"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

Top Gun

Wednesday, November 4th, 2015

tn_topgunI’m pretty sure this is the first time I’ve watched the whole TOP GUN since the ’80s. But I wasn’t too surprised to watch it and see the primordial matter that eventually crawled out and grew into the works of Michael Bay. It’s a mix of gorgeous sunsets, heat trails, fetishized military hardware, bosses played by grizzled character actors (Michael Ironside, Tom Skerritt, the principal guy from BACK TO THE FUTURE), sweaty foreheads, sunglasses, electric guitars, crisp uniforms, the glorification of glistening bodies (in this case mostly male, and good at volleyball), and profoundly unprofessional hot shot yahoos who are supposed to represent the best of the American best.

One difference: less spectacle. This is an impressively small story. For all its bluster this isn’t RED DAWN positing a communist invasion of America. This is about a guy involved in two small international incidents, basically just encounters between jets from opposing armies (nationality unspecified, but you fuckin know it’s Ivan Drago under that helmet). And though it has a reputation as a Navy recruiting film, since it famously worked as one, it’s not politically propagandistic. There’s nothing to make these “Bogies” evil. They’re just part of a system, people doing their job. They see American fighters where they’re not supposed to be, so they try to scare them off. The reverse of what happened in the opening. (read the rest of this shit…)

Angel Town

Monday, November 2nd, 2015

tn_angeltown“Jacques, as long as I’ve known you you’ve been in deep shit. I expect this.”

Even though I have this weird feeling that French kickboxing champion turned VHS-era action icon Olivier Gruner doesn’t like me, I’m open to watching his movies. I actually didn’t realize while watching it that ANGEL TOWN was his debut, but it makes sense. This is his L.A. gang movie, which came out after COLORS but before BOYZ N THE HOOD or MENACE II SOCIETY (or New York movies like NEW JACK CITY and JUICE). And I’m not saying it’s as good as any of those, but it’s a fun b-action take on the subject, and it makes a decent argument for why Gruner should be in movies.

He plays Jacques, a Frenchman renting a room in a gang neighborhood while attending graduate school in East L.A. He ends up there because he gets into town late and all the student housing is filled up, but also we learn he was born in a French ghetto and lived in one in Hong Kong too. It’s not relevant, but I want to mention why he’s late to school: when he was about to leave he went to visit his father’s grave and then his girlfriend showed up distraught that he was leaving and she took off her fur coat and she was naked so he fucked her right there on his father’s grave. And that must’ve taken a couple days, I don’t know. (read the rest of this shit…)

Sicario

Monday, October 19th, 2015

tn_sicarioHere we go yo, here we go yo, so what’s a what’s a what’s a sicario? In Mexico, the onscreen text tells us, it’s a hitman. And the movie SICARIO is a nightmarish portrait of the byzantine conflict such a hitman would be in the middle of. Literally that would be the War On Drugs but metaphorically, it’s easy to think, it could be about the War On Terror, or any number of seemingly intractable cycles of violence. This is, after all, Canadian director Denis Villeneuve (PRISONERS, ENEMY) making an American movie about Mexico. It’s international and cross-cultural.

Our guide into Hell is Emily Blunt (EDGE OF TOMORROW, LOOPER) as Kate Macer, a new but talented FBI agent who raids a drug house in Phoenix and accidentally finds where a cartel has been stashing bodies. Next thing you know a meeting room full of mysterious higher-ups recruits her to aid in a vaguely defined interagency mission they say will lead her to the people responsible. She finds herself at an Air Force base with a couple dozen macho CIA, Delta Force and US Marshal tough guys who all seem to go way back and know exactly what’s going on and do this kinda mission in their sleep. And next thing you know they’re cruising over the border meeting up with militarized Mexican police forces and God knows who else. Nobody tells Kate anything. She just has to stay quiet and keep up. (read the rest of this shit…)

a new piece on STONE COLD

Monday, October 5th, 2015

tn_stonecoldThose of you who participate in the “Twitter” brand social media platform might have seen an account called “One. Perfect. Shot.” It follows the simple idea of posting beautiful frames from favorite movies, so you can admire their composition and lighting and what not. For example here’s a nice one from today:


I didn’t know this at first, but the guy that does it is Geoff Todd, who was the editor over at Daily Grindhouse when I did a column there. He also collects them at a websight, oneperfectshotdb.com, complete with, like, articles and shit. He asked me to write some of those articles and shit, and he’s always been good to me, so what the hell. I will be writing one or two perfect essays a month over there.

