Hey, you know what, how ’bout another movie about Ip Man? This is the fifth one I’ve seen in as many years. But this is THE FINAL FIGHT, so it’s the last one, at least until IP MAN: A NEW BEGINNING or WES CRAVEN’S NEW IP MAN.
This is from Herman Yau, the director of the least known but still good Ip Man picture, LEGEND IS BORN: IP MAN, and once again with an appearance by Ip Man’s actual son Ip Chun (a consultant on all of the Ip Man movies except THE GRANDMASTER). But this time the attraction is seeing Anthony Wong (HARD BOILED, HEROIC TRIO, INFERNAL AFFAIRS, EXILED, VENGEANCE, everything else) take over the Ip Man role and play him as an old man. In THE GRANDMASTER it ends up when the good old days are over and everybody’s opening kung fu schools left and right. That’s when this is, over a period of years but focusing on the early 60s, around the time Ip Man was giving Wing Chun lessons on the roof of a building. (read the rest of this shit…)
NOTE: A couple weeks ago I watched Wong Kar Wai’s long-awaited Ip Man movie THE GRANDMASTER on an import DVD. I loved it so much I decided not to post a review until the U.S. theatrical release so more people would be able to see it and discuss it.
Then I saw an ad on TV calling the movie “Martin Scorsese presents THE GRANDMASTER,” talking about “THE MAN WHO TAUGHT BRUCE LEE,” and showing a bunch of fight scenes with an aggressive hip hop soundtrack. There’s an even more extreme one online now that uses the theme from THE MAN WITH THE IRON FISTS.
These ads gave me a laugh, because as great as the fights are in the movie the emphasis is on characters and metaphors and beautiful imagery, and it’s as much about Zhang Ziyi’s Gong Er (a fictional character, I believe) as a biography of Ip Man. I was excited to see it on the big screen, but dreading the possibility of an audience angry at the long breaks between punching.
What didn’t occur to me is that maybe the breaks aren’t that long anymore. It turns out the U.S. theatrical cut is a Weinsteinized version that’s 22 minutes shorter. David Ehrlich of film.com explains that the new cut was done with the participation of Wong, and details all the things he noticed that were cut out. I won’t spoil whether or not he likes the new version, you’ll just have to read his article Kung Foolish: How The American Cut of ‘The Grandmaster’ Ruins a Masterpiece to find out for yourself.
I still plan to see it, but based on Ehrlich’s list it sounds like half of the themes and scenes I talk about in this review aren’t even in the movie anymore. So fuck it, here is my review of the 130-minutes-including-credits Suitable-For-The-Entire-World-Except-For-America-Because-How-Could-They-Ever-Understand-It Cut. (read the rest of this shit…)
THE KUMITE is the stupid American title for the 2003 Hong Kong film also known as STAR RUNNER. Thankfully there is a tournament in it, but if you’re wondering, it’s called “Star Runner,” not “The Kumite.” The word “kumite” is never used in the movie, unless you count the BLOODSPORT trailer they included on the DVD. Also, the guy in the cover is not the hero, that’s the guy he has to beat at the tournament. And the tagline “To die is an honor” has nothing to do with the movie at all. Nobody dies. (read the rest of this shit…)
“I’m not interested in champions of the ring. I’m interested in champions of the heart.”
When I found BARE KNUCKLES I wasn’t sure it would even be watchable. It’s recent (2010), I’d never heard of it, it’s not from an established action star or director, and the box mentions serious matters: “Women will go to extreme lengths for those they love, and single mother Samantha Rogers is no exception, being the sole provider for her daughter Mila, a child in need of special care.” That kinda sounds like a recipe for an indie drama about a fighter that’s not really about fights. Then I put it in and the menu and opening credits both of terrible fonts and music, and they put the obviously bogus claim “inspired by a true story” right after the title. This just looks like amateur hour from the get go.
What I’m saying is BARE KNUCKLES was an underdog. A Cinderella story. Cinderella Man, but with a lady… and it makes us all proud. It’s a little ragged and cheesy at times, but it’s a really likable take on alot of the genre tropes, feeling a little different without ever reinventing anything. (read the rest of this shit…)
EXTREME CHALLENGE (2001) is a movie that didn’t come up in any of my extensive internet searches for fighting tournament movies, but I happened to come across it in the Hong Kong section of the video store. Another victory for human browsing. This is a Hong Kong production, a Golden Harvest presentation even, but it’s in English (non sync). Director Tung Wei was usually more of a stuntman and choreographer. He did action direction for HERO and appeared onscreen in HARD BOILED (which character is “Foxy”?) (read the rest of this shit…)
Round 2, Bout 2, Red Fist Club vs. The Men From Hong Kong
When I started The Super-Kumite I was alot greener than I realized, a soft-handed hayseed fresh off the turnip truck, walking through the streets of Manila wearing my Hard Rock Cafe t-shirt, just askin to get my bag stolen. It was naive, but I assumed at least this BLOODFIST series, which always impressed me by having 8 installments on the shelf, was gonna stick with being about fighting tournaments. They have this whole mythology of the Red Fist Club and their Ta-Chang tournament, they have a star who was a real life kickboxing champion, of course they’re gonna keep exploring that, is what I figured. But that’s not how it works in the real world.
