HOOK, man. What went wrong? Let’s try to figure it out.
One thing I noticed about HOOK: it’s not called PAN. The title HOOK implies a new perspective on the PETER PAN tale, like we’re gonna see it from the pirate’s perspective, or even like it’s gonna be a Captain Hook biopic. Maybe we would learn about his struggles growing up, how he wrote his first hits, rose to the top of the charts, substance abuse, falling in love, the thing with the crocodile, etc. (read the rest of this shit…)
ALWAYS is very cutesy and sentimental, it’s got some pretty weak comedic bits and it’s definitely the weakest full-length Spielberg I’ve watched in this marathon so far. But it’s still pretty good, and with some things nobody could’ve done as well as Spielberg.
This one’s about the pilots who dump the red stuff on forest fires, and the Tom Cruise of red-stuff-dumpers is former shark expert and Close Encounterer Richard Dreyfus. The Anthony Edwards is John Goodman and the Kelly McGillis is Holly Hunter. Actually, Dreyfus looks kinda like Paul Newman in this one, strutting around in aviators, leather jacket, baseball cap and grey mustache. The point is he thinks he’s awesome, and everybody else agrees. His girl seems to have when are we gonna settle down? type issues, but he makes her happy by buying her a nice dress, something you don’t see around the base much because she’s the only woman there. (read the rest of this shit…)
“Excuse me everyone – I surrender!”Wow – for some reason I never had any interest in EMPIRE OF THE SUN before. Turns out it’s great and sort of a beginning for alot of things. It’s Spielberg’s first WWII drama. One of Christian Bale’s first movies. The one that gave Ben Stiller the idea for TROPIC THUNDER. etc. (read the rest of this shit…)
Well, this is depressing. I skipped over Spielberg’s stone cold masterpieces RAIDERS OF THE LOST ARK and E.T. OF THE EXTRA-TERRESTRIALS ’cause I’ve seen ’em a bunch before, but decided to watch TWILIGHT ZONE: THE MOVIE because I don’t think I’ve seen it since the ’80s. Turns out it’s Spielberg’s first bad movie, at least for his segment. And that’s small fish compared to John Landis’s, since it was an actual legitimate tragedy that ended lives and derailed a great filmatist. Bummer. Not worth it. (read the rest of this shit…)
This movie has a reputation as kind of a mess. Admittedly it is a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor. In my opinion a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor was not necessarily one of the top two or three things the world hoped for as Steven Spielberg’s followup to CLOSE ENCOUNTERS OF THE THIRD KIND. But fuck ’em. It’s what they got and they oughta fuckin appreciate it. (read the rest of this shit…)
THE SUGARLAND EXPRESS is the feature debut of young TV director Steve Spielberg. It’s hard to think of it as his first real movie when DUEL was so damn good, but officially it’s the first one he made for theatrical release. Things have really changed, haven’t they? You don’t get hungry young up-and-comers starting out in TV and then making a splash in movies. There’s great TV now but it’s not a place for visionary directors.
To commemorate the 2 (two) new Spielberg movies that came out recently I decided to finally get aorund to watching all the Spielberg movies I’ve never actually seen. This is gonna include a couple that you guys will be surprised by because everybody else in the world saw them a long time ago. But mostly it will be the “lesser” Spielbergs. Not JAWS, CLOSE ENCOUNTERS or E.T. (read the rest of this shit…)
Word of warning: THE ADVENTURES OF TINTIN is really only about 1 (one) specific adventure that this guy Tintin has, it’s not about all of his adventures. I don’t know if that was a typo or a mistranslation or what but it’s fucking bullshit.
Tintin (Jamie Bell from UNDERTOW) is a boy reporter from Belgium. I think. But I don’t remember them specifying where it was or having Belgian accents, and I didn’t notice any cameos by famous Belgians like Jean-Claude Van Damme and other famous Belgians. But I’ve read it’s based on a Belgian comic strip. (read the rest of this shit…)
released June 29th, 2001
(ten years ago today!)
Today, as we celebrate the opening of the third Steven Spielberg produced Hasbro adaptation about overly detailed space robots with different accents wiggling around and smashing buildings, let’s also take a moment to note the tenth anniversary of that one time when Spielberg tried to make a thoughtful robot movie.
My Summer of 2001 10th Anniversary Retrospective will continue shortly, but as requested here’s a brief interlude in the present to deal with some pressing issues.
SUPER 8 is the new picture from writer/director Jay-Jay Abrams (‘Felicity’) that is produced by Steven Spielberg and done in a style that’s a slavish tribute to the classic Spielberg pictures of the ’70s and ’80s. It takes place in ’79 and it’s about a kid whose mom recently died (if it was a real Spielberg movie it would be about divorce), his dad doesn’t really understand him, his friends are making a zombie movie, and also there is a gigantic train crash that unleashes a monster that scares away the dogs, knocks over alot of shit and kidnaps his girl.
With IRON MAN 2 in theaters and on Slurpee cups I’d say Summer Movie Season 2010 is officially underway. And I thought a good way to welcome the season would be by watching some movies I haven’t seen before: the JAWS sequels. Only thing is, as much as I love it I never actually wrote a review of JAWS. And I’d feel like an asshole reviewing the (I’m gonna guess possibly crappy) sequels and ignoring the original masterpiece.
But wait! There may be an answer contained within the Outlaw Vault. I knew I had written something about it, I just hadn’t posted it before. Back when I was considering a book about summer movies I wrote a rough draft for part of the ’75 chapter. So even though I’m still alive I’m gonna clean it up a little and package it as new material, like a posthumous B.I.G. guest appearance. (read the rest of this shit…)
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