Since most of his readers probly don’t know me from Adam and Steve I figured I should introduce myself with a movie that truly represented who I am and what I represent, not only as a writer but also as a human being here on this planet just trying to get by and travel this journey you know what I mean so obviously I wrote the only thing a man in that situation CAN write, a little piece called:

Strictly Bozness: The Fiery Majesty of ‘Stone Cold’

I know I’ve written about this movie a couple times before, but come on. It’s fucking STONE COLD, man. This won’t be the last time either. “Stricly Bozness,” by the way, is what I wanted to call my book on the films of Brian Bosworth before I determined that too many of them (including the barely aired TV show he starred in) were unavailable for me to do it. Maybe some day.

Anyway, check it out and feel free to comment over there so they know somebody gave a shit.

No Retreat, No Surrender 2

Tuesday, September 22nd, 2015

tn_nrns2NO RETREAT, NO SURRENDER 2, sometimes subtitled “Raging Thunder,” which is also the name of the opening credits song, picks up exactly where part 1 left off: with Corey Yuen directing movies. But it has no characters or story that have any relation at all. Like it would’ve been hard to throw the ghost of Bruce Lee into a scene or two.

Instead of being about a karate student in Seattle learning kung fu from the ghost of Bruce Lee to fight Russian Jean-Claude Van Damme in a karate tournament this is about Scott Wylde (Loren Avedon, KING OF THE KICKBOXERS), an American kickboxer, getting into some shit in Thailand. It seems like he’s a tourist, there to visit his old friend Mac Jarvis (Max Thayer, MARTIAL LAW II, ILSA, HAREM KEEPER OF THE OIL SHEIKS), but then we find out he has a fiance there, Sulin (Patra Wanthivanond). She’s from a rich family and she brings him to a restaurant for a huge feast of TEMPLE OF DOOM type food such as tiger balls and monkey brains. “Very funny, sweetheart!” he says.

But four guys break into his apartment with big knives and little guns and kidnap Sulin to the tune of inappropriately upbeat music. Two stay behind to fight Scott, and it’s immediately clear that the fights (action choreographer: Corey Yuen) are better in this than in part 1. It’s a very acrobatic fight inside the little dingy apartment, jumping off the bed, slamming against the flimsy walls, kicking a guy through the door and across the hall and through the neighbor’s door (where of course he surprises two people who are having sex). And there’s alot of banging heads against walls. And he kills them. (read the rest of this shit…)

Azumi 2: Death or Love

Thursday, September 17th, 2015

tn_azumi2Thanks for the warning, fellas. AZUMI 2 is no AZUMI. I had known director Shusuke Kaneko as being good at giant monster and horror type pictures, and I really thought his cleverness and style would apply well to our little badass raised in the mountains to be the ninja assassin orphan girl with the purple cape. But maybe with this one he caught a tough break. Either the budget was much lower or they just didn’t know how to use it as well as Kitamura did. Lots of standard woods and dirt, looking cinematic than ’90s syndicated TV show. Like Xena or something.

I didn’t really mind that (spoiler? unspoiler?) negotiations prevent us from having a huge climactic massacre like in the first one. That part feels kinda ballsy, I can respect that. It’s progress for the character and her story instead of just more of the same. What was disappointing was that the first one had that incredible village set that was so integrated with (and wrecked by) the battle. This one is just in an ugly clearing. She could’ve killed 700 people, it still would’ve seemed like a step down. (read the rest of this shit…)

Game of Death II

Wednesday, September 16th, 2015

tn_godiibruceleeiconGAME OF DEATH II is a weird proposition. How the hell do you make a sequel to Bruce Lee’s unfinished final movie and pretend he’s still the star? It’s like if they tried to figure out how to keep Paul Walker in FURIOUS 8. It’s a little different because some of the best fights Lee ever shot were for GAME OF DEATH and they didn’t bother to use all the footage in the first one. But I guess they thought it would be cheating to use that stuff. Instead they took a bunch of his closeups from ENTER THE DRAGON and cut them into scenes of a lookalike always shown either from the back or at a distance. Lee’s character Billy Lo is worried about his brother being too into sex and not enough into practicing kung fu. He finds his kama sutra and leaves him a letter and a Jeet Kun Do manual to counter its harmful influence.

