Mellie (Riley “Capable” Keough from FURY ROAD) to help him rob a NASCAR event.

Because his job involved tunneling under the Charlotte Motorway to fix sinkholes, he knows about a pneumatic tube system for transferring concessions money, and they know a weirdo explosives expert named Joe Bang (Daniel Craig, LARA CROFT: TOMB RAIDER) who can help him tap into it. Joe is currently in prison, so all they have to do is break him out, successfully pull the job and then return him to prison without anyone noticing he was ever gone since he’s getting out in a couple months anyway. No problem!

Please note that part of their plan involves incapacitating the credit card terminals so that customers will pay in cash. I did that for a much less ambitious heist in my book Niketown. Do you guys think I’m cool now? I think that might mean I’m pretty cool.

Taken as a companion piece to OCEAN’S, LOGAN is a nice class-equalizer. Jimmy is a guy who can fix an engine, wears camo and dirty overalls and baseball hats with the rims bent, drives a pickup truck, and has a tiny daughter who wears makeup and enters beauty pageants. But also he demonstrates every bit as much heisting creativity, impossible planning and outsmarting powers as the handsome, expensive-suit-wearing Danny Ocean. With only neighborhood and family connections and ordinary not-high-tech tools, Jimmy pulls off a job as complex and outlandish the Ocean’s teams. And when everything turns out exactly right against all odds it feels more like Jimmy deserves it than slick-ass Ocean does.

Jimmy’s larger-than-life smarts do neutralize the sting of some ha-ha-look-at-these-funny-rednecks jokes – a thankfully small part of the movie, but one that tempers my enjoyment of the movie. I’m not saying Soderbergh is classist – this is the same guy who built a movie around a non-actor manager of a KFC – but I just think some of these jokes are corny. I wince at the “hicks don’t understand computers” jokes like Jimmy saying “I looked it up on the Google” or Fish (Jack Quaid, THE HUNGER GAMES) boasting “all the Twitters. I know ’em.” And though Clyde is in some ways the most interesting character, I couldn’t help but be distracted that Driver seemed to be imitating Tim Blake Nelson to get his accent. Sometimes he’s doing the simple-sounding-guy-with-large-vocabulary joke, but this dialogue (credited to the mysterious Rebecca Blunt, believed by some to be a pseudonym) isn’t up to Coen Brothers specs.

Craig, though, pulls off the silliest character in the movie (and his career). And by the way is it a porn joke that he and his brothers are the Bang Brothers?

Just like the OCEANSes it has a funky, upbeat score by David Holmes, and a big ensemble cast. It’s so big I’m gonna use bullet points to discuss them.

* Katie Holmes (DON’T BE AFRAID OF THE DARK) does well in a small role as Jimmy’s ex Bobbi Jo. I’ve always thought she was good and deserved better roles – that hasn’t changed.

* David Denman (The Office, 13 HOURS) plays Bobbi Jo’s current husband, and he’s perfect because he’s a macho dork who you immediately resent but ultimately realize is harmless and kinda likable.

* Dwight Yoakam (THE THREE BURIALS OF MELQUIADES ESTRADA) is the prison warden. Always good to see him too, even playing a foil that could be in a POLICE ACADEMY.

* Katherine Waterston (ALIEN: COVENANT) manages to play a sweet love interest in only about two or three scenes. This is her second 2017 movie where the characters sing a John Denver song.

* Sebastian Stan (RICKI AND THE FLASH) plays a NASCAR driver who’s more of a plot point than a character, which I guess is kind of his thing.

* Family Guy creator Seth McFarlane shows up for a few important scenes, and I have a bias against him, but he works here because you’re supposed to immediately hate him and never change your mind. It also helps that he’s not doing his normal cartoon voice, but a British accent while wearing a fake mustache, so I just thought of him as some kind of off-brand Mike Meyers.

* And Hilary Swank (THE NEXT KARATE KID) and Macon Blair (BLUE RUIN, GREEN ROOM) eventually show up as FBI agents. It’s cool just to see Blair pop up in a big movie, and Swank is having a good time blatantly mimicking her MILLION DOLLAR BABY co-star/director’s voice the whole time. How can I sound tough? Oh, I’ll just imitate Clint. It’s kind of laughable, but I love it.

I guess there are also cameos by NASCAR drivers and Jesco White.

You know what, this is almost like a Burt Reynolds movie. Tatum’s persona is very different than Burt’s, inward instead of arrogant, but this has some of the middlebrow humor and underdogs vs. overdogs themes of THE LONGEST YARD or something like that as it celebrates cars and bars and working class people. But it’s a little more serious than advertised, and that’s a good thing because I enjoyed the story and characters even though I didn’t find most of the jokes very funny.

So welcome back Soderbergh and welcome back Burt Reynolds type movies. Now please make a Charles Bronson type movie if you’re not retired. It could be called HAYWIRE 2: THE CRACKDOWN.

