Archive for the ‘Crime’ Category
Tuesday, May 14th, 2024
THE LAST STOP IN YUMA COUNTY is a new indie crime movie from rookie writer/director Francis Galluppi. I’d seen some good reviews, the trailer looked intriguing and I read that Sam Raimi saw it and hired Galluppi for an EVIL DEAD movie. The coveted Necronominod. So it seemed like a good thing to check out as soon as it hit VOD last week.
It’s a single location movie, and the location is a diner out in the middle of nowhere, Arizona on a sunny day in the unspecified past, probly early ‘80s. A traveling cutlery salesman (Jim Cummings, THE WOLF OF SNOW HOLLOW) pulls up at the gas station next door, the owner Vernon (Faizon Love, BEBE’S KIDS, who’s very good in this) explains that they’re all out of gas, but the fuel truck is supposed to arrive soon. Also there’s not another gas station for 100 miles, but you’re welcome to wait at the diner next door. (read the rest of this shit…)
Tags: Alex Essoe, Barbara Crampton, Connor Paolo, Faizon Love, Francis Galluppi, Gene Jones, Jim Cummings, Jocelin Donahue, Jon Proudstar, Michael Abbott Jr., Necronominod, Nicholas Logan, Richard Brake, Robin Bartlett, Ryan Masson, Sierra McCormick, single location
Posted in Reviews, Crime, Thriller | 13 Comments »
Tuesday, April 23rd, 2024
ABIGAIL (2024) is the new humorous horror-crime movie from directors Matt Bettinelli-Olpin and Tyler Gillett, a.k.a. Radio Silence, the team behind SOUTHBOUND, READY OR NOT, SCREAM (2022) and SCREAM VI. The screenplay is credited to Stephen Shields (THE HOLE IN THE GROUND) and the usual Radio Silence guy Guy Busick.
I enjoyed this one, it’s a fun movie, but it kinda seems like it was designed without considering how it would have to be advertised. In order to explain the premise the trailers had to reveal information you don’t get until surprisingly far into the movie. It feels weird how long it pretends we don’t know, and how much of a shock it seems meant to be when it happens. You can see how much more fun it will be for anyone who sees it by accident on cable or whatever other blind viewing opportunities may exist. So in case someone out there still has that possibility, I’ll follow the movie’s example in taking my sweet time with the set up and then I’ll warn you when to cut out.
(read the rest of this shit…)
Tags: Alisha Weir, Angus Cloud, Dan Stevens, Giancarlo Esposito, Guy Busick, Kathryn Newton, Kevin Durand, Melissa Barrera, Radio Silence, Stephen Shields, Will Catlett
Posted in Reviews, Crime, Horror | 29 Comments »
Friday, April 12th, 2024
A great thing about action movies as opposed to some of the other genres I get excited about is that they often have a chance to sneak up on me. I had no inkling of a movie called MONKEY MAN coming until the trailer dropped just a couple of months ago. And then all the sudden that morning I knew that the actor Dev Patel (THE LAST AIRBENDER, THE GREEN KNIGHT) had practiced Taekwondo since he was ten years old, had competed in national and international competitions, and grew into a passionate fan of international action cinema, so now he was not only starring in a violent martial arts revenge movie set in India, but also making it his directorial debut. And I read that Netflix produced it but Jordan Peele saw it and convinced them to sell it to Universal so it could play theaters. (Later we learned that Netflix was trying to get rid of it because it kinda seemed like it was criticizing the current right wing regime in India and might complicate their business dealings. Embarrassing for them, good for us.) (read the rest of this shit…)
Tags: Adithi Kalkunte, Ashwini Kalsekar, Brahim Chab, Dev Patel, John Collee, Jordan Peele, Makrand Desphande, Paul Angunawela, Pitobash, revenge, Sharlto Copley, Sharone Meir, Sikandar Kher, Sobhita Dhulipala, Vipin Sharma, Zakir Hussain
Posted in Reviews, Action, Crime | 18 Comments »
Monday, March 18th, 2024
LOVE LIES BLEEDING is an unusually cool lesbian neo-noir from director Rose Glass (SAINT MAUD), who co-wrote it with Weronika Tofilska. It’s vaguely in the tradition of all my favorite dusty desert town crime movies, and the ones about passionate young couples on the run from bad choices or circumstances, but it has its own secret recipe of transgression, poetry and lovestruck naivete.
