TIGER CLAWS (1991) is the second film starring the Canadian Dragon (I made that name up) Jalal Merhi. After filming BLACK PEARL, a.k.a. FEARLESS TIGER, he brought along some of his cast and writer J. Stephen Maunder, hooked up with Shapiro-Glickenhaus, and kicked off Film One Productions, which produced 19 movies between 1991 and 2015, almost all of them starring or directed by Merhi.
For this first film, crucially, they hired Canadian TV director Kelly Makin, making his feature film debut. He would soon make a bigger mark directing filmed segments for The Kids in the Hall, and later their movie BRAIN CANDY. I’m guessing he’s the reason TIGER CLAWS has more wit and style than many comparable DTV action movies of the era (including this film’s sequels).
Even more crucially, Merhi was able to co-star with Cynthia Rothrock. She’d already made her mark in Hong Kong with YES, MADAM!, etc., and in the west with NO RETREAT NO SURRENDER 2, CHINA O’BRIEN I and II, the first MARTIAL LAW and even FAST GETAWAY, so I hope he realized how lucky he was to share the lead with her. (read the rest of this shit…)
We’re all sad that Bruce Willis has retired, and more than that to have confirmation of his long rumored cognitive issues. He’s still there, and unable to say goodbye. It’s crushing.
The upside is how nice it’s been to have everyone on the same page again and celebrating his great career and all the happiness he’s brought us over the years. That made me want to watch something of his I’d never seen before – thanks for the recommendations, everyone. I decided to check out Blake Edwards’ SUNSET (1988), since it’s from that period when Moonlighting was still on the air, and I truly believed Bruce represented the maximum coolness potential for a human being. The earlier Edwards/Willis joint 
THE FINAL MASTER (2015) is the third movie from writer/director Xu Haofeng, again based on his own novel. I remember seeing a trailer for this and thinking about going to see it – man, I blew it, I could have had these great movies in my life years ago!
Over my [redacted] years of writing about movies, my relationship with the works of Michael Bay has evolved. It’s fair to say I once held hatred in my heart for them. I think I thought BAD BOYS was so-so when it first came to video (have not revisited – should I?) but 
RRR is a 2022 smash hit movie from India that has also been playing some multiplexes here and around the world. I would describe the basic feel of it as the most joyously over-the-top parts of American John Woo movies like 
JUDGE ARCHER (2012) is the second film directed by martial artist/novelist/writer of 
BLOODY MUSCLE BODY BUILDER IN HELL (1995) is a movie I watched partly because it was described as “the Japanese EVIL DEAD” and partly because it was called BLOODY MUSCLE BODY BUILDER FROM HELL. It’s a short, very low budget movie that does indeed pay tribute to the early works of Sam Raimi. I like seeing his influence reach across oceans and cultures like that.
I’m an idiot so it took me more than a decade to get around to watching REIGN OF ASSASSINS (2010), even though it’s directed by John Woo. Well, sort of – it’s actually directed by Su Chao-pin (SILK [2006]), but Woo was with him the whole time to mentor him, so he got a co-director credit. He says he gave advice, but never imposed his style. And I definitely wouldn’t confuse it for his movies.
MORBIUS is a movie I have been semi-anticipating. Not because I expected it to be particularly good, but because I have an interest in these sort of misbegotten wannabe blockbusters that seem already rejected by the public by the time it’s too late for the studio to turn back. I’m talking about movies that are the kind of pulpy lowbrow crap I enjoy, but seem somewhat misguided or clueless about what the public wants in such a movie, and therefore might do something kind of interesting. I think of them as big budget b-movies, as discussed in my review for 
It’s hard not to think of EVERYTHING EVERYWHERE ALL AT ONCE as some kind of miracle movie. I had no idea it was something I needed, or something that anyone would think to make, until a couple months ago when the trailer came out. It stars Michelle Yeoh in her best ever English language role, a very layered character who gets to be funny and goofy and troubled and kind of an asshole but totally lovable and yes, she also does some kung fu. It co-stars Ke Huy Quan, who we knew as a child star in 
