This is gonna be short and mean, like a leprechaun. To be frankly honest I almost didn’t try to write a review of this one, because I didn’t think I had much to say. But I decided it was my moral obligation to warn everybody. The only thing necessary for LEPRECHAUN: ORIGINS to triumph is for men who have already seen LEPRECHAUN: ORIGINS to do nothing.
Let’s be realistic. This is the LEPRECHAUN series. You and I, we are not devastated or surprised that the new LEPRECHAUN movie is not good. We weren’t expecting it to be, we weren’t even wanting it to be. But one thing we did expect, in my opinion, was it to be a movie that had a leprechaun in it. When you really think about it, that is one of the number one things tying all the previous movies together. “Has a leprechaun in it” has always been one of the steadfast rules of the franchise. Until now.
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All things being equal, THE EQUALIZER is Denzel Washington’s 
Sometimes a man just has to walk among the tombstones, you know? Stroll within the grave markers. Saunter betwixt the memorials. Seagal did it in 
You know what I realized? I don’t love minimalism. I don’t hate it either, and I think it’s funny to watch normal people get upset and confused by one of these slow, quiet, ambiguous takes on what usually would be genre material. It’s not for everybody. But some of these things are real artful, and when they’re really rolling the relative lack of movie artifice helps get a potent atmosphere and tone and feel going like nothing else. But to be honest at the end when they wrap up they don’t usually feel like a full experience to me. They’re not usually my favorites, or things I’d want to watch again. But as far as they go, THE ROVER is a real good one.
First I gotta give you that dreaded warning that more than the usual amount of fun in this one comes from not knowing what type of movie it’s gonna be. Not like it’s some crazy rollercoaster or mindblowing, rug-pulling shocker of a twist or anything, but it mixes up genres a little bit and I’m glad I didn’t know where it was going. So you might want to do what I did and just know it’s from the director and writer of 
Many of us know Pai Mei from his strict teachings of Beatrix Kiddo. In 
or “What I Did With Charles Bronson On My Summer Vacation”
Here’s one of those beloved I.P.s that the studios are always looking to repackage and the fans get real excited for. It’s a high concept that’s practically a movie trailer already, it’s like LORD OF THE RINGS meets 
ESCAPE (or FLUKT) is a great little Norwegian period action movie. If I had seen any other Norwegian period action movies I’m confident this would still be one of the best. It’s kind of like a post-apocalypse movie because the population has been decimated by the Black Plague, and gangs of brutes terrorize anybody with the balls to travel around. One such balls-having family is attacked by one such gang, and only their teenage daughter Signe (Isabel Christine Andreasen) is spared.
