I don’t know if HIGHLANDER: ENDGAME was ever supposed to be the end of the series, but it didn’t turn out that way. Since it lost money, obviously Miramax/Dimension didn’t want to be in the Highlander business anymore, and they sold the rights back to Davis-Panzer, who probly didn’t want to work with those shitheads again anyway. They weren’t making TV shows anymore and they wanted to keep their baby alive, so seven years later they figured out a way to make the fifth in the HIGHLANDER movie series, just without releasing it to theaters.

HIGHLANDER: THE SOURCE arrived in 2007 and is – at least for the foreseeable future – the final Highlander movie. It’s the only one that’s about Duncan MacLeod (Adrian Paul) without Connor MacLeod, and therefore the only live action one without Christopher Lambert. It’s filmed in Lithuania with exaggerated digital colors and green screen FX, giving it a cheap but distinct look and feel. It’s not technically post-apocalyptic like the two animated spin-offs, but it does not depict civilization as doing great. The opening tells us “The world has fallen into chaos and decay. There is no law, no justice, only death and destruction. Some say it’s a sign of the coming of the apocalypse, a time that even Immortals fear.” This is illustrated by an alley where some barrels are burning and a guy is getting stabbed. I think another guy is buying drugs (gasp!). (read the rest of this shit…)

HIGHLANDER: THE SEARCH FOR VENGEANCE is by far the best animated version of Highlander that they’ve made. Okay, that’s not saying jack shit, but I did sincerely enjoy this 2007 DTV (or OVA) anime spin-off. Like
It is the futuristic year of 2000. In the real world,
After five seasons of Highlander: The Series, Adrian Paul started to worry he was gonna have to play the fuckin Highlander forever. And he had dreams. He wanted to do movies and stuff, whether or not producer William Panzer considered that “somewhat delusional” (as he says on a DVD extra). Though Paul indeed appeared in John Landis’ SUSAN’S PLAN and a thriller called CONVERGENCE, it was preparations for his first appearance in a theatrical Highlander movie that really screwed with his TV filming schedule.
HIGHLANDER: THE FINAL DIMENSION (apparently also called HIGHLANDER III: THE SORCERER) arrived in late 1994 in the U.K., early 1995 in the U.S. It was only about three years after
It’s the early ’90s. Less than a decade ago, 

“It’s weird how they built a huge franchise off of the first film. I can’t quite understand it. It’s like they say in the film ‘There can only be one. ‘ In a genre film you can create any scenario you like, but once you break your own rules, the audience feels betrayed, which is what happened with HIGHLANDER II.”–Russell Mulcahy to Money Into Light, 2016
HIGHLANDER is the 1986 cult classic about immortal warriors of different nationalities waging a battle across centuries, and its opening is a clash in its own right. It starts with Sean Connery narrating flowery fantasy movie text, jumps to credits cut rhythmically to a rockin Queen theme song, and before we know it the gorgeously grainy cinematography of Gerry Fisher (WISE BLOOD, 

















