HOOK, man. What went wrong? Let’s try to figure it out.
One thing I noticed about HOOK: it’s not called PAN. The title HOOK implies a new perspective on the PETER PAN tale, like we’re gonna see it from the pirate’s perspective, or even like it’s gonna be a Captain Hook biopic. Maybe we would learn about his struggles growing up, how he wrote his first hits, rose to the top of the charts, substance abuse, falling in love, the thing with the crocodile, etc. (read the rest of this shit…)
For those keeping score, THE SCORPION KING 3: BATTLE FOR REDEMPTION is the sequel to the prequel to the prequel to the sequel to the re-imagining of THE MUMMY. It would’ve been worth reviewing just to point out that important fact, but the truth is I have a sincere interest in the Scorpion King saga. There’s only one movie in that entire lineage that I like alot (THE SCORPION KING starring The Rock), but I believe it’s a series they could do something fun with, even on lower budgets and without The Rock. I believe in hope. I believe America. (read the rest of this shit…)
THE TEMPEST is the story of this wizard lady named Prospera (Helen Mirren) who lives on a small island with only her cutie daughter Miranda (Felicity Jones) and her monster slave Caliban (Djimon Hounsou). Also she has a slave named Ariel (Ben Whishaw) who’s like a naked sprite guy (with boobs?) who flits around and does her magical bidding.
She’s got some books and beakers and shit but this is an island made up mostly of volcanic rocks. There’s not much of a night life or anything, it’s gotta be kinda lonely. Her daughter’s never even seen a human man before, what’re they gonna talk about? Rocks? Trees? Beakers? (read the rest of this shit…)
VALHALLA RISING is a slow, quiet mood piece about back in the day when Christians had “pushed the heathens to the fringes of the earth.” Mads Mikkelsen, the bad guy from CASINO ROYALE, plays one of those heathens and he starts out the movie in those fringes, locked in a cage, then tied to a pole like a junkyard dog, forced to beat other warriors to death. Not in a cool action type of way but in an upsetting “oh shit, he just exposed that guy’s brain” type of way.
Before long he’s free and traveling toward “home,” wherever that is. He tells people he came from Hell, and he’s such a scary motherfucker they tend to take that literally. Actually, he doesn’t say a word, but a little boy accompanies him, speaks for him, and names him “One Eye.” “Well, you need a name,” he explains. “And you have one eye.” (read the rest of this shit…)
KULL THE CONQUEROR is the story of Kull (Kevin Sorbo) but in my opinion it is kind of unfair to call him a conqueror. Honestly it’s more of a right-place-at-the-right-time kind of deal, like the end of CHRONICLES OF RIDDICK or like winning on Cash Cab. Let me explain how it all goes down.
At the beginning Kull is in a big battle with a bunch of knights. But it turns out to be a test. He’s trying to earn his way into the king’s elite army. He almost passes the test of a blindfolded flaming-sword duel with Thomas Ian Griffith (EXCESSIVE FORCE, Valek in JOHN CARPENTER’S VAMPIRES) but then Griffith finds out Kull’s from Atlantis and says forget it, we don’t work with barbarians. Destroyers maybe, barbarians – no fucking way. And this was the Hyborian age, so it was before they had laws about employment discrimination. (read the rest of this shit…)
Red Sonja (Brigitte Nielsen) is a warrior gal with red hair. Like all fantasy heroes her village was burned down and her parents were killed and she has to go on a journey where she will eventually save the world from the bitch that did it and throw her into some lava. Because she was a girl she also got raped (so we hear, luckily this is not a I SPIT ON YOUR GRAVE type approach) and that adds an extra dimension to the revenge.
So some ghostly spirit lady appears to her and tells her she’ll give her powers so she can get revenge. The only catch is she has to vow not to be “had” by any man that doesn’t defeat her in battle first. That’s kind of some fucked up magic small print, isn’t it? She got raped so she has to keep getting raped, basically? I’m against it. (read the rest of this shit…)
Luc Besson might be back. For a while there he was doing those ARTHUR movies for kids, then he said he wasn’t gonna direct anymore. To be fair I haven’t watched the ARTHUR movies, because in the U.S. the Weinsteins own them and only released them in a version where the characters are dubbed by Snoop Dogg and Madonna – I’m not joking about that, that’s for real. Besson also directed that black and white movie called ANGEL-A, which I haven’t seen and don’t even know which way to pronounce.
So I probly shouldn’t say Luc Besson is back. I guess it would be more fair to say that I’m back to Luc Besson. Point is he has this one now, based on a Belgian comic book. It came out April 2010 in Belgium and France and has rolled out everywhere from Argentina to United Arab Emirates since then, just not here so I had to get an import. It’s fine, I’ll watch it again if it comes out dubbed by Nicki Minaj or somebody. (read the rest of this shit…)
According to internet custom, a CONAN review has to start with 2-4 paragraphs about Robert E. Howard and/or Conan comics from the ’80s. Well I can’t do it ’cause I never read a word that guy wrote, unless you count the titles. I never even saw that movie where Vincent D’Onofrio plays him and he’s in love with Renee Zelweger.
Some day I’ll read some of his stories and still not watch that movie but for now my connection to Conan is that it’s an all-time classic Arnold Schwarzenegger/John Milius movie and a not-as-good sequel. I knew this new one had no chance of competing with that and wasn’t really a remake other than of the logo. So I just hoped for something better than KULL THE CONQUEROR. (read the rest of this shit…)
I can’t really think of a compelling reason why anybody should see SEASON OF THE WITCH, but it’s way more watchable than I expected. The trailers were dreary and cheap looking, it didn’t look like there was anything very original or exciting about it, it’s from the director of GONE IN 60 SECONDS (remake), and then I think it got delayed but I can’t really prove it because nobody was waiting for it to come out so who would remember?
(read the rest of this shit…)
released May 4th, 2001
Okay, now the summer is really starting. Crocodile Dundee, Stallone in a car, those were appetizers. This is the first bonafide Big Ass Summer Movie of ’01, with the advertising and the toys and what not. It opened huge, and eventually made more than $433 million worldwide. I don’t think I know anybody that likes it, though.
THE MUMMY RETURNS is the second one, the one where the mummy returns for a while, then leaves again. Like the first MUMMY it begins with a narrated prologue that’s better than the movie proper because it doesn’t have Brendan Fraser or a bunch of talking in it. This one tells a little bit about the legend of The Scorpion King (The Rock), a guy who led a bunch of warriors in trying to conquer the world, but they all died of heat stroke so he was bit by a scorpion or whatever, and magic. His part is less than 5 minutes, he speaks one line and it’s not in English, and his narrative purpose is to return as a shitty CGI bug monster at the end. Also to set up a prequel spin-off that’s way more entertaining than the mummy movies, in my opinion.
(read the rest of this shit…)
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