Posts Tagged ‘Stephen Lang’
Monday, November 24th, 2025
SISU: ROAD TO REVENGE came out Friday. It’s a sequel to the 2022 film SISU but they didn’t put a #2 in the title, so some friends of mine saw the trailer and weren’t aware it was a sequel. I think that’s wise marketing – this is an old school standalone approach to a sequel where you wouldn’t even have to know there was another one to understand or appreciate the story. So yes, see this one first if you want to, you have my permission. But if you like either one of them I recommend watching the other.
The appeal of SISU, and now of the SISU movie series, is pretty straightforward. Aatami Korpi (Jorma Tommila, RARE EXPORTS: A CHRISTMAS TALE) is a particularly Finnish bad motherfucker, a rugged and scarred ex-commando who looks more like a farmer than an action star. Stubbornness is his super power; he’ll never give up or give in, so he goes to hell and back and then back to hell again and pretty much just gets dunked repeatedly in hell until he’s totally soaked in it but he keeps clawing his way out again and anybody who does anything to him along the way dies horribly at his hands. And one important thing is that he never says a damn word the whole time, because what is there to say other than you chose the wrong Laplander to fuck with? His deeds speak for themselves
The first movie would be a clever and well executed action/revenge movie in any era, but it happened to come out when it was particularly enjoyable to see some fascists get fucked up. It took place at the end of WWII, when a band of fleeing Nazi pillagers tried to steal the gold nuggets Aatami just found, and got elaborately, joyously slaughtered for it. In Chapter 4, “The Legend” we learned the backstory that he was a Finnish commando during the Winter War, when the murder of his family John-Wick-ed him into becoming a mythical “one-man death squad” known for killing over 300 Soviet soldiers. In SISU: ROAD TO REVENGE he will get a surprise opportunity to directly avenge his family while just trying to accomplish one task that he refuses to give up on. (read the rest of this shit…)
Tags: Finland, Jalmari Helander, Jorma Tommila, Richard Brake, Stephen Lang
Posted in Reviews, Action | 2 Comments »
Friday, December 16th, 2022
If we hadn’t seen it coming for so many years, AVATAR: THE WAY OF WATER would be a cinematic miracle. There has definitely not been a blockbuster movie with this level of mindblowing spectacle, visual beauty and action chops since MAD MAX: FURY ROAD, and before that since the first AVATAR.
I’ve rewatched AVATAR several times since it came out, and it’s always as good, usually better than the last time. Watching it again this week was no exception, and it really struck me that holy shit, these “game changer” visual effects from 2009 have influenced everybody, but not one movie has matched them. (Probly closest would be Peter Jackson’s largely forgotten HOBBIT trilogy.) I don’t want to get into an attack on modern blockbusters, many of which I enjoy, but it’s a simple statement of fact that the similarly-greenscreen-and-performance-capture based visuals in the very expensive Marvel movies that are trailered before THE WAY OF WATER and coming out next year look crude and primitive next to what was achieved thirteen years ago in AVATAR. And now along comes the sequel that blows AVATAR out of the water (by putting it into the water). (read the rest of this shit…)
Tags: Brendan Cowell, Britain Dalton, Cliff Curtis, Dileep Rao, Edie Falco, James Cameron, Jamie Flatters, Jemaine Clement, Joel David Moore, Kate Winslet, Sam Worthington, Sigourney Weaver, Stephen Lang, Zoe Saldana
Posted in Reviews, Action, Fantasy/Swords, Science Fiction and Space Shit | 103 Comments »
Thursday, August 19th, 2021
Your mileage may vary, but I loved DON’T BREATHE, director Fede Alvarez’s followup to his EVIL DEAD remake, once again produced by Sam Raimi. It was a hit at the time, and they talked about a sequel, but Alvarez was getting bigger offers, like THE GIRL IN THE SPIDER’S WEB. Which I also liked, but it didn’t really catch on. Now five years have passed, and I haven’t noticed DON’T BREATHE turning into a big thing, but we finally got that sequel, written and produced by Alvarez and directed by his usual co-writer Rodo Sayagues, in his directing debut. Hey, I’ll take it!
