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Posts Tagged ‘Mira Sorvino’

The Replacement Killers

Monday, September 7th, 2020

I try not to be too set in my ways, which is a good reason to rewatch a movie years later and see if you respond differently than the first time around. So something told me it was time to revisit something from those heady days when the emerging international popularity of Hong Kong action cinema fired peak John Woo and Chow Yun Fat out of a cannon aimed at the heart of Hollywood. I’m not sure what kind of a cannon shot them so that Woo landed in 1993 and Chow not until 1998, but life is a mystery. Anyway, they exploded and in the case of Chow, we were mostly disappointed and then happy that he didn’t stick around that long, because Hollywood clearly didn’t know what they were doing with him.

THE REPLACEMENT KILLERS was significant not only as Chow’s first Hollywood/English language movie, but the directorial debut of Antoine Fuqua, who became a much bigger deal when 2001’s TRAINING DAY won Denzel Washington an Oscar. That kind of gave him the air of an Important Filmmaker for a little bit, but I think now he’s settled in as the type of director who makes OLYMPUS HAS FALLEN and THE EQUALIZER 1 and 2, which is more like the expected trajectory for the director of this one. He came from directing music videos, most famously “Gangsta’s Paradise” by Coolio, but also “The Most Beautiful Girl in the World” by Prince.

Chow plays “John Lee,” who’s pretty much a remix of his character in THE KILLER. He’s an assassin who owes one more hit to L.A. Triad boss Terence Wei (Kenneth Tsang, A BETTER TOMORROW 1 and 2, THE KILLER, SUPERCOP, RUSH HOUR 2). But he’s sent to the home of LAPD Detective Stan Zedkov (Michael Rooker, CLIFFHANGER) and sees the man’s wife and son through the sniper scope and decides he can’t do it. (In a corny touch, Zedkov doesn’t see him but looks right into the scope as if sensing him.) (read the rest of this shit…)

The Stuff

Thursday, June 18th, 2020

June 14, 1985

“Are you eatin it? Or is it eatin you?”

I have a hard time putting my finger on the exact tone of THE STUFF. Its entire subject and premise clearly satirize consumerism, fads and greedy corporations making money from unhealthy products. The opening scene is laugh out loud funny, and definitely a parody of THE BLOB. The score by Anthony Guefen (DEADLY EYES) is often comically overblown for the scenes it accompanies, and sounds like library music. The characters often say and do odd things in the manner of accidentally funny low budget movies, but we know from his other work that writer/director Larry Cohen knows what he’s doing. Still, it doesn’t come across to me like a spoof, like it’s deadpan in order to be funnier. It seems more like yeah, we know this is a goofy idea, but we’re treating it seriously, just go with it.

I don’t feel like I quite understand its intentions. But that’s okay. Whatever they were going for, they came up with something unique.

“The Stuff” is the name a marketing firm comes up with for a white foam that an old man finds bubbling out of the ground. People like to joke about the guy in THE BLOB poking the meteorite with a stick, but this guy goes swiftly from “what is this weird substance?” to “hmm, let me taste it.” And it’s so delicious it just turns into snack time for him. (read the rest of this shit…)