It comes at you with a wave of atmosphere, opening deep inside a chasm, rising up to look at the bright stars in the sky above New Mexico, then craning down to the Crater Gym, a big rectangular warehouse of sweat and dirt that might as well be a barn. It’s surprisingly active at night. High concentration of muscle heads in this barren town, I guess. Kristen Stewart (CRIMES OF THE FUTURE) stars as the manager of the gym, Lou, who’s introduced reaching deep into a plugged toilet. I had to do that working at a grocery store as a teenager, ‘cause I didn’t have a manager like Lou. Mine wouldn’t do it herself, she called the new kid and said, “Sorry to say, sug, the only thing to do is reach in there and pull it out.” (read the rest of this shit…)
Tags: Anna Baryshnikov, bodybuilding, Clint Mansell, Dave Franco, Ed Harris, Jena Malone, Katie O'Brian, Kristen Stewart, neo-noir, Rose Glass
Posted in Reviews, Crime | 10 Comments »
Tuesday, March 12th, 2024
Johnnie To’s BREAKING NEWS (2004) opens with a crane shot of a cool guy in a leather jacket (Haitao Li, VENGEANCE, GALLANTS, MOTORWAY) walking down a block into a building, and the camera floats up and looks into the window of the room where he tells his fellow armed robbers, led by Yuen (Richie Jen, EXILED), that it’s time to bring the money out to the car. Then the camera lowers back down to the street where hotshot inspector Cheung (Nick Cheung, AH KAM) and his loyal subordinate Sergeant Hoi (Hui Shiu-hung, ROYAL WARRIORS, NAKED KILLER, LEGENDARY ASSASSIN) are in a car staking them out. They’re concerned about two unwitting patrol officers stopping the thieves’ car for a traffic violation – could mess everything up. The shot will continue uninterrupted as one of the officers asks about a bag in the back seat and then the guns come out. The camera turns every which way to see the different sides firing at each other, the civilians fleeing, the backup police cars arriving. It cranes up to get a look at the guy hanging out a window firing a rifle down, then hopping onto a ledge and dropping to the street to run. It doesn’t cut until the thieves flee the scene in a stolen police van.
The only thing I knew about BREAKING NEWS was that people made a big deal about this long take at the time (it’s about 7 minutes). But since then we’ve had TOM YUM GOONG, CHILDREN OF MEN, HANNA, BIRDMAN, 1917, ATHENA, etc., so it not only is it a more common technique now, but this is a relatively subtle use of it . It certainly doesn’t seem like the point of the movie. It’s just a cool way to open it and show how these characters are tied together. (read the rest of this shit…)
Tags: Haitao Li, Hui Shiu-hung, Johnnie To, Kelly Chen, Lam Suet, Nick Cheung, Richie Jen, You Yong, Yuen Bun
Posted in Reviews, Action, Crime | 3 Comments »
Thursday, February 8th, 2024
Recently, when I saw the incredibly grim (but also oddly beautiful) Hong Kong serial killer movie LIMBO, I realized I should seek out some of the other movies I haven’t seen from director Soi Cheang (a.k.a. Cheang Pou-soi). DOG BITE DOG (2006) is one of his breakthrough movies, and it turns out it has many echoes (pre-echoes?) of LIMBO. Sometimes it feels almost like a remix (premix?).
LIMBO’s most striking feature (besides its black and white cinematography) is being set largely in alleys strewn with garbage. DOG BITE DOG opens with children in a garbage pile and has an important stretch taking place in a landfill. Both have an obsessed police detective who goes around savagely beating up informants, whose problems are connected to a family member currently in a coma. And in both the cop is chasing a transient killer from another country who is protecting a young, traumatized woman. But each of these things has a very different spin here than in LIMBO, the most significant being that this killer is a hitman rather than a serial killer, and is the protagonist. I think he’s even a sympathetic one. Eventually. (read the rest of this shit…)
Tags: Cheang Pou-soi, Dragon Dynasty, Eddie Cheung, Edison Chen, Jack Wong Wai-Leung, Lam Ka-Wah, Lem Suet, Roger Lee, Sam Lee
Posted in Reviews, Action, Crime | 5 Comments »
Thursday, February 1st, 2024
FIGHTING BACK (1982), a.k.a. DEATH VENGEANCE a.k.a. STREET WARS, is another vigilante drama produced by Dino De Laurentiis, obviously wanting to follow up on his success with DEATH WISH after selling that off to Cannon. DEATH WISH II came out about three months before this, but if Laurentiis was trying to take the wind out of its sails, he was not successful. Cannon kept all the wind and this one remains fairly obscure, despite a nice blu-ray release from Arrow.
But it has some good people behind it. It’s directed by Lewis Teague between ALLIGATOR and CUJO, written by Tom Hedley (FLASHDANCE) and David Zelag Goodman (STRAW DOGS, LOGAN’S RUN, THE EYES OF LAURA MARS, FREEDOM ROAD). Rather than a badass like Charles Bronson it stars the more everyman-ish Tom Skerritt (who would follow this with THE DEAD ZONE, TOP GUN and SPACECAMP) and it seems to be going for a less pulpy, more down to earth approach… except in the important matter of the inciting incident. For that they provide us with as hysterical of a “crime is out of control these days” exaggeration as we could ever ask for. (read the rest of this shit…)
Tags: David Rasche, David Zelag Goodman, Debra Laws, Dino De Laurentiis, Earle Hyman, Gina DeAngelis, Jim Moody, Lewis Teague, Machael Sarrazin, Patti Lupone, Pete Richardson, Peter Brocco, Piero Piccioni, Ted Ross, Tom Hedley, Tom Skerritt, vigilantes, Yaphet Kotto
Posted in Reviews, Action, Crime, Drama | 6 Comments »
Thursday, December 14th, 2023
HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
It’s possibly Mann’s best movie, and certainly ranks high among crime movies of the ‘90s (which is saying something), in my view a masterpiece of the genre. It has that rare quality of feeling like a sprawling epic and a simple, intimate story at the same time. Like a Sergio Leone movie in that one specific sense.