BLOODFIST 2 (which I will review separately) continues the story of Jake and his treacherous mentor (or actually the same guy playing basically the same character but with a different name because I think maybe he died at the end of part 1), and it has a great premise where the best fighters of various styles are tricked into coming to Manila, then abducted and forced to fight on an exotic private island. It should be a tournament – his own reworking of the Ta-Chang – but instead it’s just gladiator-style matches. Fun movie, but not eligible for The Super-Kumite. And from what I’ve read it looks like none of the other BLOODFISTs have tournaments until the last one, the Dragon-less BLOODFIST 2050. So that’ll be the round 3 movie if we get that far. In searching for a round 2 substitute I found out that in 1993 director Rick Jacobson (BLOODFIST VI and VIII) directed two different BLOODFIST rehashes (both using basically the same script?). I ordered the one starring Jerry Trimble (FULL CONTACT) but it hasn’t shown up yet, and I was able to rent the other one, DRAGON FIRE. (read the rest of this shit…)
ANGELFIST is kind of a rehash of FIRECRACKER, an earlier Cirio H. Santiago joint I tried to use for the Super-Kumite, but this one has an actual tournament in it, so I didn’t have to disqualify it. It’s also kind of the same plot as BLOODFIST, but with ladies. A competitive martial artist in Manila (Cat Sassoon) gets murdered. Her sister Kat in L.A. (also Cat Sassoon) gets the news, flies in and joins the Kubate International Women’s World Karate Championship tournament in order to get closer to everybody and figure out who did it. The guy who vouches for her, stickfight-spars with her and acts as her cornerman (Roland Dantes) is not as intimately involved in her training as Xian in BLOODFIST, but ends up having the same purpose in the story if you know what I mean, spoiler spoiler. (read the rest of this shit…)
Jalal Merhi (who we previously saw in the similarly animal-titled TALONS OF THE EAGLE) stars as Lyle Camille, a dorky Canadian martial artist who chooses to go into business instead of pursuing life as a true warrior. He’s just graduated with his MBA, he’s engaged to get married to Ashley (model Monika Schnarre) and his dad (Jamie Farr!) got him a job as VP at his credit card company. This moment of achievement and potential could set him up to get the Goose-in-TOP-GUN treatment, the ol’ one-last-job-before-I-retire curse. Instead it’s his brother Lance (Laurent Hazout, whose only other role is “Interzone Boy” in NAKED LUNCH) who bites it, overdosing on a new opium-based “more addictive than crack” drug called “fish food” or “nirvana” (often pronounced “ner-VAN-uh.”) (read the rest of this shit…)
KICKBOXER 3 is one of the movies I watched for the Super-Kumite but had to turn it into an exhibition match due to its lack of tournament. This is a pretty enjoyable one though with a weird mix of sports movie and violent shootout movie. Also it deals with sex trafficking just like the last movie I reviewed. (Don’t worry – it’s against it.)
NINJA III is one of the only movies to really explore how much ninjas like yogurt
One of our nation’s perennial VHS favorites, NINJA III: THE DOMINATION, has recently made the transition to digital and high definition disc type formats courtesy of the heroes at Shout Factory. Check out my review of the new blu-ray over on Daily Grindhouse. If you also want to read a review I wrote of the movie a couple years ago then you can click here.
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Recent commentary and jibber-jabber
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“A scholar and a warrior!”
NOTE: A couple weeks ago I watched Wong Kar Wai’s long-awaited Ip Man movie THE GRANDMASTER on an import DVD. I loved it so much I decided not to post a review until the U.S. theatrical release so more people would be able to see it and discuss it.
ed to see it on the big screen, but dreading the possibility of an audience angry at the long breaks between punching.
THE KUMITE is the stupid American title for the 2003 Hong Kong film also known as STAR RUNNER. Thankfully there is a tournament in it, but if you’re wondering, it’s called “Star Runner,” not “The Kumite.” The word “kumite” is never used in the movie, unless you count the BLOODSPORT trailer they included on the DVD. Also, the guy in the cover is not the hero, that’s the guy he has to beat at the tournament. And the tagline “To die is an honor” has nothing to do with the movie at all. Nobody dies.
“I’m not interested in champions of the ring. I’m interested in champions of the heart.”
EXTREME CHALLENGE (2001) is a movie that didn’t come up in any of my extensive internet searches for fighting tournament movies, but I happened to come across it in the Hong Kong section of the video store. Another victory for human browsing. This is a Hong Kong production, a Golden Harvest presentation even, but it’s in English (non sync). Director Tung Wei was usually more of a stuntman and choreographer. He did action direction for 
KICKBOXER 3 is one of the movies I watched for the Super-Kumite but had to turn it into an exhibition match due to its lack of tournament. This is a pretty enjoyable one though with a weird mix of sports movie and violent shootout movie. Also it deals with sex trafficking just like the last movie I reviewed. (Don’t worry – it’s against it.)