Stephen Lang (MANHUNTER, HOSTILES) returns as “The Blind Man,” or Norman Nordstrom as he is apparently named. He’s a Gulf War vet who lives in a rickety house in a largely abandoned area of Detroit with a rottweiler named Shadow and a young girl named Phoenix (Madelyn Grace, 2 episodes of Z-Nation). He home schools her, trains her in survival tactics, and only rarely allows her to go into town with his Army Ranger friend Hernandez (Stephanie Arcila, Penny Dreadful: City of Angels).
Phoenix calls him Dad, and we have to wonder what’s up here because we’ve seen part 1. In that one he was a victim of home invaders and went uncomfortably far in exacting his vengeance on them, then he was revealed to (SPOILER FOR THE FUCKED UP TWIST IN PART 1) have the woman who killed his daughter in a hit-and-run accident imprisoned in his basement, pregnant with a “replacement.” So there are many reasons for concern here. (read the rest of this shit…)
Tags: Adam Young, Brendan Sexton III, Christian Zagia, Fede Alvarez, Madelyn Grace, Rocci Williams, Rodo Sayagues, Sam Raimi, slashers, Stephanie Arcila, Stephen Lang
Posted in Horror, Reviews | 34 Comments »
Thursday, March 21st, 2019
You might’ve figured a new sci-fi/fantasy produced and written by Peter Jackson and his fellowship (Fran Walsh, Philippa Boyens), and directed by his storyboard artist/effects guy since DEAD ALIVE Christian Rivers, would be a pretty big deal. I had hoped to see it in 3D, but it came out the same week as THE MULE and SPIDER-MAN: INTO THE SPIDER-VERSE and then the next week I wanted to see AQUAMAN, MARY POPPINS RETURNS and BUMBLEBEE and since the movie flopped the showtimes dropped precipitously and it was gone before I got to it. Plus, everybody said it sucked.
Wrong! I am happy to report that MORTAL ENGINES is pretty fuckin cool! It’s based on a young adult book, and there are some costumes and characters that follow a sort of steampunk or HUNGER GAMES city dweller style that I’m not into it, but it’s an adventure in an interesting world with cool characters and the spectacular effects of Weta at their best.
The movie centers around futuristic London, which is a “predator city,” meaning the whole fucking thing drives around the wastelands like a giant tank looking for resources, which they get by “ingesting” smaller cities to steal their machines and citizens. In the opening scene they chase down a small mining town and swallow it up. When I saw the Londoners on the fancy top deck watching the chase and cheering I fell in love with the movie. (read the rest of this shit…)
Tags: Christian Rivers, Fran Walsh, Hera Hilmar, Hugo Weaving, Junkie XL, Peter Jackson, Philippa Boyens, post-apocalypse, Robert Sheehan, Stephen Lang, Weta
Posted in Fantasy/Swords, Reviews, Science Fiction and Space Shit | 30 Comments »
Wednesday, February 13th, 2019
Scott Cooper is an actor-turned-writer/director who seems slightly under the radar to me. He made a splash with CRAZY HEART ten years ago, a movie that somehow seems overshadowed by Jeff Bridge’s Oscar-winning performance in it (and that I thought of a few times watching A STAR IS BORN). His followup, the gloomy crime drama OUT OF THE FURNACE (2013), teamed him with Christian Bale (POCAHONTAS) for the first time, and I have to admit that I have not seen his poorly reviewed BLACK MASS (2015). But he didn’t write that one. I only watch the ones he directs and writes, obviously.
