THE ARRIVAL is a mid-budget summer of ’96 sci-fi movie written and directed by David Twohy, who already had writing credits on CRITTERS 2: THE MAIN COURSE, WARLOCK, THE FUGITIVE (no big deal), TERMINAL VELOCITY and WATERWORLD, but had only directed TIMESCAPE (1992) starring Jeff Daniels. He wrote this specifically for Charlie Sheen (GRIZZLY II: REVENGE, NEVER ON TUESDAY, DEADFALL), who plays sort of against type as Zane Zaminsky, SETI researcher. I mean, he’s 99% regular Charlie Sheen, but I think he’s trying to throw some nerd into the mix. He has horn-rimmed glasses and perfectly spiked hair like D-FENS from FALLING DOWN, but he completes the look with a precisely sculpted goatee.
This was from a period between SPECIES (1995) and CONTACT (1997) when sci-fi movies were really interested in the brave scientific heroes who sit patiently at those giant satellite dish things listening for messages from space. Just in case. TWISTER’s hot shot storm chasers would give them the Dawn Wiener treatment, but they are important in their own way, and also think they’re cool because they like to howl like wolves and they’re good at rolling their office chairs back and forth between different computers.
The humble 1987 action drama NOWHERE TO HIDE opens with soldiers playing war games in the woods, wearing camo and motorcycle helmets, shooting each other with paint pellets. One participant is clearly dominating, creeping around, popping out of hiding places, “killing” them all off one by one. And there’s no point in a dramatic de-helmeting – we can already see that this is a woman winning this game. A small one.
TERMINAL VELOCITY is a pretty funny action mystery full of smartass dialogue and clever action gimmicks. I think it’s an attempt to make up a pulp adventurer type character without the usual treasure hunting or old timey setting. But with the brown leather jacket, the slick hair and the bi-plane.
This year’s 
