Some time around the mid-‘90s I took a weekly screenwriting class for a while, and the teacher loved Paul Schrader. He seemed to bring him up in every class. The guy who wrote TAXI DRIVER. The guy with the strict Calvinist upbringing. Eventually he had us watch a Paul Schrader movie, and he chose LIGHT OF DAY – the one where Michael J. Fox plays in a rock band with Joan Jett. I had seen it before and I didn’t dislike it but I thought it was a weird choice to represent Schrader. I think maybe the teacher hadn’t seen it yet.
But, you know, after THE CARD COUNTER last year and finally watching LIGHT SLEEPER this year I was kinda high on Schrader and thought it might be worth going back to this one to see if there was something I was missing. Well, no, not really, but that’s okay. It’s not in the vein of those ones I just mentioned and it’s not as powerful or as distinctly Paul Schrader, but I don’t think anybody else would’ve made exactly this rock ’n roll movie.
I used to think of it as corny because it’s a rock star acting and a sitcom star rocking, but what’s cool about it is that it’s thoroughly working class. It’s about a band, but it’s never about the record label guy is coming to the showcase and it’s their big chance and they write a hit and they get the cover of Rolling Stone but then it’s the pressures of fame or whatever. No, they’re just a small band that plays at a little tavern in Cleveland called the Euclid (“the Euc” for short) and they try to keep that gig or set up a small tour or play in a different band that will pay better. They do pull a pretty good crowd for the size of the place, but they’re not famous. Nobody knows who they are. And they gotta have jobs. (read the rest of this shit…)
MONDAY MORNING (1990) is the only movie written and directed by the producer Don Murphy (
note: This is a great fuckin movie and this review has spoilers, so if you’re planning on seeing it anyway, I suggest doing that first and coming back.
Here’s a story I may or may not have told before. It takes place on February 28, 2001. A few minutes before 11 am there was a 6.8 earthquake epicentered in the southern Puget Sound. I was at work and I saw some shelves wobble and a few things fall down, but nothing serious. Downtown there was some damage – some vehicles got crushed by falling bricks, and I remember a couple clubs where bands used to play in Pioneer Square (
Henry Selick, the director of THE NIGHTMARE BEFORE CHRISTMAS, just made his first movie in thirteen years. Stop motion animation takes a long time, of course, but not usually that long. (With the exception of 
RHYMES FOR YOUNG GHOULS (2013) was the first of two features by writer/director Jeff Barnaby. I didn’t know about him until I saw his really good 2019 zombie movie 
Holy shit you guys, I never really thought I’d see EGGSHELLS! It’s the weird psychedelic movie Tobe Hooper made in 1969 – five years before 
I always keep an eye out for new films from Lucky McKee, because he’s the director of my official Favorite Horror Movie of the 2010s, 
I can’t keep up with as many TV shows as some people do these days, but I have a few, and right now the one I love the most is Reservation Dogs. It’s on FX (and streaming on Hulu) and so far there are only 2 seasons totaling 18 half hour episodes, so it wouldn’t be that hard to catch up on. It centers on a group of teenagers who live on a reservation in Oklahoma, though sometimes it veers off to be more about their elders. It reminds me of my other favorite show, Atlanta, in that it has this A+ ensemble of core characters surrounding straight woman Elora (Devery Jacobs) who are each so hilarious in their own way that whenever it focuses on one of them I start to think that’s my favorite character. They have their funny shit they obsess over and their ways of saying things but maybe the funniest stuff is just their expressions seeing and listening to all the ridiculous things they encounter. (And the truth is my favorite is Willie Jack, played by Paulina Alexis.)
SECTION 8 came to VOD a couple months ago and now is on disc and I guess AMC+. It’s a solid and enjoyable movie of its type, with a good cast, some good fights, and liberal use of familiar action conventions that tend to be enjoyable. However I’m gonna show it a little tough love in this review because, as we agreed when I went on
The story begins in “Mosul, Afghanistan” (uh… whoops) where Jake Atherton (Kwanten) is, we’re told, a really great marine, but his platoon is ambushed by the Taliban and only he and his mentor Captain Mason (Dolph Lundgren, HAIL CAESAR!) survive. I’m kind of unclear what happens, but later we’re told that Mason saved Jake’s life and also received a career-ending leg injury. 