2017’s HOSTILES (based on a manuscript written by Donald E. Stewart [JACKSON COUNTY JAIL, DEATHSPORT, THE HUNT FOR RED OCTOBER, PATRIOT GAMES, CLEAR AND PRESENT DANGER] in the ’80s) reteamed him with Bale for what might be categorized as a Real Serious Western – the kind where the director is hesitant to call it a western (“I don’t think in terms of genre… If anything it’s a psychological western in the vein of Anthony Mann…I don’t think it’s a western, it has more in common with Joseph Conrad or Larry McMurtry or Louis L’Amour” he told Moviemaker) and you want to grab them and tell them “all right cool it buddy, just admit you made a really good western.” (See also THE REVENANT.)
But I guess I sort of get it. A completely traditional western is not very marketable in this day and age. Most people don’t really want the genre without a little bit of a new spin on it, and HOSTILES has one. (read the rest of this shit…)
Tags: Adam Beach, Ben Foster, Christian Bale, Donald E. Stewart, Jesse Plemons, Rory Cochrane, Rosamund Pike, Scott Cooper, Scott Wilson, Stephen Lang, Timothee Chalamet, Wes Studi
Posted in Reviews, Western | 12 Comments »
Tuesday, April 10th, 2018
Jason Momoa is… BRAVEN.
BRAVEN is the story of Joe Braven (Jason Momoa, BULLET TO THE HEAD), a nice, rugged logger guy who lives with his family in some snowy area in Newfoundland (or at least that’s where it’s filmed). I really didn’t know what the movie was going to be about, so when he wished a brotherly goodbye and safe driving to his co-worker buddy Weston (Brendan Fletcher, FREDDY VS. JASON) I thought Weston would never come back. And then when his wife Stephanie (Jill Wagner, Blade: The Series) had to leave and repeatedly talked about what she was going to do with him when she got home, I worried she would never come back. And then when he made his daughter Charlotte (Sasha Rossof) go to bed and wait until tomorrow to give her bracelet to grandpa (Stephen Lang, BAND OF THE HAND, DON’T BREATHE), I thought oh shit, Pops is not gonna make it through the night.
Well, I guess none of this is foreshadowing, they’ll all be okay. For a bit. And then they’ll all be in trouble. (read the rest of this shit…)
Tags: Brendan Fletcher, Garett Dillahunt, Jason Momoa, Jill Wagner, Lin Oeding, Sasha Rossof, Stephen Lang, Zahn McClarnon
Posted in Action, Reviews | 12 Comments »
Wednesday, February 28th, 2018
GANG IN BLUE is a made-for-Showtime Melvin & Mario Van Peebles father-son directorial collabo from 1996. Mario plays Rhoades, a righteous cop surrounded by corrupt racists in a secret cop gang called The Phantoms. Please think of these “Phantoms” as dudes in white ghost hoods, not purple tights and skull rings. Their only uniform, though, is their regular police one or their tattoos or their softball jerseys and jackets, ’cause their softball team is also called The Phantoms. There must be some naive soul on the force who sees the tattoos and thinks “Geez, those guys are really into softball.”
Rhoades talks about hiring diversity and minority policing of minority neighborhoods while his co-workers are talking about “ching-chong” and “homeboys” and “ooga booga” and “the jungle” and calling people “animals” like Trump always does. His presence fucks everything up when they go to shake down an illegal casino. Despite all the anti-racism talk the only Asian we see after these stereotypical gangsters is a thickly accented officer at headquarters who’s kind of a doofus. (read the rest of this shit…)
Tags: Cynda Williams, J.T. Walsh, Josh Brolin, made-for-cable-movies, Mario Van Peebles, Melvin Van Peebles, police brutality, Stephen Lang
Posted in Crime, Reviews | 5 Comments »
Monday, March 20th, 2017
Michael Mann feature #4 is MANHUNTER. Instead of a moody portrait of a thief like in THIEF he does one of a profiler trying to identify a serial killer. This is of course Mann’s adaptation of Thomas Harris’s Red Dragon, the pre-SILENCE OF THE LAMBS story of a guy chasing a killer called “The Tooth Fairy” after having caught Hannibal Lecktor (that’s how they spell it when he’s played by Brian Cox). William Petersen (THE SKULLS) plays Will Graham, who FBI agent Jack Crawford (Dennis Farina, CODE OF SILENCE) nudges into the investigation by showing him some crime scene photos and making him feel bad. That was a pretty shitty thing to do because Will is just starting to get his life back together after getting inside the mind of Lecktor also got him inside the rooms of a mental hospital.
