FANTASTIC FOUR is one of the more pure artifacts of its time that we’ve encountered in this retrospective so far. While BATMAN BEGINS was pushing forward and innovating new approaches to comic book movies, this represents a studio (20th Century Fox) following, formulating and second-guessing their way into a flavorless, impact-less nothing of a super hero adaptation.
My feelings haven’t changed on this one – I thought it was laughable at the time, which I believe was the general consensus. But it was a hit, had a sequel that was a hit, presumably has people who are fond of it, though I’ve never met them. I’d say this is a better example of a “no cultural footprint” movie than AVATAR ever was. It’s about to get its second reboot and I don’t hear anyone calling for a Jessica Alba cameo (though come to think of it that would be cool). (read the rest of this shit…)
Man, I guess they’re considered kinda antiquated now, society has moved on, but I still love the X-MEN movies. Here is the only super hero series to span the entire post-BLADE era until now. Their first movie was eight years before IRON MAN started the Marvel Cinematic Universe. Put another way, it was only three years after BATMAN & ROBIN seemed like it might’ve ended Hollywood’s affair with comic book movies.
You super heroes now a days don’t know how easy you have it. The X-Men come from a time when the filmmakers felt they had to give them black leather outfits and make a disparaging joke about yellow spandex if they wanted audiences to take them seriously. And I’m pretty sure they were right. But seven movies and five spin-offs later (not including next year’s NEW MUTANTS) they’ve fought the government, giant robots and an ancient god-like tyrant, solved the Cuban Missile crisis, traveled through time, died and come back to life, gone to space, and yes, even wore yellow uniforms. From “maybe we better call them by their first names” to nobody batting an eye at a six-member space mission team with 50% blue representation. That’s progress.
Through much of that the movies retained members of a brilliant ensemble centered on the obvious but perfect (famous bald man Patrick Stewart as Professor Xavier) and the counter-intuitive but ingenious (Australian stage actor Hugh Jackman as Wolverine, Shakespearian Ian McKellan as Magneto). Though this final chapter is the new timeline younger cast of FIRST CLASS, DAYS OF FUTURE PAST and APOCALYPSE, it ends storylines begun 19 year ago. (read the rest of this shit…)
What you gotta do with some of these movies, you gotta wait a year, so it’s after it already came out and the director publicly disowned it and it flopped and everyone said it was a piece of shit and dissected how the studio reshoots ruined or failed to save it. That’s what I did and then FANTASTIC FOUR didn’t seem as bad. I’d go so far as to say I kind of enjoyed watching it.
The opening threatens to be GREEN LANTERN, with its kid versions of two of the four. But it’s okay, it just establishes that Reed Richards (Miles Teller, FOOTLOOSE) is a genius inventor prodigy and Ben Grimm (Jamie Bell, SNOWPIERCER) is his working class buddy who helps. When their high school science project actually warps matter to another dimension, Reed gets a scholarship to The Baxter Institute, where Sue Storm (Kate Mara, TRANSSIBERIAN) and her dad Dr. Franklin Storm (Reg E. Cathey, THE MACHINIST) plus grouchy ex-student Victor Von Doom (Toby Kebbell, DAWN OF THE PLANET OF THE APES) are working on a similar project. With Baxter’s son Johnny (Michael B. Jordan, CREED) taking Ben’s assistant role, they build a dimensional portal to be used by NASA.
That’s when they make a poor decision: they get drunk and call Ben and try the thing out themselves. (Not “The Thing.” The dimensional portal thing.) That’s pretty original, actually. I believe Ultron is the only other comic book movie character with a scientists-had-a-few-too-many-beers origin. (read the rest of this shit…)
I remember when the first X-MEN movie came out I went to it expecting something stupid but enjoyable, along the lines of MORTAL KOMBAT. Instead it was a fun super hero movie with a star-making performance by Hugh Jackman and a really appealing premise: super-powered mutants are a minority, feared and endangered by the government, and split between two factions led by old friends/bitter rivals (both played by older Shakespearean actors) who have philosophical disagreements about how to deal with that.
The sequels continued to mine this material in interesting ways. Part 2 had me talking about the USA PATRIOT Act in the review. Part 3, though widely hated, has the most interesting gimmick: a “cure” for mutants, so that each of them have to face whether they would be happier just fitting in and being “normal.” The prebootquels FIRST CLASS and DAYS OF FUTURE PAST delved deeper into the relationship and argument between Professor Xavier and Honorary Doctorate Magneto, and continued with what I really liked about the original trilogy, which was that the “bad guys” were always at least kind of right.
Now finally with part 6 we have that movie I originally thought I was going to see in 2000, where you just get to enjoy the people in crazy costumes punching and shooting beams at each other if you can get past how forehead-slappingly stupid the story is.
MR. & MRS. SMITH is an action comedy from Doug Liman, the director of THE BOURNE IDENTITY and JUMPER. It has had a bigger imprint on pop culture than JUMPER because it caused Brad Pitt to ditch the lady he was with at the time and stick with his wife in the movie, LARA CROFT TOMB RAIDER THE CRADLE OF LIFE star Angelina Jolie. The two play John and Jane Smith (of course), who have been married for “5 or 6 years” without knowing that each other are highly skilled assassins for rival secret organizations. It’s kind of like TRUE LIES I guess but less hateful, more equal (though also the action, like the movie in general, is not as huge).
John works out of a cluttered headquarters like a construction office, his partner a misogynist loser who lives in his Mom’s basement (Vince Vaughn, his shtick already pretty worn out by that point). John keeps his weapons in a secret bunker under the tool shed. Jane’s firm is a high tech MISSION: IMPOSSIBLE type joint in a high rise. She seems to be the boss, pampered by an all female, all model staff including Kerry Washington. At one point she tells two of them to make her coffee. Her weapons, of course, are in a secret compartment under the oven. (read the rest of this shit…)
When Rob Cohen, the director of the original XXX first talked about a sequel, it was still gonna star Vin Diesel. And I read some interview where he said one of the ideas he had took place in Washington DC, and it would have a scene where Vin rode a mountain bike up the capital dome.
Well it’s a low down shame we didn’t get to see that but otherwise XXX2 (which ended up being made with Ice Cube instead of Diesel and Lee Tamahori instead of Cohen) is more fun than the first one in almost every way. I’m not saying it’s a good action movie or even a great bad movie, but as an honest individual who tells it like it is I gotta cop to enjoying the fuckin thing. (read the rest of this shit…)
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Recent commentary and jibber-jabber
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July 8, 2005
My feelings haven’t changed on this one – I thought it was laughable at the time, which I believe was the general consensus. But it was a hit, had a sequel that was a hit, presumably has people who are fond of it, though I’ve never met them. I’d say this is a better example of a “no cultural footprint” movie than AVATAR ever was. It’s about to get its second reboot and I don’t hear anyone calling for a Jessica Alba cameo (though come to think of it that would be cool). (read the rest of this shit…)
Man, I guess they’re considered kinda antiquated now, society has moved on, but I still love the X-MEN movies. Here is the only super hero series to span the entire post-
What you gotta do with some of these movies, you gotta wait a year, so it’s after it already came out and the director publicly disowned it and it flopped and everyone said it was a piece of shit and dissected how the studio reshoots ruined or failed to save it. That’s what I did and then FANTASTIC FOUR didn’t seem as bad. I’d go so far as to say I kind of enjoyed watching it.
I remember when 
When Rob Cohen, the director of the original XXX first talked about a sequel, it was still gonna star Vin Diesel. And I read some interview where he said one of the ideas he had took place in Washington DC, and it would have a scene where Vin rode a mountain bike up the capital dome.