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
This entry was posted on Wednesday, August 23rd, 2017 at 10:25 am and is filed under Crime, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

14 Responses to “Logan Lucky”

  1. Great movie, will see it again. Part of triple-feature yesterday. Saw “Wol Warrior Two” “Logan Lucky” and ” Detroit” with audience count of one, forty and five. Logan Lucky very funny, enjoyed characters,(my nephew is like Jimmy Logan.)
    Hope they do another, of course box office not good, but still one of my favorite movies.

  2. I recently realized that there are a shit ton of Soderbergh movies, that I haven’t seen yet, both in the arthouse and commercial crowd pleaser range, which is weird, considering that I liked so far every movie from that guy. (Except OUT OF SIGHT, but I’m willing to give it another shot.)

  3. But fortunately without a duet with Coldplay at the end.

    Hey, I like Coldplay!

    …Why’s everyone looking at me like that?

    It could be called HAYWIRE 2: THE CRACKDOWN.

    Death Wish Eleven

  4. This one looks great and I’ve realized I kinda love Soderbergh after a recent re-watch of BEHIND THE CANDELABRA and finally catching MAGIC MIKE.

    Someone told me this one has sadly tanked at the BO* because of some sort of “hillbilly backlash”?

    Is that true? Is that even a thing?

    (*BO – Box Office).

  5. It might have tanked because the trailer made it look a bit generic and unfunny. Without Soderbergh’s name attached to it, I wouldn’t even bother to think about this one until it pops up on TV or streaming.

  6. Wait, Soderbergh edited Her?

  7. Jonze was struggling with making it work and had Soderbergh try. Apparently it was way too long and Soderbergh showed him how he could take out 40 minutes or something. Jonze then made his own cut but said that having Soderbergh’s version as a reference was very helpful to him.

  8. caruso_stalker217

    August 23rd, 2017 at 6:03 pm

    You are the second Internet film reviewer I respect to compare Seth MacFarlane in this to a Mike Myers character and the film itself to Burt Reynolds movies.

    I don’t know if that’s a recommendation or not.

  9. Nice review, Vern.

    I didn’t love Lucky Logan, but I liked it well enough.

    And yes you’re pretty cool, bud.

  10. I’ve been waiting for HAYWIRE 2 since I walked out of the theater after seeing HAYWIRE. That movie is so good!

    LOGAN LUCKY was good too — a lot of the best bits were ruined in the trailer, but I probably would’ve have gone to see it if the trailer hadn’t been so solid.

  11. I really liked this. I was surprised that it didn’t end a little earlier. Not that I’m saying it should’ve, I loved the final scene, but it made me feel like it was wrapping things up, and then the investigation splutted into life and took up more screen time that i’d have expected. But I’ll give this a second-watch for sure, probably in the cinema, to see how it feels next go-round.

    I thought it looked great – visually I’d put it a little closer to MM XXL than most of his other movies. Somewhere along the way he’s gotten really interested in lighting. Maybe taking time out of the director’s chair for MM XXL gave him a little more time to look at all that stuff.

    It didn’t feel classist to me at all, but I’m from the UK so my points of reference will be far off yours. The core characters all being from more-or-less the same sorts of backgrounds helps in that respect I think, as to me it felt like the message was that your choices and your values define you, more than your wealth or status. The middle class characters – Katie’s husband, Swank’s FBI agent – were made fun of about as thoroughly as the brothers. That’s what I took from it.

    It was the funniest and most uplifting movie I’ve seen all year, after Bahubali 2 that is, (one of the greatest films ever now on Netflix).

  12. Logan Lucky Full Movie >>> MOVIE-TVSERIES21.BLOGSPOT.COM/2017/08/logan-lucky-full-movie.html

    Director: Steven Soderbergh
    Writer: Rebecca Blunt
    Stars: Katherine Waterston, Daniel Craig, Channing Tatum

    Synopsis:
    Two brothers attempt to pull off a heist during a NASCAR race in North Carolina.

  13. You know when you hear a song, and it’s kind of a good song, but it could do with being about 10bpm faster? This whole movie felt like it needed to be about 10bpm faster.

    I was quite disappointed by this one. I liked Tatum and Driver’s characters and performances, and Daniel Craig was fun. But.. well, not many of the jokes seemed to land very well, and the whole thing moved intolerably slowly.

    Still I was enjoying it well enough – Seth MacFarlane’s atrocious accent notwithstanding – but then, when I thought a mildly enjoyable film was ending, Hillary Swank turned up for the first time. I’d forgotten she was even in the movie, and thought she must only be there for one scene. And then there was another thirty or so minutes of movie. I was just kind of tired by the end.

  14. Oh, and what was with the singing of the anthem before the race started? I’m aware that’s the kind of thing Americans do, but I kept waiting for something to happen to comically undercut it, or at least get on with the plot while it was happening. But instead we all just had to sit and watch a straight rendition of the national anthem for a minute or two.

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