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Archive for the ‘Action’ Category

Tenet

Thursday, December 31st, 2020

I like Christopher Nolan’s movies. So, had things gone reasonably in the world, Christopher Nolan’s TENET by Christopher Nolan is a movie that I for sure would’ve seen right away in a theater. But… you know. So I didn’t.

Now, after having played some theaters in some parts of the world where some people think it’s safe to go to theaters, with months having passed since the professionals moved on to other topics, many seemingly unimpressed, TENET is on blu-ray, so I have seen it. And I will just say up front that I am very pro TENET. I really enjoyed it. People around these parts call me Bad Lou TENET, Port of Call This Movie Is Great.

First, let me start by pointing out that this entire review has been written as a palindrome. I’m just kidding. I could do it for sure, I know how, but I don’t want to show off. Christopher Nolan, however, has zero qualms about showing off, and I love him for it.

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Born to Defence

Wednesday, December 30th, 2020

Recently I was a guest on the podcast Postcards From a Dying World, and the topic of the episode was the films of Jet Li. I’d actually been meaning to rewatch some of Li’s movies, and this pushed me to fill in a few of the ones I hadn’t seen.

BORN TO DEFENCE seemed like an important one, because it’s the only movie Li has directed. It was released in 1986, when he was in his early twenties, only his fourth movie and first without SHAOLIN in the title. Credited as “Jet Lee,” he plays Jet, a hero of WWII who opens the movie flipping and flying through tanks, explosions and machine gun fire. It’s cool but it made me think “Oh shit, I hope this isn’t a war movie.”

Never fear! The war ends and he comes home to Qingdao. Things have changed (there are orphan children for sale on the street – uncool) and his fellow vets are disgusted to find that nobody gives a shit about what they did, giving all the glory to the American sailors who are still stationed there and lording over everybody. (read the rest of this shit…)

Skylin3s

Thursday, December 17th, 2020

If there’s a more unlikely sci-fi franchise than the SKYLINE saga that doesn’t star Vin Diesel, I don’t know what it is. The series began with 2010’s SKYLINE, directed by Greg and Colin Strause (ALIENS VS. PREDATOR: REQUIEM), a $10 million alien invasion movie showcasing VFX from the Strause’s company Hydraulx Entertainment (TERMINATOR 3, 300, BATTLE: LOS ANGELES). They were able to accomplish that partly by setting it inside Greg Strause’s condo.

I can’t currently vouch for that one, because everyone said it was bad and I skipped it (I should give it a shot). But that’s what made it surprising when, seven years later, part 1 co-writer Liam O’Donnell made his directorial debut with BEYOND SKYLINE, a weird and ambitious sci-fi/action mashup starring Frank Grillo and featuring THE RAID’s Iko Uwais and Yayan Ruhian – and yes, they get to do silat on some aliens. Now, three years later O’Donnell has returned with another drastically different chapter, SKYLIN3S. In a director’s statement included with the production notes he admits, “‘They made another SKYLINE movie!?’ It’s legitimately crazy, I know.” (read the rest of this shit…)

The Sorcerer and the White Snake

Wednesday, December 16th, 2020

After I watched DR. WAI IN “THE SCRIPTURE WITH NO WORDS” for the specific reason that it was a Jet Li movie directed by Ching Siu-Tung, I realized I should watch the more recent movie that fits the same description. THE SORCERER AND THE WHITE SNAKE (2011) is another fantasy martial arts romance, outlandish in a different way than the other one because it’s based on a Chinese legend about animal demons.

Li plays the titular sorcerer, a truck trying to carry explosives across a shaky rope bridge, and of course Whitesnake play themselves, performing many of their hits as well as debuting songs from that year’s album Forevermore. At least I assume that was what Ching intended, but he caved to the bean-counters, so instead Li plays a skilled Buddhist demon hunter called Abbott Fahai, and early in the movie we are abruptly confronted with the sight of two beautiful human lady torsos with scale-covered breasts and giant snake body lower halves, rolling around sexily on top of each other. It’s one of those things where I’m kind of icked out by it but also very happy for whatever number of people there are out there who are into snake ladies and are sorely underserved by mainstream cinema. Merry Christmas, you pervs.

