TRANSFORMERS: RISE OF THE BEASTS is the new Transformers picture directed by Steven Caple Jr. (THE LAND, CREED II). It’s not a reboot, but a new chapter set in 1994 – after Travis Knight’s BUMBLEBEE, before all the Michael Bay ones. So technically it’s a prequel, but there’s not much important continuity (as there really isn’t in any of these movies).
Aside from a new director and attitude, the flashy new attraction is the Maximals – robotic animal characters from the 1996 computer animated show Beast Wars. You know how it is, you’re on Cybertron just minding your own business being a mechanical rhino or cheetah made out of metal but with fur on some parts, suddenly you gotta flee to an organic jungle world to hide the portal-opening Transwarp Key from the the giant planet-munching robot Unicron. That character was famously voiced by Orson Welles in THE TRANSFORMERS: THE MOVIE, and here he’s Colman Domingo (ZOLA), a great choice of voice to process even lower and blast through Imax speakers so loud you can feel it vibrating your bones. (read the rest of this shit…)
RENFIELD is a so-so movie with one element of excellence that kinda goes without saying, but I will say it. Later in the review.
June 10, 1983
Some of its qualities that some would consider shortcomings barely need to be stated. Roger Moore (THE CANNONBALL RUN) as James Bond is a horndog who hits on and beds multiple women 15-20 years his junior, and without having to put in any effort, since every woman is charmed on sight, no matter which side they’re on. And he makes several intentionally bad jokes. He also gets himself out of ridiculous situations with far-fetched plans, abilities and gadgets. It’s all part of the deal, and the last part is what I most look for. 
June 8, 1983
SPIDER-MAN: ACROSS THE SPIDER-VERSE is the first sequel to 
INFLUENCER (2022) is an excellent horror/thriller that recently came to Shudder. A friend recommended it and I watched it blind, which was a good way to go. I’ll try to set the stage and then I’ll warn you when I’m going to get into specifics of the structure and plot that you might prefer to experience first hand.
From what I’ve read, “SHIN” can mean new, true, or God. SHIN KAMEN RIDER – which I saw at a Fathom Events screening last week, and it’s playing again tonight only, check local listings – is the third and (as far as we know) final movie in the “SHIN” series by Hideaki Anno. Best known as the visionary director of the anime Neon Genesis Evangelion, Anno kicked off this live action thematic trilogy with 2016’s 
June 3, 1983
“We’re targeting today’s savvy media consumer who demands quality video entertainment regardless of where that entertainment experience takes place. By leveraging film and television franchises, which have already proven to be popular with specific targeted demographic groups, we’re able to both continually replenish our library while also maximizing revenues from our existing film and television programming!” —Jason Weiss, Vice President of MGM DTV division, 2007
June 3, 1983