“You’re supposed to be his friend. Why didn’t you leave him alone?” Will’s wife Molly (Kim Greist, C.H.U.D.) asks resignedly. (read the rest of this shit…)
Tags: Brian Cox, Dennis Farina, Joan Allen, Kim Greist, Michael Mann, profiler, serial killer, Stephen Lang, Thomas Harris, Tom Noonan, William Petersen
Posted in Crime, Reviews, Thriller | 154 Comments »
Wednesday, August 31st, 2016
DON’T BREATHE is the new film by EVIL DEAD remake director Fede Alvarez, and the most up-my-alley new horror movie I’ve seen in at least a couple years. Once it really got going I found myself alternating between wincing and having a big smile that I couldn’t get off my face. It’s produced by Sam Raimi, and I daresay it is almost a non-supernatural spookablast™. I’m not gonna say it’s as good as DRAG ME TO HELL, but that might be the last time I had this much fun watching a horror movie in a theater.
Now, keep in mind, I also liked EVIL DEAD. I had a great experience with some friends who all got a big kick out of its eviscerating-all-previous-standards-of-what-can-be-done-in-an-R-rated-movie audacity. Then almost everybody else I knew, both in life and in the comments here, seemed genuinely offended that I found any redeeming quality of any kind in that movie. It might be the most backlash I ever got for a positive review.
But I think this is different! It’s dark, and it definitely Goes Too Far at one point, but I think it’s more of a crowdpleaser. I think some of you guys will love it? (read the rest of this shit…)
Tags: Daniel Zovatto, Dylan Minette, Fede Alvarez, Jane Levy, Sam Raimi, Stephen Lang
Posted in Horror, Reviews | 35 Comments »
Thursday, June 5th, 2014
I heard so much trash talked about Gina Carano vehicle #2, IN THE BLOOD, that I was scared off from watching it on VOD. And it’s true that there’s plenty wrong with it, especially as a followup to Steve Soderbergh’s HAYWIRE.
#1 problem for alot of people: director John Stockwell (UNDER COVER, BLUE CRUSH) isn’t as meticulous about massaging a performance out of veteran fighter, recent actor Carano as Soderbergh was, so there are some pretty stiff line readings. In one scene she even says she’s from “Cuh-NECK-ticut,” not a regionally accurate pronunciation in my opinion. But as a fan of Dennis Rodman, Brian Bosworth, early Van Damme, Daniel Bernhardt, Gary Daniels, Olivier Gruner, early Dolph, etc. this is not a problem to me at all, and seems like kind of a complaint for action movie lightweights.
The main complaint for people of our ilk, that will go unnoticed by normal people, is that the fights are short and over-edited. The hits feel hard, the camera’s not that shaky and most of the framing is okay, but it’s another one hit = one cut movie. Why directors don’t think it’s worth the effort to stage a bunch of moves – or shit, at least two moves – in a row is beyond me, especially since Stockwell is on the public record as having seen and enjoyed HAYWIRE. He seems to take some influence in how to portray Carano as a scary asskicker (even re-using the gag where she calls her betrayer on the guy she just killed’s phone), but little in the clean-as-a-whistle action filmatism that is HAYWIRE’s bread and butter. (read the rest of this shit…)
Tags: Amaury Nolasco, Danny Trejo, Gina Carano, John Stockwell, Luis Guzman, Stephen Lang
Posted in Action, Reviews | 34 Comments »
