So once again we have survived.

Posts Tagged ‘F. Murray Abraham’

Last Action Hero

Wednesday, August 27th, 2014

tn_lastactionheroex3-arnoldDo you guys remember how LAST ACTION HERO was the big ticket for ’93?

Okay, probly not. That was the tagline on some of the posters though. See, they knew this was destined to be a huge event movie, the movie of the summer. Fuck JURASSIC PARK. But also the plot involved a magical ticket that transports people between the worlds of reality and fiction. It’s a double meaning. They put alot of thought into this thing, just not the right kind maybe.

This is at least the third time I’ve watched and attempted to truly like this movie. That’s a strike out, so it’s time to sit on the bench and accept it as a kinda interesting, kinda terrible movie. Not as good as HUDSON HAWK but a bit of that same clever/awkward cocktail. Unique enough to keep coming back to, not good enough to be 100% sure it was worth it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Dead Man Down

Friday, August 9th, 2013

WWEstudiostn_deadmandownNothing has changed since yesterday. I’m still against WWE Studios flying their prestigious banner above movies starring non-wrestlers. But I gotta admit that DEAD MAN DOWN is probly the best movie they’ve had their initials on so far. It stars Crusher Colin Farrell, Notorious Noomi Rapace and Terrence Dastructshon Howard in a moody revenge romance. (The token actual wrester is somebody named Wade Barrett as some character called “Kilroy.”) I think the movie it reminded me of most is LEON, but it’s a little more downbeat, and no uncomfortable underage business. But that’s a pretty abstract comparison, I don’t even know what it is that connects them. This is the rare movie that feels like it doesn’t really follow an existing template. Or if it does it’s a bunch of different templates collaged together in a weird way that’s hard to recognize. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Scarface

Friday, April 22nd, 2005

Shit man, there’s no other movie like SCARFACE, is there? Even the original SCARFACE, I bet, is nothing like SCARFACE. We got several high quality American gangster epics, but they’re always about gangsters of the Italian American persuasion and usually in New York, New Jersey or Las Vegas or somewhere. This one feels so unique because it’s about Cuban-Americans and it takes place in Miami. It has a real strong sense of place. Its wicked heart pumps the tainted blood of that godforsaken Floridian peninsula, even though they got chased out of there and had to film most of the movie on neutral territory in L.A.

This is the perfect exaggerated painting of the 1980s and the cocaine wars. The good old days. And it even makes you root for this psychotic egomaniac shithead, Tony Montana (Al Pacino [Scarface]). ‘Cause first you see him as an immigrant getting hassled by the man, working as a dishwasher and tough talking his way into bigger work, dropping off some money for some cocaine. His higher ups (small time hoods themselves) don’t believe in him. But when the dealers pull a cross on Tony and his friends and it turns into an insane bloodbath (literally, come to think of it, because alot of the mayhem takes place in the shower), all involved must admit that he handles it with, uh, flair. He leaves with the money and the yayo (a term now popular because of the movie), tells the middlemen to fuck off and brings it all straight to the area boss, who is very impressed. This is typical of his quick rise up the totem pole. Initiative, elbow grease, bootstraps, etc. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.