It is the futuristic year of 2000. In the real world, HIGHLANDER II‘s prediction of solar radiation creating the necessity for an electromagnetic shield over the earth has not come to pass. Instead we got President George W. Bush and Ron Howard’s upcoming HOW THE GRINCH STOLE CHRISTMAS!.

It has been six years since HIGHLANDER III, which did not make back its production costs at the box office. But in that time the mythology of the Immortals has taken on a new life on television, with Connor MacLeod’s younger friend Duncan MacLeod (Adrian Paul) entertaining fans through 117 episodes (not including the two he wasn’t in). Though the show ended in 1998 and its spin-off The Raven in 1999, they have clearly left behind a fan base that takes this shit seriously. From 1994-2000 there was an annual convention called “The Gathering” in Denver, Colorado, with Paul and other stars as guests of honor. From 1997-1999 there were three “Highlander Clan Cruises.” 1997 gave Australia the first of eight “Highlander Down Under” conventions. And the list goes on. Clearly this is a group of loyal fans waiting to be exploited. I mean catered to.
And so here on the cusp of the millennium we find the immortal movie series resurfacing in the Weinstein-Brothers-cheapass-franchise-exploitation era.

After five seasons of Highlander: The Series, Adrian Paul started to worry he was gonna have to play the fuckin Highlander forever. And he had dreams. He wanted to do movies and stuff, whether or not producer William Panzer considered that “somewhat delusional” (as he says on a DVD extra). Though Paul indeed appeared in John Landis’ SUSAN’S PLAN and a thriller called CONVERGENCE, it was preparations for his first appearance in a theatrical Highlander movie that really screwed with his TV filming schedule.
HIGHLANDER: THE FINAL DIMENSION (apparently also called HIGHLANDER III: THE SORCERER) arrived in late 1994 in the U.K., early 1995 in the U.S. It was only about three years after
It’s the early ’90s. Less than a decade ago, 

“It’s weird how they built a huge franchise off of the first film. I can’t quite understand it. It’s like they say in the film ‘There can only be one. ‘ In a genre film you can create any scenario you like, but once you break your own rules, the audience feels betrayed, which is what happened with HIGHLANDER II.”–Russell Mulcahy to Money Into Light, 2016
HIGHLANDER is the 1986 cult classic about immortal warriors of different nationalities waging a battle across centuries, and its opening is a clash in its own right. It starts with Sean Connery narrating flowery fantasy movie text, jumps to credits cut rhythmically to a rockin Queen theme song, and before we know it the gorgeously grainy cinematography of Gerry Fisher (WISE BLOOD,
THE SWORDSMAN is an only-on-VHS Lorenzo Lamas joint from 1992. Coming two years after the end of Falcon Crest (for which Lamas was the only actor to appear in all 227 episodes), this was a particularly productive period for the actor and Taekwondo and karate black belt. His other films released that year were FINAL IMPACT,
I’ve only seen one of those, but I bet none of them open with text about a king in ancient Greece:
In AVENGEMENT, Scott Adkins creates one of his best characters yet, though I don’t necessarily expect to see a franchise around this one. Like French in 

