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Bloodshot

Monday, December 7th, 2020

Seeing a new Vin Diesel movie brings me joy. They’re usually not gonna be as good as FAST FIVE or RIDDICK, but I can live with that. It doesn’t even need the heart. It can just have the silliness. I can still love a CHRONICLES OF RIDDICK or a xXx: RETURN OF XANDER CAGE. Even seeing a middling one like THE LAST WITCH HUNTER on the big screen (usually without many other people in the theater) is an enriching experience for me.

In many ways Diesel is a throwback. Some people think he’s arrogant and dumb, and that perception (whether true or false) connects him with the action icons of the ‘80s and ‘90s. So does his vanity when it comes to his bodybuilding and the outsized awesomeness of his characters (both in battle and in love). But beneath the macho posturing is a sincere passion for what he sees as the integrity of his creations, for better or worse. He has left and returned to two franchises of his own accord. He’s turned his supporting character in a minor cult movie into an improbable sci-fi franchise, at one point mortgaging his house to somehow keep it going. He’s adapted his Dungeons & Dragons character into a major motion picture. With one performance he turned a silly drag race exploitation movie into a smash hit, and with 20 years of diligence he shepherded its sequels into a massive pop culture institution. So even something like BLOODSHOT – which looked pretty cheesy and lost a ton of shine when the JOHN WICK directors left and a guy who previously just worked in video games (David S.F. Wilson) took over – is an event for me. (read the rest of this shit…)

Jiu Jitsu

Wednesday, November 18th, 2020

There’s something going on in the world of indie action that I don’t think gets enough attention. It started in 2016 with KICKBOXER: VENGEANCE, a fun remake of the Cannon classic, with stuntman Alain Moussi in the lead and JCVD himself, in eccentric character actor mode, playing the mentor. It was directed by John Stockwell, who did pretty good with IN THE BLOOD and some of his other movies, so when the screenwriter took over as director for the sequel that didn’t seem like a good sign to me.

I was so wrong! KICKBOXER: RETALIATION turned out even better than the first one, with much more ambitious and assured direction, including complex choreography with great long take camera work. Of course, writer/director Dimitri Logothetis wasn’t some screenwriter getting his first shot at directing – he’d had a long and unusual filmmaking history that started in ’80s b-movies, producing HARDBODIES 2 and directing SLAUGHTERHOUSE ROCK, and included the 1989 boxing documentary CHAMPIONS FOREVER. Incidentally he’s also a blackbelt in Kenpo karate, having been taught by Ed Parker (he says he got to train with Elvis three times).

Now Logothetis has reunited with Moussi for another action vehicle, not a remake but a sci-fi story he first tested out as a comic book. And since it has a crazy premise and a good supporting role for Nicolas Cage maybe more people will notice this time. (read the rest of this shit…)

Naked Killer

Wednesday, November 11th, 2020


NAKED KILLER (not to be confused with NAKED GUN or NAKED LUNCH) is a 1992 Hong Kong action movie, one of the good ones that colors outside of the lines of reasonableness. An unhinged plot, extreme behavior and acrobatic, sometimes gory action make it fun, especially since those qualities tend to overlap.

The film’s central theme is a collision of violence and sexuality – the female lead is an assassin trained to seduce men and then kill them, the male lead is a cop who has been impotent since accidentally shooting his brother to death. It’s kind of a romance, and how’s this for a meet cute? Tom (Simon Yam, BULLET IN THE HEAD, LARA CROFT is the TOMB RAIDER in THE CRADLE OF LIFE) and Kitty (Chingmy Yau, LEGEND OF THE LIQUID SWORD) are in the salon getting their hair cut at the same time. Another hairstylist is hitting on Kitty when his pregnant girlfriend comes in to confront him. Kitty pretends to take his side until she attacks him with a cigarette and stabs him repeatedly in the groin with his scissors. Tom chases her and she steals his gun, which triggers his trauma and makes him puke, so she feels sorry for him and gives it back. This story would make an amazing wedding toast! (read the rest of this shit…)

