Disney’s 1967 animated version of THE JUNGLE BOOK was pretty much a hangout movie. A bunch of animal dudes kickin it in the jungle, occasionally singing songs. Like HOUSE PARTY but with snakes and shit. The tiger Shere Khan plays the part of Full Force.
Now modern Disney and director Jon Favreau (executive producer, GREEN STREET HOOLIGANS) have brought in more of the world and narrative of Rudyard Kipling’s stories for an excellent live action(ish) version that captures plenty of the spirit of the old one while also being totally different. It uses versions of the original songs and even evokes Disney animation with a painted version of the castle logo, but never feels redundant. It’s like putting on glasses and seeing that version in more detail, from the visuals to the story.
I have to admit, after COWBOYS & ALIENS I kinda thought maybe we got too excited about Favreau as a director because of IRON MAN. Clearly I was wrong. This is a movie I can’t imagine many directors pulling off. Like with IRON MAN he finds a perfect balance between nerdy love for the source material and clear vision of how to tell the story in a dramatic way we haven’t quite seen on screen before.
And it can’t be easy competing with the memory of Stephen Sommers’ 1994 version.
(That might be unfair. I haven’t seen it.)


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When one of us says “Carrie,” I bet we all think of the same thing: Brian DePalma’s iconic 1976 film, an American classic. It’s the first and still-second-best movie based on a Stephen King book, so of course we could also be talking about that 1974 novel (the fourth that King wrote, but first he got published). Or we could be talking about the 2002 made-for-TV version, or the 2013 remake, or I suppose the 1952 William Wyler movie which in my opinion is not based on King’s book. Anyway this week I’d like to take a look at the different incarnations of King’s story. (Not the failed Broadway musical though. I never saw it.)
Sometimes you’re watching a movie and you’re not really getting anything out of it, but you power through it just so you can say you watched some weird thing that nobody ever heard of. Or at least that’s what I do sometimes. Maybe that explains some things.
SPL 2: A TIME FOR CONSEQUENCES (or KILL ZONE 2 in the U.S.) is not truly a sequel to
Not long ago I wrote about director Jamaa Fanaka’s last film, 


















