Walter Hill’s original UNDISPUTED was an exaggerated look at the classic concept of the prison boxing league. UNDISPUTED II showed that the same thing is going on in Russia, but with full-on mixed martial arts. Naturally UNDISPUTED III: REDEMPTION takes it to the next level by creating an international tournament for the champions from all different prisons. Part 4 might have to send them into space.
But the true genius of director Isaac Florentine’s two DTV UNDISPUTED sequels is that each one stars the villain of the previous chapter. In UNDISPUTED II: LAST MAN STANDING Michael Jai White took over for Ving Rhames as the asshole accused rapist heavyweight champ George “The Iceman” Chambers. He was the last man standing of the title. Part III, which comes out on DVD Tuesday, is about the next-to-last man standing. Scott Adkins returns as the man whose knee the Iceman crushed, disgraced Russian prison champion and convicted double-murderer Uri Boyka. (read the rest of this shit…)
Didn’t get a chance to link this earlier, but The Ain’t It Cool News is running my review of the new straight to video WILD THINGS sequel. It really is called WILD THINGS FOURSOME. It’s easy to assume they only made the movie in order to use that title, but it actually kind of seems like the 4th person in the foursome (not pictured) was added in at the last minute. She’s barely in the movie at all.
By the way, two or three of the talkbackers there remind me how cool you guys are. Good job being cool, everybody.
Hey fellas,
I think we can all agree that WILD THINGS is a unique gem of the ’90s, right? A straight-faced but knowingly hilarious, amped-up take on the sleazy erotic thriller. It has everything you’d expect in a movie like this, except Shannon Tweed. It’s got murder, staged death, false rape accusations, a swimming pool cat fight, a threesome, big boobs, Kevin Bacon’s wang, Bill Murray, and the most convoluted series of double-crosses ever on film (so complex that it flashes back during the end credits to show that you still don’t know who was in on what with who). It found the perfect use for Denise Richards, showed that director John (HENRY: PORTRAIT OF A SERIAL KILLER) McNaughton could have a laugh and taught me that Florida is a humid battleground for wars between the swimsuit-wearing super rich and the jealous “swamp trash.” This was helpful to know around then because they elected Jeb Bush governor, then it was Elian Gonzalez, butterfly ballots, Bush v. Gore, Terry Schiavo media frenzy, etc. Maybe WILD THINGS was trying to warn us. (read the rest of this shit…)
Over there on the Ain’t It Cool News I reviewed the new straight to DVD sequel to THE DESCENT. The bad news is that it’s not from the director of the original, the good news is that it’s not from the director of DOOMSDAY.
Well, anyway, you’ll see what I think when you read the review. But please take special note of the authentic spelunking lingo used in the headline. They don’t always use my headlines over there but in this case they did. I researched that shit. It was awesome.
Well, they probly shouldn’t’ve made a DESCENT PART 2, but the one they made is not too shabby. It has just the acceptable level of shabbiness. It’s by rookie director Jon Harris, who edited the original THE DESCENT and to his credit not DOOMSDAY. (read the rest of this shit…)
There are plenty of things wrong with the 2009 DTV crime movie THE BUTCHER. It’s made entirely of cliches. The filmatism is sometimes awkward and crude. It’s longer and more repetitive than necessary. There’s not much of a sense of danger, because the hero keeps getting in shootouts where all he does is hit everybody while they miss him. He keeps leaving his girl in the car, defenseless, and nobody ever notices her. And the things that are bad aren’t funny-bad.
So this is DTV through and through, but the things I liked about it won the fight with the things I didn’t. And the main thing I liked was Eric Roberts. (read the rest of this shit…)
Cash is the full name of a big-shouldered, square-jawed, fresh-out-of-the-pen-and-eager-for-revenge individual on a rampage in an unnamed city that happens to have the Space Needle in it (more on that later). He’s a guy nobody should ever fuck with, but unfortunately for a couple guys it’s too late for that. They betrayed him on a messy bank job, and you never really know what could happen but I’m leaning toward him not accepting an apology. In the opening narration he says something like, “I was only ever good at two things. Killing’s one of ’em. I forget what the second one is.” So he goes to different clubs and back rooms roughing people up, shooting off heads, biting off ears, trying to get to the big man who betrayed him, or something. (read the rest of this shit…)
Thomas Jane plays Malone, a fedora-wearing, ’52 Buick driving, ten thousand bullet firing, fake film noir style opening scene narrating, badass private eye motherfucker in a mostly empty city portrayed by Spokane, Washington. The movie takes place in the modern day (email is mentioned once) but obviously takes most of its cues from the cliches of detective stories/film noir, including the femme fatale client, the fast, back-and-forth quipping and, you know, his hat. He’s old fashioned enough that he keeps calling women “sister.” Also, alot of the score is that cheesy type of saxophone they always use in modern movies and TV as a code for “it’s like an old private eye movie.” (read the rest of this shit…)
“Why me Lord? What have I ever done / That was worth even one / Of the pleasures I’ve known / Tell me Lord, what did I ever do / That was worth loving you / or [Universal Soldier 3].”
–Kris Kristofferson, “Why Me”
Holy shit fellas, I didn’t see this one coming. I was excited about the idea of Van Damme and Lundgren doing a movie together again, but honestly I assumed they (and everybody else) would be phoning it in. Man, was I wrong. There are no phones used at all. This is a masterpiece of DTV.
