Posts Tagged ‘Michael Pare’
Monday, March 4th, 2024
Note: in conjunction with this review I also made my third appearance on I MUST BREAK THIS PODCAST, discussing the movie with Sean Malloy. Thanks for having me, Sean! Always a fun time. CLICK HERE TO LISTEN TO THE EPISODE.
WANTED MAN is the latest film by director Dolph Lundgren (MISSIONARY MAN). If you’re not aware, Lundgren is also an actor, so he stars as Mike Johansen, a way-past-his-prime cop. He’s introduced taking a morning beach jog, and of course he’s Dolph Lundgren (or stunt double – his hood is up), but he’s kinda limping, lumbering around. He has to take a bunch of pills. Later we find out he needs ankle surgery.
And he’s also in hot water. When he pulls up to the station and the protesters and media say, “That’s him!,” we realize oh shit… he’s the cop they were talking about on TV, the one that brutally assaulted a “migrant driver.” He sees the protesters and kinda does a whoops! and comically turns his pickup truck around. Later we see the indefensible bodycam footage, where he repeatedly slams a car door on the poor guy, yells about Mexicans and punches another officer trying to pull him off. (read the rest of this shit…)
Tags: Aaron McPherson, Christina Villa, Daniela Soto-Brenner, Dolph Lundgren, Erma Giron, James Joseph Pulido, Jesus "Rocko" Reyes, Jose Trujillo, Kelsey Grammer, Mexican border, Michael Pare, Michael Worth, Roger Cross, Tony Messenger
Posted in Reviews, Action, Comedy/Laffs | 8 Comments »
Wednesday, March 16th, 2022
I was excited to watch INVINCIBLE as soon as it came out, because it’s the first major Marko Zaror role I’ve been able to see since SAVAGE DOG in 2017. Since then he’s been in something called THE GREEN GHOST that I don’t think has come out, he had a tiny appearance in ALITA: BATTLE ANGEL, he doubled young Will Smith in GEMINI MAN, and it looks like he was in one episode of a Marvel TV show that I haven’t watched because it’s a crossover of several other Marvel shows I haven’t watched. I’ve missed him, so it was exciting to finally have another movie with his name on the cover.
Unfortunately, this is not what I consider to be a good movie, and not bad in an interesting enough way to recommend it to most people. It does however once again demonstrate Zaror’s extreme talent and professionalism – not just anyone could be in a production this shoddy and still be good in it, so for that reason I don’t regret watching it. (read the rest of this shit…)
Tags: Daniel Zirilli, Jason Archilla, Johnny Strong, Marko Zaror, May Myat Noe, Michael Pare, Sally Kirkland, Vladimir Kulich, Wych Kaosayananda
Posted in Action, Reviews, Science Fiction and Space Shit | 2 Comments »
Monday, October 1st, 2018
I haven’t watched a PUPPET MASTER picture since the early ’90s, so congratulations to this marketing that got me excited to watch the new PUPPET MASTER presented by the new Fangoria.
PUPPET MASTER: THE LITTLEST REICH is sort of a start-over made with the blessing but not direct participation of Charles Band. I don’t think I can technically call it a reboot, though, because it’s not supposed to end or replace the still ongoing original series. It’s an alternate universe version where the titelistical ruler of evil puppets, Andre Toulon, is a totally different character. Instead of a victim of the Nazis he’s a French-German Nazi sympathizer played by Udo Kier (BLADE, BARB WIRE) in nasty burn makeup. The screenwriter is S. Craig Zahler, and though it does not feel anything like BONE TOMAHAWK or BRAWL IN CELL BLOCK 99 it does continue his tradition of pushing the discomfort buttons and making me wonder “Should I be concerned about these racial themes?”
The main story takes place in the present, when artist and comic book store employee Edgar (Thomas Lennon, MEMENTO, THE DARK KNIGHT RISES) has to bite the bullet and go stay with his parents while getting back on his feet after a divorce. Desperate for money, he decides to take his dead brother’s rare hand-made puppet to Dallas to try to sell at a convention for the 30th anniversary of “The Toulon Murders.” But there are a bunch of other people there with their own original Toulon puppets, which all come to life (through goofy hand puppeting, not stop motion) and gorily murder Jewish, gay and black people. Puppetry and bigotry become one. (read the rest of this shit…)
Tags: Barbara Crampton, Charles Band, Charlyne Yi, Jenny Pellicer, killer dolls, Matthias Hues, Michael Pare, Nazis, Nelson Franklin, S. Craig Zahler, Sonny Laguna, Thomas Lennon, Tommy Wiklund, Udo Kier
Posted in Horror, Reviews | 33 Comments »
Thursday, June 7th, 2018
“Look, you’re a tough guy, but you’re also a good guy.”
