In 2022, a transgressive gorefest called TERRIFIER 2 was given a limited unrated release in AMC theaters. Kinda like GODZILLA MINUS ONE the next year it proved to be so popular they kept adding another set of screenings and another and another. There was enough of a buzz that I set aside my usual disdain for clown horror and fired up the first TERRIFIER on the ol’ Roku. That went pretty well so when TERRIFIER 2 screened in Seattle again I went, and kind of loved it. Later I caught up with ALL HALLOW’S EVE, the anthology made from two short films that introduced the idea of TERRIFIER.
So by the time of TERRIFIER 3 I’m a fully converted fan of the series, and there must be a whole lot of other people who followed that path, because this is truly unprecedented: an extremely gory unrated part 3 slasher movie that opened #1 at the box office. For extra laughs, it happened to beat out week two of a Hollywood evil clown sequel with literally a hundred times its budget. I’m pretty sure no one in the TERRIFIER camp was even trying to do that. But it’s a genuine phenomenon. (read the rest of this shit…)
There’s this slasher sequel 
From the monster clowns on the cover and the opening scene set in 1937 I really thought this was gonna be some kind of ghost or demon story, but it’s actually set in the sort-of-real-world. Director Alex de la Iglesia (