SMOKIN’ ACES 2: ASSASSIN’S BALL is the rare DTV sequel that leaves 2 (two) obvious openings for porn parody titles, not to mention having the word “ass” in it twice. In that sense it is absolutely groundbreaking. The idea of a DTV sequel to a movie that not one single person in the world is passionate about is not as unusual (see: THE MARINE 2, BEHIND ENEMY LINES 2-3, THE ART OF WAR trilogy, etc.), but I guess technically this one is a prequel (it refers to a dead character as if alive). So this might actually be a historic milestone, I’m not sure.
I remember seeing a preview screening of SMOKIN’ ACES, and even those I-will-stand-in-line-for-several-hours-to-see-literally-any-piece-of-garbage-movie-as-long-as-it-is-free passholes seemed to hate it. But I have to admit I mostly enjoyed it because it had so many funny and audacious moments peeking out from beneath the big mess of a so-called story. The movie really doesn’t work, but I wanted it to because there were some real good parts. That’s what I think. And in the ensuing years I honestly haven’t met one single person who would give it that much. (read the rest of this shit…)
“Viggo Mortensen is… AMERICAN YAKUZA.” That’s what it says on the trailer. This is a rare early Viggo lead role and it’s pretty much a straight up action/crime movie. In the tradition of AMERICAN NINJA, AMERICAN KICKBOXER, AMERICAN SAMURAI and AMERICAN BEAUTY, Viggo is an American white guy who earns the trust and acceptance of the Yakuza, complementing their traditions and rituals with his own American spirit. When they drink sake he drinks Bud Light or Wild Turkey. But don’t worry man, he’s cool. I’ll explain. (read the rest of this shit…)
All I wanted for Christmas was NINJ*. But it doesn’t come out in the US until March, so I ordered it from Thailand. It’s a Christmas miracle!
Over the last year or so, while sci-fi nerds all over the world were dreaming of the possibilities of AVATAR, a much smaller, more specialized band of connoisseurs – DTV action fans – were dreaming of NINJ*. It showed promise because of three reasons:
1. Isaac Florentine. The Israeli martial artist turned filmatist is the only reliable DTV auteur I know of. His movies usually have a fun tone and always have great, well-staged fights with energetic camera movements (and sound effects whenever somebody moves their arm or turns their head). He’s made distinctive vehicles for Dolph (BRIDGE OF DRAGONS), Michael Jai White (UNDISPUTED II) and Van Damme (THE SHEPHERD: BORDER PATROL – although he disowned that one. But I liked it.). (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
* * * *
Recent commentary and jibber-jabber
MaggieMayPie on The Ministry of Ungentlemanly Warfare: “Just saw this and really enjoyed it. Of the action set pieces I liked the rescue of Apple better than…” Apr 27, 18:45
VERN on Rebel Moon Part Two: The Scargiver: “I may have misunderstood but I thought there were a couple allusions to them being harvest-time sex partners, including the…” Apr 26, 18:11
Charles on Rebel Moon Part Two: The Scargiver: “Ben, it does feel like the movie teased us by showing him tame the beast then never pay it off…” Apr 26, 11:04
Charles on Rebel Moon Part Two: The Scargiver: “Vern, was it ever stated in part one that Kora hooked up with not Huge Jackman. I though they were…” Apr 26, 10:53
Glaive Robber on Rebel Moon Part Two: The Scargiver: “Sweet Sweet Furyan Lore shall be the name of my band’s next album, fyi.” Apr 26, 10:35
Mr. Majestyk on Rebel Moon Part Two: The Scargiver: “Makes sense. This is the man who brought us Jimmy Olsen: Black Ops Badass, after all.” Apr 26, 08:39
MaggieMayPie on Rebel Moon Part Two: The Scargiver: “Kaplan, “I suppose it makes sense that in Zach Snyder World, *everyone* is the muscle” this is the perfect encapsulation…” Apr 25, 18:57
Kaplan on Rebel Moon Part Two: The Scargiver: “@Glaive On the bright side, maybe Luc Besson’s Anna doing well will get us that Valerian sequel we’ve all been…” Apr 25, 17:13
Ben on Rebel Moon Part Two: The Scargiver: “I like these movies but man introducing that dude by having him tame and ride a griffon then not having…” Apr 25, 15:29
Glaive Robber on Rebel Moon Part Two: The Scargiver: “The wheat thing is kinda funny. Makes me think of another Superman director, Bryan Singer, who had the WB foot…” Apr 25, 13:28
Birch on Rebel Moon Part Two: The Scargiver: “I get that Kora was having a whole character arc but it is pretty rude of her to start talking…” Apr 25, 13:17
dreadguacamole on The Ministry of Ungentlemanly Warfare: “Hey, I read the book! It was a fairly big deal a few years back here in the UK, where…” Apr 25, 02:21
CJ Holden on The Ministry of Ungentlemanly Warfare: “Glaive, it’s even weirder because Schweiger once famously stated that he didn’t want to go to Hollywood to just play…” Apr 24, 21:40
Kaplan on The Ministry of Ungentlemanly Warfare: “It wouldn’t surprise me. I’m not saying Ritchie intended to be disrespectful. Him making Gus a devil-may-care scoundrel or Lassen…” Apr 24, 21:30
VERN’S “I RECOMMEND THE SHIT OUT OF THIS PRODUCT” CORNER: