HIGHLANDER: THE SEARCH FOR VENGEANCE is by far the best animated version of Highlander that they’ve made. Okay, that’s not saying jack shit, but I did sincerely enjoy this 2007 DTV (or OVA) anime spin-off. Like HIGHLANDER II and Highlander: The Animated Series it brings the Immortals saga into a dystopian future: “After a century of terrorism and global warming, the earth has fallen into chaos and decay,” the opening text says. And I really like this line: “Life is cheap and death comes easy, save for some.”

It’s a well told (if simple) tale and the design and animation are legit. Director Yoshiaki Kawajiri also directed WICKED CITY, NINJA SCROLL and VAMPIRE HUNTER D: BLOODLUST, plus segments in THE ANIMATRIX and BATMAN: GOTHAM KNIGHT. Shit, I’ve seen some of those! He also wrote the live action AZUMI 2. But the screenwriter for this one is David Abramowitz, a writer, producer and creative consultant for Highlander: The Series and Highlander: The Raven. (read the rest of this shit…)

It is the futuristic year of 2000. In the real world,
After five seasons of Highlander: The Series, Adrian Paul started to worry he was gonna have to play the fuckin Highlander forever. And he had dreams. He wanted to do movies and stuff, whether or not producer William Panzer considered that “somewhat delusional” (as he says on a DVD extra). Though Paul indeed appeared in John Landis’ SUSAN’S PLAN and a thriller called CONVERGENCE, it was preparations for his first appearance in a theatrical Highlander movie that really screwed with his TV filming schedule.
HIGHLANDER: THE FINAL DIMENSION (apparently also called HIGHLANDER III: THE SORCERER) arrived in late 1994 in the U.K., early 1995 in the U.S. It was only about three years after
It’s the early ’90s. Less than a decade ago, 

“It’s weird how they built a huge franchise off of the first film. I can’t quite understand it. It’s like they say in the film ‘There can only be one. ‘ In a genre film you can create any scenario you like, but once you break your own rules, the audience feels betrayed, which is what happened with HIGHLANDER II.”–Russell Mulcahy to Money Into Light, 2016
HIGHLANDER is the 1986 cult classic about immortal warriors of different nationalities waging a battle across centuries, and its opening is a clash in its own right. It starts with Sean Connery narrating flowery fantasy movie text, jumps to credits cut rhythmically to a rockin Queen theme song, and before we know it the gorgeously grainy cinematography of Gerry Fisher (WISE BLOOD,
THE SWORDSMAN is an only-on-VHS Lorenzo Lamas joint from 1992. Coming two years after the end of Falcon Crest (for which Lamas was the only actor to appear in all 227 episodes), this was a particularly productive period for the actor and Taekwondo and karate black belt. His other films released that year were FINAL IMPACT,
I’ve only seen one of those, but I bet none of them open with text about a king in ancient Greece:

