Also Billy talks to his master, who tells stories about his youth, illustrated with clips from Chinese movies Lee made at 6 and 15. Instead of letting you figure it out (like Soderbergh using clips from POOR COW as flashbacks in THE LIMEY) they use onscreen text to tell you, breaking any illusion that this is the character Billy Lo, famous movie star who faked his death. In the younger one he’s picking on an old man, headbutting him in the gut, pointing a gun at him and saying he’s gonna kill him. Weird. (read the rest of this shit…)

Sanshiro Sugata, Part Two

Thursday, September 10th, 2015

tn_sanshirosugata2“I always imagined Sanshiro Sugata would look more fierce. You know, with a mustache or something.”

I don’t know if I’ve seen an earlier sequel than this, and it’s a pretty good one. It’s also the earliest example I know of the international fighting movie. IP MAN 2 also took this idea: the legendary martial artist is pressed into pitting his style and national pride against westerners. This part 2 has a better excuse though: it was made near the end of WWII at the behest of the government. I don’t give a shit though, I still like it. You lose, propagandaists.

It all starts with a conflict between a young Japanese rickshaw driver and his customer, an asshole white sailor (I think he’s supposed to be American, but his accent sounds otherwise). The sailor causes the driver to flip over and then blames him and wants to fight him. (read the rest of this shit…)

Mission: Impossible 2

Wednesday, September 9th, 2015

tn_mi2woozone?MISSION: IMPOSSIBLE 2 was made at a time when the world just wasn’t ready for this particular MISSION: IMPOSSIBLE 2. There needed to be more of a cooling off period after the first one. We needed some time to learn that MISSION: IMPOSSIBLE sequels weren’t gonna be the elegant balance of smart-people thriller and blockbuster spectacle that Brian DePalma introduced in the first one, and also that John Woo was not gonna ever seem like the exact same filmatist who made THE KILLER, or HARD BOILED, or even FACE/OFF, again. Returning to it now it’s even more evident that it’s best appreciated by watching it like we watch other post-Hong-Kong Woo pictures like HARD TARGET, or his TV ones like BLACKJACK or the Once a Thief series. You just try to enjoy it as some Hollywood bullshit that he tried to add some of his particular style to. Here he treats it as an expensive studio movie love story set against a rogue agent trying to get rich off of a man-made disease and its cure.

Tom Cruise (JACK REACHER) returns as Ethan Hunt, who has graduated from IMF support man to lone wolf and is now so awesome that he spends his vacation rock climbing out in the middle of nowhere with no equipment. He doesn’t have his phone on him (it was 2000) so the agency has to send a helicopter to fire a rocket at him containing douchey sunglasses that give him his mission briefing. This is a good idea because the ol’ “this message will self destruct” means he throws a pair of sunglasses at the camera and they explode into the title, and everybody wants to see that. (read the rest of this shit…)

Sanjuro

Tuesday, September 8th, 2015

tn_sanjuro“It’s hard to explain. A strange series of events made him our ally.”

Akira Kurosawa probly had no idea when he made SANJURO that he was doing a sequel to one of the greatest movies in all of Badass Cinema. He just wanted to have some fun doing another small, funny samurai story with Toshiro Mifune’s character from YOJIMBO. This time the itchy wandering ronin (calling himself Sanjuro, another name made up on the fly) falls in with nine young, idealistic samurai who have discovered corruption in their clan. They want to do the right thing but they’re kinda dumb and inexperienced and he’s an incomparable swordsman and strategist, so he finds himself advising them, assigns himself to their most dangerous tasks and takes on the army and government mostly on his own. (read the rest of this shit…)