“I ain’t that good, mate. You saw what I did to that lad, didn’t ya?”
Yeah, I know, you’re all aware that Scott Adkins is the reigning king of DTV action. That’s not new information. You’re all well acquainted with UNDISPUTED II and III and 4 and UNIVERSAL SOLDIER: DAY OF RECKONING, if not HARD TARGET 2 or EL GRINGO or the other ones.
What hasn’t been discussed as much is that our favorite English martial artist has hit a new stride in his string of collaborations with director Jesse V. Johnson. Last year they did SAVAGE DOG, a weird and brutal period piece, followed a few months ago by the smart-ass assassin tale ACCIDENT MAN. Adkins gives honestly great performances in stoic roles like Boyka, who grunt almost as much as they speak, and I love those types of characters. But as co-writer and producer of ACCIDENT MAN, he not only gave himself a ton of great fight scenes, but all kinds of witty dialogue and first person narration that no other onscreen kicker could handle. And his latest continues the trend of retaining his Englishness and showing great charisma and verbal dexterity while still living up to the action expectations of a marquee-name martial arts star. (read the rest of this shit…)
Tags: Jesse V. Johnson, Louis Mandylor, Luke LaFontaine, Michael Pare, Sarah Finley, Scott Adkins, Tony Todd, Vladimir Kulich
Posted in Action, Crime, Reviews | 41 Comments »
Monday, December 17th, 2012
MAXIMUM CONVICTION is one of these powerful action team ups we get now in a post-EXPENDABLES world. Second-billed Steve Austin is probly the most reliable DTV guy after Scott Adkins, with a bunch of pretty good ones under his belt (DAMAGE, RECOIL, HUNT TO KILL) and a durable persona as seen-it-all-skullcrusher-with-an-inherent-sense-of-decency. Headliner Steven Seagal is… a guy I wrote a book about.
To tell you the truth I didn’t have alot of faith in him for this one. He seems to have grown comfortable as boss man on his ensemble TV show and lost the DTV eye of the tiger he had a few years ago when he did the historic URBAN JUSTICE/PISTOL WHIPPED one-two punch. His recent efforts (although some might not call them efforts) have been worthwhile for my deep Seagalogical analysis, but not too inspiring as works of entertainment. And the trailer for this looked pretty crappy, I thought.
(read the rest of this shit…)
Tags: DTV, Keoni Waxman, Michael Pare, Seagalogy, Steven Seagal, Stone Cold Steve Austin
Posted in Action, Reviews, Seagal | 13 Comments »
Saturday, November 19th, 2011
Holy shit! There’s another good werewolf movie! And it’s from the ’90s. This is not really one of my favorite subgenres, but there’s definitely a couple good ones of this type. Obviously AN AMERICAN WEREWOLF IN LONDON is one of the greatest horror movies of all time and still the most perfect specimen of the scary/funny balance. Then I like THE HOWLING 1&3 and GINGER SNAPS is pretty good with decent sequels by DTV standards (even if they were theatrical in Canada). And DOG SOLDIERS I remember enjoying. The end. (read the rest of this shit…)
Tags: Eric Red, Mariel Hemingway, Michael Pare, werewolves
Posted in Horror, Reviews | 49 Comments »
Wednesday, September 22nd, 2010
You guys ever heard of this one?
Okay, you were right, STREETS OF FIRE is pretty cool. I was a little skeptical because the poster calls it “A Rock & Roll Fable,” which is not really one of my top kinds of fables. I’m more of a free jazz fable type of guy, I like SPACE IS THE PLACE. Also I got some prejudices against the ’80s rock and the retro ’50s style fetishes. Luckily the singer gets kidnapped for most of the movie, so the long onstage performances are only at the beginning and end. It’s not a rock musical or anything. (read the rest of this shit…)
Tags: Amy Madigan, Diane Lane, Michael Pare, Rick Moranis, Walter Hill, Willem Dafoe
Posted in Action, Music, Reviews | 68 Comments »