It is pretty simple, in the same way that MANHUNTER is. You’ve got these two men who are on opposite sides of the law, which makes their lives pretty similar. They respect each other’s professionalism but, unlike John Woo characters, would sooner shoot each other than be on the same side. Pretty early in the movie, famously – legendarily, really – they suddenly parley, have coffee together and talk about it, kind of warn each other but both seem to enjoy talking to somebody else who gets what it’s like to live that life. At the time the hype was about Robert De Niro and Al Pacino doing a scene together – two titans had not come together like this since Mickey Mouse and Bugs Bunny in WHO FRAMED ROGER RABBIT – but now that novelty has long since faded and the scene still feels monumental. (read the rest of this shit…)
Tags: Al Pacino, Amy Brenneman, Ashley Judd, bank robbers, Bud Cort, Danny Trejo, Dennis Haysbert, Diane Venora, Everlast, Hank Azaria, Hazelle Goodman, Henry Rollins, Jeremy Piven, Jerry Trimble, Jon Voight, Kevin Gage, Michael Mann, Mykelti Williamson, Natalie Portman, Robert De Niro, Ted Levine, Tom Noonan, Tom Sizemore, Tone Loc, Val Kilmer, Wes Studi, William Fichtner, Xander Berkeley
Posted in Reviews, Crime | 29 Comments »
Thursday, November 16th, 2023
Yeah, I know, I agree – John Woo’s THE KILLER is what we mean when we refer to “THE KILLER.” Where my KILLER tape at, etc. If we mean the Henry Silva one we say “that Henry Silva movie THE KILLER.” But now we also have to say “David Fincher’s THE KILLER.” And that’s okay. I never thought I’d be able to deal with there being two totally different Steve McQueens, but now I’m out there doing it every day. I believe we can get past this.
The title comes from Le Tueur, the name of the French comic book it’s based on. I don’t know it but it’s 13 volumes from 1998-2014, written by Matz and illustrated by Luc Jacamon. Matz (a.k.a. Alexis Nolent) also wrote Du Plomb Dans La Tete, which became Walter Hill’s BULLET TO THE HEAD. And he did another one called Cyclops that James Mangold was supposed to adapt in 2008, so that’s probly not happening anymore, but then again Fincher was first announced for this one way back in 2007. Anyway, it’s adapted by Andrew Kevin Walker, his first credited collaboration with Fincher since SE7EN, though he’s done rewrites on a bunch of them. (read the rest of this shit…)
Tags: Andrew Kevin Walker, Arliss Howard, arthouse badass, Atticus Ross, Charles Parnell, David Fincher, hitman, Jack Kesy, Kerry O'Malley, Luc Jacamon, Matz, Michael Fassbender, Monique Ganderton, Netflix, Sala Baker, Tilda Swinton, Trent Reznor
Posted in Reviews, Crime | 32 Comments »
Thursday, September 28th, 2023
When I saw DOMINO on opening day in 2005, I really thought it was the worst shit ever. In fact, at some point I earnestly added a “the worst shit ever” tag to my review of it. Tony Scott’s most chaotic ever visual style and editing just scraped against me and took me out of the story (to the extent that there was one), and I fixated on that and raged against it in my review. This had happened to me only a couple of times before: first with CON AIR, then ARMAGEDDON, and later it would happen with TRANSFORMERS and DOOMSDAY. But DOMINO is the most stylistically aggressive of any of those, and arguably the most pretentious.
In my review I said Scott was trying to seem young and edgy, compared it to getting his ear pierced. In my mind at that time he was the guy who directed TOP GUN, and TOP GUN was a movie for jocks, military lovers and top 40 listeners. When that one came out I didn’t notice that its style was revolutionary, I just knew everybody loved it including my entire sixth grade class, which meant it was the height of mainstream popular culture about a year or two before I would start kneejerk rebelling against such things. So to have the TOP GUN guy, almost 20 years later, trying to do what screenwriter Richard Kelly calls on the commentary track “punk rock,” was just a joke to me. (read the rest of this shit…)
Tags: Brian Austin Green, Christopher Walken, Dabney Coleman, Dale Dickey, Edgar Ramirez, Ian Ziering, Keira Knightley, Lew Temple, Lucy Liu, Macy Gray, Mickey Rourke, Mo'Nique, Richard Kelly, Rizz Abbasi, Shondrella Avery, Tony Scott
Posted in Reviews, Crime | 15 Comments »