Seized

Friday, October 16th, 2020

SEIZED is the long-awaited new one from DTV superteam Scott Adkins and Isaac Florentine. Though lately Adkins has formed a strong actor/director partnership with Jesse V. Johnson, it was Florentine who first gave him a showcase in SPECIAL FORCES and then made him an icon with UNDISPUTED II and III, plus NINJA and NINJA II: SHADOW OF A TEAR. This is their first reteam in at least four years – I have my suspicions about 2016’s excellent BOYKA: UNDISPUTED (credited to another director), but officially Florentine’s last time directing Adkins was 2015’s CLOSE RANGE.

This one is closer to the latter – another story about a guy single-handedly taking on cartels to protect his family. This time it’s more like a Hollywood thriller, more emphasis on the high concept and complex action sequences than martial arts. He’s kind of a JOHN WICK, settled down as a widower raising his teenage son Taylor (Matthew Garbacz) and running a cyber security firm from a beautiful home in Mexico, when his secret past as an infamous CIA and/or MI5 commando called “Nero” comes roaring back. (read the rest of this shit…)

The Hidden

Tuesday, October 13th, 2020

Many of you have been trying to tell me this for years, and it has finally gotten through to me: THE HIDDEN is incredible. It’s kind of a sci-fi/horror/action hybrid, and it hits hard on all counts. Makes sense that it’s director Jack Sholder’s bridge between the horror of A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE and the action of RENEGADES, but I’d argue it’s more cinematic than either of those. It opens with a thrilling, Friedkin-esque car chase after a buttoned-up looking guy in wire rimmed glasses (Chris Mulkey, FIRST BLOOD, BROKEN ARROW, BARE KNUCKLES, THE PURGE, THE STANDOFF AT SPARROW CREEK) shoots up a bank. He stays very calm, sometimes mildly amused as he tears through L.A. in a Ferrari, occasionally running over people (including a guy in a wheelchair), blaring a heavy metal tape, sometimes bopping his head a little. Police absolutely riddle him with bullets and destroy his car at a road block – he steps out and laughs before getting blown up. Even that doesn’t kill him.

It does put him in the hospital, where a doctor is offended by how the detectives talk about this seriously injured patient. It probly makes more sense to him after Detective Willis (Ed O’Ross, LETHAL WEAPON, FULL METAL JACKET, ACTION JACKSON, RED HEAT) spews a monologue about all the murders, injuries and robberies the guy is responsible for, ending with, “Six of the ones he killed he carved up with a butcher knife. Two of them were kids. He did all that in two weeks. If anybody deserves to go that way it sure to hell was him.” (read the rest of this shit…)

Welcome to Sudden Death

Monday, October 12th, 2020

WELCOME TO SUDDEN DEATH is Michael Jai White’s new… addition to the SUDDEN DEATH franchise? I had heard it was officially a sequel to the 1995 Jean-Claude Van Damme DIE-HARD-alike directed by Peter Hyams, but I didn’t notice any continuity connecting them. It’s just a rehash of the same premise. So you could call it a remake, but since it doesn’t use any of the same names I suppose it is in the spirit of rehash DTV sequels like HOLLOW MAN 2, THE MARINE 2, WILD THINGS 2, THE BUTTERFLY EFFECT 2, KINDERGARTEN COP 2 and I’LL ALWAYS KNOW WHAT YOU DID LAST SUMMER.

White plays Jesse Freeman, ex-special-ops guy who has a new job as a stadium security job after rehabilitating from some shrapnel he got after escaping torture and kung-fu-ing insurgents overseas. His wife (Sagine Sémajuste) thinks he’s away from the family too much, so he brings his worshipful daughter Mara (Nakai Takawira, Young Simone Biles, THE SIMONE BILES STORY: COURAGE TO SOAR) and unimpressed son Ryan (Lyric Justice) with him when he works the opening game for the Phoenix Falcons. You know, of the National Basketball League. (read the rest of this shit…)